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Linhof 617sIII + super symmar XL 110/5.6 - image problems


mosadek_miah

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Hi all,

 

I have just acquired a Linhof Technorama 617SIII with the Schneider

Super Symmar 110/5.6 XL lens via a custom-made Granview lens cone and

adaptor. I also have the 180/5.6 and 400/5.6.

 

My images with the 110/5.6 are sharp in the centre, but noticeably

blurry/soft/out of focus away from the centre, ie. only the central

third of the image is acceptably sharp.

 

I use a centre ND filter on front. My images with the other lenses

are fine.

 

What could be causing this???

Any advice/thoughts from panoramic / large format lens users

appreciated.

 

Mosadek Miah

email: mosadekmiah@hotmail.com

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You've probably got a problem with film flatness -- 120 is infamous for it. Try a roll of 220, and don't let it sit in the camera more than a few minutes because it will develop a "curl" at the ends of the film aperture. You may have to shoot at f:22 (or more) to get the entire film plane withing the depth of focus.
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check out the lens mount first and then the lens second. it could be

that you have a bad lens or more likely the lens mount is not correct.

you should be able to shoot the lens at f8 or f11 and get a sharp

image. i had a handmade 6x9 w/a super angulon on it and though the

machining was precise the lens needed to be "shimmed" when it was

mounted to get it sharp. having used both the linhof and fuji 617's i

can say they are very sharp and made extremely well - rare to have

film flatness pr

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<I>"You've probably got a problem with film flatness -- 120 is

infamous for it. Try a roll of 220, and don't let it sit in the camera

more than a few minutes because it will develop a "curl" at the

ends of the film aperture.'</I><P>Neither has been a problem in

my experience using 120 or 220 film in several 6x17 cameras:

the Fuji G617, the Linhof 617S or the V-Pan 617. And if 120 was

indeed "infamous or this it would have been abandoned by

professionals as a viable format long ago.<P> As to the other

problems Mosadek is having I really suspect that he is not

stopping down to at least f/16. F/16 to f/22.5 is the prime aperture

range for virtually all of the view camera lenses I have used. It

could also be a problem with the lens cone. Who built it? i can

think of several reasons for not wanting to use the 90mm over

the 110mm but all of them are creative or aesthetic reasons,

none technical.

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Mosadek: The camera is no better than the cones. The cones have to be made with great precision so that the image will in precise focus. I am talking about very small dimensions. It seems to me the lens adapter is the culprit. I would take the camera back and get another lens adapter, but you will only know that the new one is OK after you do tests. You have a fine piece of glass mounted on a donkey! Get a horse.
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Hi Guys,

 

Thanks for the suggestions.

 

I always shot at f/16.5 to f/32, so being too wide open shouldn't have been the culprit.

 

The lens cone is made by GRANVIEW in California. For those who are unfamiliar with them, they make adaptors and cones which allow use of any large format lens on the Fuji and Linhof 6x17 cameras, and the adapters also allow for some rise and fall (which I never used!).

 

The adapters and cones are quite pricey.

 

I will write to Granview regarding this problem.

I am in Sydney, Australia, so I may have some difficulty getting the thing fixed/replaced by them!

 

Mosadek

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