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Which 120 films react most to cross processing?


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<p>Hello again.<br>

I'm doing a science fair project on cross processing and would like some advice on films to try for cross processing.<br>

Also, is there a rhyme or reason to why the react the way they do? Like ISO or something like that?<br>

Thanks<br>

Ty</p>

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<p>Well, as always it's a matter of personal taste, but I've always liked the results I get from cross-processing Kodak Portra 160C (C41 film processed as E-6 BTW). I've always thought it had an extreme version of a "70's TV Show" color palate. I don't have them handy, but I'll dig them up and post a couple. </p>

<p>Going the other way, I've x-processed Velvia 100 (E-6 as a C41). I shot it with a Holga to boot, so obviously some very strange results. In this case though, I thought the photos looked a lot cooler as negatives (very sea-green tone) than they did as positives, which gave me a sort of LSD level purple tone when I scanned them. My scanner needed therapy afterwards! =)<img src="http://d6d2h4gfvy8t8.cloudfront.net/7081412-md.jpg" alt="Velvia Cross Processed as C41" width="680" height="542" /><br>

^^Velvia cross processed as C41<br>

I admit, I'm curious myself as to what would cause certain colors to become very pronounced when doing this. </p>

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<p>Well here's a list of what I'm probably going to buy:</p>

<p>Fuji Provia 100<br>

Fuji provia 400<br>

Kodak ektachrome 100<br>

Fuji astia 100<br>

Fuji Velvia 100 <br>

All processed in c-41.</p>

<p>If I could get a hold of some of that Kodak vps I would but i can't find any.</p>

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<p>Ohhh yes! agfa precisa is great! I've shot a roll of 35 with that and it came out great! But sadly, I can only use 120 film for this project and 120 precisa doesn't exist anymore. It's pretty much all gone.</p>

<p>I will try some more Kodak films. I only saw the ektachrome for 120 sooo... any ideas on other kodak 120 slide films?</p>

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  • 2 months later...

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