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Has B&W photography become inherently sentimental?


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Not sure about this.

In some ways, I think colour is more prone to sentimentalism. B & W materialises the gap between perception and image, compared to colour, because its an abstracted version.

 

So maybe there are 2 questions here:

 

1) the inhernet qualities of colour and B & W and how they conmpare and

2) the existing work being done.

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