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Ricoh GR Digital - Moriyama - Glorious Grain?


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Great stuff Kei. I have been considering whether to jump in and buy one of these, and your shots are pushing me closer to the edge!

 

I currently use a digital SLR and I'm finding it difficult to work around the bulk and mirror slap when it comes to street or candids in quiet places. I would also like something to fit in a pocket and take places where the DSLR is a chore to carry.

 

The problem I have with current compact cameras is that while they may have less noise than the GRD, it is obvious that the noise has only been processed away and replaced with a smeary, painterly mess. I find that noise looks better in prints than the horrible effects of noise reduction.

 

I have looked at some of the ISO 1600 samples and while they're quite noisy, the grain is quite uniform and seems to be spread equally over the colour channels. When converted to black and white, it actually looks very much like film grain. This is a much better effect than the blotchy low-frequency smeary images that even some DSLRs make.

 

Does anyone know where I might find some RAW files taken at high ISO?

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>>>I don't see why you shouldn't be able to print beyond this either.<<<

 

In my experience, if A4 prints are okay, one can go much, much larger because the

viewing distance is also larger: the normal viewing distance is twice the pciture's diagonal.

Incidentally, a little over a week ago, on my way to Africa, I saw the Moriyma exhibition at the

Sydney Biennale (Gallery of NSW): the prints are magnficint -- 100x150 cm (40x60 inches)

and most or all were taken with the Ricoh GR-1.

 

--Mitch/Lubumbashi

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great pics kei.

 

Can someone with the camera describe the " snapshot focus mode" that Toke mentions

using? I wasn't able to discern from the specs what that setting did exactly. I presume it is

some fixed-focus mode... but does that also mean it forces a small aperture to maximize

depth-of-field?

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I just got my GRD as a replacement for my clux-1. As far as I can determine, the 'snap' setting fixes the focus at one specific distance from the lens (I think it is 8 feet). But in reality, because of the extreme DOF, anything 4 feet away will be 'in focus'. This is if you set the aperature at f2.4, of course the smaller the f stop the greater the DOF.

 

It is GREAT small digital and at ISO 1600 jpeg in BW mode, it is very 'flm noir' and more than acceptable because it just looks like high speed film grain.

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great stuff Mitch!

 

they look like real pictures! lol

 

still got my GR1 although I hardly use it now - would love the GRD

 

keep posting the pics, I have also bookmarked your page to keep track

 

regards JohnL

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Hi guys,

I tried to post this in T.O.P., but I was "moderated" (censored).

Sincerely, I find this thread funny. It's a tipical case of what's called "reduction of distortion" (or something like that) in marketing terms. It's when a customer needs to feel good with the money he spent on something so he invents justifications to it.

In this case, the supposed "grain like" quality of GR-D high iso noise. Come ooooon!!!! It's simply noise!! Of course in b&w has more appeal, but it's noise. Based on the several examples here (including the amazing pictures from Kei), I can't see any magic in the quality of the noise, it looks like noise.

I don't think Ricoh got the grial of diminutive sensor technology.

But this camera is clearly targeted (please, no offense) to the photo snob. Yes, you pay 2, 3 or 4 times more to get less. You get a fixed 5mm lens, with a not so fast 2.4 aperture (but you know, it's "magic" it's tack sharp, and it's a prime, of course, serious photographers don't use zooms, you amateur). There's a lot of zoom digicams with an aperture of 2.8 in the wide end for less money, but since they are consumer cheap digicams, they're not worth it.

Just pay three times more and get the same sensor but less versatility to feel a serious photographer. Now you're a digital HCB!!!

I mean, I'm plenty sure you guys on this thread would discarded a cheaper camera with the exact amount and class of noise as "unacceptable noise", "unusable above 400 iso", but since you paid simply too much, you need to romantisize it, make it "pro" and special. Maybe being in the red dot forum has to do with it.

I love Moriyama, and own books with his work, but he uses the film version of the camera. Obviously, he talked well about the digital version, but he uses film. So, don't feel "I'm like Daido".

Well, sorry, just needed to say that. By the way, I would like to own one, but with at least a 3x zoom and a $300 price (that's what it's worth imho).

And I don't have nothing against primes. I shot exclusively with them for 6 years, got my first zoom with my digicam, so I'm not an anti-prime guy, I'm just anti-snob.

Regards,

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with regards to "digital film grain", im no expert. But i don't see anything wrong with trying to reproduce film-like grains in digital modules, since to me, that's where the grail is.

 

I think the degree of success of such mimicking(sp)is dependent on how you convert from colour to b/w in PS.

 

I have some actions in PS for converting colour jpeg to b/w for my Ricoh GX 5mp. Not perfect, but pretty decent. What do you expect? film exactly?!

 

Here's a attached file.

 

If anyone is keen on the action, please email me. ;)

 

 

<img src="http://d6d2h4gfvy8t8.cloudfront.net/4691244-lg.jpg"></a>

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>>>It's simply noise!! Of course in b&w has more appeal, but it's noise.<<<

 

You may say what you wish, and I've no problem with you calling it noise: what I'm interested

in is how it looks; and to me it looks very much like film grain. You can look at my shot above

at ISO1600, which does look like film at 1600. And Kei's shots above at 800 also look like

film grain. Pretty good for "noise." In my, admittedly, limited experience with digital cameras

I haven't seen other ones that produces such grain-like noise.

 

--Mitch/Lubumbashi

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Here is an interesting posting on the type of "grain" the GR-D produces at ISO800 in RAW

versus JPG mode. The conclusion is that the GR-D's RAW to JPG conversion engine does a

better job at producing attractive pictures than working with the RAW files.

 

http://alt-digital.blogspot.com/2006/07/controlling-grain-on-ricoh-gr-digital.html

 

--Mitch/Lubumbashi

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I've been following this thread with great interest. I've been looking for a compact that would just serve as an always have along when carrying the DSLR was inconvient. The comments on the Ricoh seem that it is that and much more. My question is... Did you buy the optional optical view finder? If not, how is using the LCD to compose?

 

Thanks for responding

 

Mike

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