harold_leyes Posted January 5, 2008 Share Posted January 5, 2008 One of the nicest feelings I have as a photographer is to finish processing a roll of Tri-X file. I pull it out of the tank and view the finished images in the light - I love the shades of gray that this film captures. I am shooting digital, and I have Photoshop and Macromedia (Adobe) Fireworks. How can I take a color digital image and change the settings so the result looks like it was shot on Tri-X, with the slight grain, and the gray scale? Thanks in advance, Harold LeyesFort Myers, FL Link to comment Share on other sites More sharing options...
leicaglow Posted January 5, 2008 Share Posted January 5, 2008 There are a lot of different techniques. The better ones (IMO) start with desaturating the image to give it the gray scale, manipulating the contrast, then, depending on the version of PS you're using, go to Filter | Artistic | Film Grain to get the grainy look. Link to comment Share on other sites More sharing options...
ronald_moravec1 Posted January 5, 2008 Share Posted January 5, 2008 Convert to monochrome and there are many ways. Desaturation is the poorest. Either with curves or put the file in the raw converter, you can adjust the contrast and gamma at individual places along the curve to make it look different. Link to comment Share on other sites More sharing options...
patricklavoie Posted January 5, 2008 Share Posted January 5, 2008 email me to get my action set for CS2-3, and my Ligtroom preset..you should get a nice BW. also search the forum for a old post of mine where i give recipe to emulate different bw film using the channel mixer. Indeed, you will need to use some level, curve, mask and add some film grain to get what you want in the end. Here, to save you some time.. Agfa Agfa 200X: 18,41,41 Agfapan 25: 25,39,36 Agfapan 100: 21,40,39 Agfapan 400: 20,41,39 Ilford Ilford Delta 100: 21,42,37 Ilford Delta 400: 22,42,36 Ilford Delta 400 Pro: 31,36,33 Ilford FP4: 28,41,31 Ilford HP5: 23,37,40 Ilford Pan F: 33,36,31 Ilford SFX: 36,31,33 Ilford XP2 Super: 21,42,37 Kodak Kodak Tmax 100: 24,37,39 Kodak Tmax 400: 27,36,37 Kodak Tri-X: 25,35,40 Basic Settings Normal Contrast: 43,33,30 or 24, 68, 08 High Contrast: 40,34,60 Link to comment Share on other sites More sharing options...
patricklavoie Posted January 5, 2008 Share Posted January 5, 2008 Or use CS3 BW tool to get what you want visually adding some level curve and some film grain. or use the 300$ exposure plugin.. your choice : ) Link to comment Share on other sites More sharing options...
adityatw Posted January 5, 2008 Share Posted January 5, 2008 Or why not just keep shooting with Tri-X and scan the film? :) Link to comment Share on other sites More sharing options...
Spearhead Posted January 5, 2008 Share Posted January 5, 2008 He says he's shooting digital, it's hard to put Tri-X in a digital camera. You will see some difference between grain characteristics in Tri-X negatives and digital images after processing into black and white. Some people use a scan of a Tri-X frame and add it as a layer, adjust opacity to the desired level, and then flatten. Music and Portraits Blog: Life in Portugal Link to comment Share on other sites More sharing options...
StuartMoxham Posted January 5, 2008 Share Posted January 5, 2008 You can't. It is not the same you can get real close but it won't ever be TriX will it. You won't get the satisfaction of pulling it from the tank for starters. I've seen great digital B&W images. I can make nice nice digital B&W images myself. You can have real blown out highlights with B&W film but you can still burn them in using traditional darkroom printing. With digital even shooting RAW you just don't get that. As you shoot TriX now why not continue and enjoy it also enjoy digital for what it does well. Digital B&W can look great develop your B&W digital conversion skills and you will get great images use a scan from from Trix as Jeff suggests you will probably even closer. Digital is a different medium so expect it do look a bit different. B&W film look different shot on medium format compared to 35mm even if it is the same film. You may even end up prefering your digital B&W convertions compared to B&W film. Link to comment Share on other sites More sharing options...
adityatw Posted January 5, 2008 Share Posted January 5, 2008 Jeff - I know! My point is - if he's familiar with shooting Tri-X (which means using a traditional SLR), why not continue with it, rather than spending a lot of time making digital photos to look like film? Isn't that counter-productive? Link to comment Share on other sites More sharing options...
Uhooru Posted January 5, 2008 Share Posted January 5, 2008 I do both, scan 3x and do it other ways. Once you get a look you like, it doesn't take any time at all. Link to comment Share on other sites More sharing options...
leicaglow Posted January 6, 2008 Share Posted January 6, 2008 Hi Ronald, Why do you say that desaturation is the poorest method. It is the one that my guru's use the most often to get things going. I'm always trying to learn... not challenge you. Thanks! Link to comment Share on other sites More sharing options...
patricklavoie Posted January 6, 2008 Share Posted January 6, 2008 Michael, start to think about changing guru.. I cant explain it as well as other, english is not my first language, but let say that by desaturating only you dont get the full range of tonality that you could get by using the channel mixer or the calculation method. By using the channel mixer for example, you could get the red to react one way and the green to react another way. If you simply desaturated your image everycolor react the same..giving you a poor conversion, almost identical as just converting your image to grayscale..ask your guru what is the best method between rgb > grayscale VS rgb > desaturated, he should say desaturated indeed..but do it yourself and realize that both of the method yield to the same result..than realize that your guru need update in is knowledge : ) Link to comment Share on other sites More sharing options...
stb Posted January 6, 2008 Share Posted January 6, 2008 By desaturating you don't only loose colour, you also loose the real luminance information. Two colours that would make a B&W film react with different grays can give the same gray after a desaturation. That's avoided when using the grayscale conversion or, better, the channel mixer. Another good way to convert is to convert the file to Lab space and isolate the L (Luminance) channel. Link to comment Share on other sites More sharing options...
Uhooru Posted January 8, 2008 Share Posted January 8, 2008 What about the B/W tool in CS3. I find you get a little more control and its more intuitive (for me) than straight channel mixer. It is actually, a finer tuned channel mixer is it not. Link to comment Share on other sites More sharing options...
harold_leyes Posted February 14, 2008 Author Share Posted February 14, 2008 Thanks to you all for your input. That gives me something to think about. HL Link to comment Share on other sites More sharing options...
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