jj_golden Posted March 23, 2015 Share Posted March 23, 2015 <p>Here are a few that I back in the fall and late summer, these were shot with the rittreck view 4x5 back</p><div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 <p>number 2</p><div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 <p>number 3</p><div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 <p>number 2 was actually taken last spring, anyway number 3</p><div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 <p>number 5 (im getting my numbers mixed up)</p><div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 <p>last one</p><div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 <p>wait! one more</p><div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 <p>found another : )</p><div></div> Link to comment Share on other sites More sharing options...
Tony Evans Posted March 23, 2015 Share Posted March 23, 2015 <p>JJ, Lovely images illustrating LF uniqueness. Thank you.</p> Tony Evans Link to comment Share on other sites More sharing options...
Robin Smith Posted March 23, 2015 Share Posted March 23, 2015 <p>I think you would need to see these in the flesh to see the LF uniqueness. I think a touch less exposure on the waterfalls would help bring out the water textures. Number 1 is my favorite.</p> Robin Smith Link to comment Share on other sites More sharing options...
rick_drawbridge Posted March 23, 2015 Share Posted March 23, 2015 <p>Absolutely classic ; love "just a tree' and the last one. Superb tones and textures. What's your film and process, <strong>JJ</strong>?</p> Link to comment Share on other sites More sharing options...
AlanKlein Posted March 23, 2015 Share Posted March 23, 2015 <p>The 2nd and last are my favorites. Nice shots all. What film, scanning and post processing did you use?</p> Flickr gallery: https://www.flickr.com/photos/alanklein2000/albums Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 Thanks for the comments all. My film is fp4 processed in a tray with ilfosol3 1 to 14 . Post as far as post goes lots of deee dusting. Contrast control a bit and a little dodging and burning pretty much basic darkroom stuff thanks again Link to comment Share on other sites More sharing options...
JDMvW Posted March 23, 2015 Share Posted March 23, 2015 <p>Hard to beat large format, and you make the most of it.<br> Thanks.</p> Link to comment Share on other sites More sharing options...
Andrew in Austin Posted March 23, 2015 Share Posted March 23, 2015 <p>Lovely images - The format really brings out the tones of wood and old stonework. - Kudos for shooting the interior of the old church.</p> Best Regards - Andrew in Austin, TX Link to comment Share on other sites More sharing options...
GerrySiegel Posted March 23, 2015 Share Posted March 23, 2015 Brought back some memories I will now share one. Cades Cove in mist. Well that do call it Smokey NP. Stereo Realist I think but chrome slide. Can't beat Kodakchrome in the day for sharp. This was about 1968 when we camped out there.<div></div> Link to comment Share on other sites More sharing options...
jj_golden Posted March 23, 2015 Author Share Posted March 23, 2015 Nice shot I know that cabin very well been there many times. In 1968 I was probably a year or two younger than the child in the shot I had the big 5 0 last week Link to comment Share on other sites More sharing options...
chuck_foreman1 Posted March 24, 2015 Share Posted March 24, 2015 <p>Wow.. Loved them all especially the Homesteads.. The last one was excellent</p> Link to comment Share on other sites More sharing options...
tony_lockerbie Posted March 24, 2015 Share Posted March 24, 2015 <p>Love some LF B&W, really nice work JJ. I like the first road picture and the "just a tree" shot the best. Thanks for showing these.</p> Link to comment Share on other sites More sharing options...
Tony Evans Posted March 24, 2015 Share Posted March 24, 2015 <p>Robin,</p> <p>You can see it in the use of Tilt & Swing </p> Tony Evans Link to comment Share on other sites More sharing options...
jj_golden Posted March 25, 2015 Author Share Posted March 25, 2015 Yes tony I was either tilting swinging shifting or rising in most of them. The road picture IIRC I did a little bit of every thing :) Link to comment Share on other sites More sharing options...
Robin Smith Posted March 25, 2015 Share Posted March 25, 2015 <blockquote><p>You can see it in the use of Tilt & Swing</p></blockquote><p>They could also have been taken with a smaller format stopped down. At this size we cannot really tell.</p> Robin Smith Link to comment Share on other sites More sharing options...
James G. Dainis Posted March 25, 2015 Share Posted March 25, 2015 Tilts, shifts and swings are used to keep parallel lines parallel. The last photo of the cabin looks like it may have been taken with the camera pointing up from a road on a lower level than the ground on which the cabin rests. Yet, the sides of the cabin are parallel to the sides of the photo, not keystoning or making the cabin look like it was tilting back. James G. Dainis Link to comment Share on other sites More sharing options...
James G. Dainis Posted March 25, 2015 Share Posted March 25, 2015 Just a quick and dirty tutorial on tilts and swings with large format.<P> <center><img src=http://www.jdainis.com/viewc1.jpg width=350><BR><img src=http://www.jdainis.com//viewc2.jpg width=350></center><P> In the above photos, the first (A) was taken with the camera aimed at the window with no back swing adjustment. Notice the convergence of the horizontal lines, particularly noticeable near the bottom of the ground glass. <BR> In the second photo (B), the view camera was kept aimed in the same direction but the back was swung so that it was parallel to the window. The lines no longer converge but remain parallel to the top and bottom of the ground glass. This is what would be captured on the film. James G. Dainis Link to comment Share on other sites More sharing options...
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