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Arca-Swiss 6 x 9 Pros and Cons


steve_singleton2

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As a commercial/editorial photographer, I sometimes need camera movements that my 35 and RB equipment don't deliver. Since local 4 x 5 E-6 processing is not available, I'm looking for a camera that will take 120 rollfilm and Polaroid backs, accept a digital back in the future, be light and rigid enough to allow equal parts studio and drive-to location work (architecture), offer reasonably priced (good used) accessories. The Arca-Swiss 6 x 9 or 4 x 5 FC sounds as likely as anything I've read about, meeting all criteria except maybe the used accessories. Does this choice seem wise, or are there other systems I should consider?
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  • 1 year later...

Steve,

I've used an Arca Swiss 6x9 since 1984 - both the earlier model and

the newer one that came out about 10 years ago. I use lenses ranging

from the new 35mm to 210mm. The camera is geared like a microscope.

The movements are precise and sure. For me, the range of movements

both front and back have been more than enough for 99% of my work. (I

am an architectural photographer.)It sets up quickly and is light

enough for the longest treks without being the least bit flimsy. I

use Horseman 6x9 backs and a polaroid back made for the camera.

 

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A thought about 6x9 vs 4x5. I shoot regularly for Architectural

Digest (a demanding group) and produce books on architecture and

design. I have yet to have any criticism (or disappointments) re: the

size of the film. The 120 Fuji RDP and RTP films are exceptional and

reproduce beautifully. Lastly, the 6x9 proportion has always been

more appealing to me than the clunkier 4x5. I couldn't recommend a

camera more highly. The downside: I believe only B&H carries it;

there are no other US distributors that I know.

 

<p>

 

I hope this helps.

Steven Brooke

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