FUJI FP 100C RECOVERING A GREAT NEGATIVE ISNT HARD AT ALL

[william_littman1]

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<br /> here are a few more tutorials<br /> <a dir="ltr" href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DYrurHRKxh9Q&h=YAQGF5vtk" rel="nofollow" target="_blank">

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<p>I THINK THIS JUST GOT REALLY INTERESTING!!</p>

[william_littman1]

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[Fotohuis RoVo]

<p>No it is very easy.</p>

[william_littman1]

<p>Yes Robert I agree.<br /> when people started tinkering with this a few years back there were a lot of alarmist warnings about scratching negs oven cleaners and other esoteric toxic nonsense which literally scared users away.<br /> As you can see from the videos its no harder or extensive than clearing and fixing New55 NEW 55 film.<br /> this negative does not have an orange base as other color negatives so when scanning and printing for color<br /> in an usual range you must have a blank orange negative( no image) or an 85 b/c written and you may play with nd filters if you like or add a layer in photoshop if you are sufficiently skilled.</p>

<p>CROSS PROCESSING <br /> without adding the orange base what you have is a very high end cross process tonal range of a 3x4 inch HD neg. compare at 10 dollars per shot if you were to cross process a 4x5 negative either way.</p>

<p>Technical pan.<br /> It may surprise you to know that when scanned for use as black and white this negative can approximate technical pan in a big way but less harsh on the skin tones and having a higher iso.<br /> Im all for alternatives. New 55 New55 is a mid to low contrast very rich mid and dark tones panchromatic.<br /> and this other fp 100c option is a highest contrast obtainable when used as a black and white neg .</p>

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