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DMR & CANON SHOOTOUT... WE LOSE


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I am up at Tanglewood for the July 4 weekend and what a great place to start

working with my R9-DMR. As luck would have it, a medical school classmate of

mine is at the same hotel. With the wives busy touring this lovely area, my

classmate and I started playing around with our cameras... my R9-DMR with a 28-

90mm zoomlens and his Canon 20 with a 17-90mm zoomlens. My friend is a weekend

amateur and contents to shoot in matrix and program or aperture... I, well you

have all seen my work, fancy myself a more serious amateur.....

Anyway, we shot together and the Leica got killed by the simple Canon... The

results in matrix were attrocious at all ISOs with alot of clipping seen in the

highlights... I ended up using EV: -0.5 most of the time. Spot was better but

required EV changes periodically as well. The Canon was right on EVERY TIME

even in complicated situations...

My question is this: is this a problem with the R9 lightmeter? Do I send it

back to be recalibrated or is it a DMR problem? A most embarrassing photoshoot

but a great weekend otherwise...

happy 4th!

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Perhaps this makes no sense, but I think that the meter's response is different for film and

digital. For film, the matrix meter is rarely fooled on the R9, but with the DMR, I usually

shoot it at -.5 to -1.0 EV. With that basic correction, things seem to do fine. I shot with

the same kit today -- R9, DMR and 28-90 zoom. Here are some shots from today. I was

driving around the Reykjanes Peninsula in Iceland. <P><img src="http://

www.stuartrichardson.com/selantangar-sand-and-flower.jpg"><P><img src="http://

www.stuartrichardson.com/krisavik1.jpg"><P><img src="http://

www.stuartrichardson.com/seltun-hell-pit2.jpg"><P><img src="http://

www.stuartrichardson.com/seltun-view.jpg"><P><img src="http://

www.stuartrichardson.com/selatangar-arch.jpg"><P><img src="http://

www.stuartrichardson.com/route-42-2.jpg"><P><img src="http://

www.stuartrichardson.com/krisavik-kirkja1.jpg">

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Canon's smarter by leagues than Leica, have been since the Fifties at least, but when you look at 20D prints they're overtly digital-looking in B&W. If you like that look, that's fine. Seems edgy-looking Vs routine excellent scans. 5D seems equivalent to film, but maybe that's giving up something charming about 20D. I think the game's over in color.
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Albert, I think that once you get to know your DMR as well as your classmate knows his

20D the conclusions will be different. As Stuart does, I often use the DMR in matrix mode

with about -0.5 or -1.0 compensation. Writing RAW files with this compensation, rarely

do I see clipping on either end of the histogram.

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I used the Canon 20D for a few pics for selling some items- great camera & great results - however - I do feel it's a steep learning curve if you've not shot much digital so a tough call on the "shootout".

 

I'm going to suggest that you let the classmate use the DMR & let it rip - I have found that both of my sons who grew up on PS/Genesis/X-Box are way more inclined to work the menus & settings than me on digital bodies & yet my youngest son is a diehard film-based M user.

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Really, at this point, who cares? I am shooting with two theoretically obsolete cameras, the

10D and the R-D1, and I get great prints. The only factors I have accounted for other than

print quality are portability, high ISO performance, and sensor crop size (full frame is better

here folks).

 

I am holding off on the 5D for now, and I don't know why. Perhaps because I know the 3D

is just around the corner.

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Albert,

 

It's hard to comment on your exposure issues without knowing what sort of lighting conditions you were in. Generally speaking the R9 + DMR is, in my experience, very accurate but shooting digital is like shooting transparencies, you have to be careful not to blow out the highlights. If the lighting conditions are ones where you would not shoot transparencies because of high contrast, chances are your exposures will need less exposure than your meter tells you. I agree with Doug, experientia docet.

 

I love the combination you have with the 28-90. It's as close as I can get to an all-purpose lens. The image I'm going to upload was taken with that lens in the kind of light where few competent cameras would have trouble. No compensation necessary.

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How many posts on a thread with DMR in the subject take before Guy usually shows up proclaiming it to be the ultimate camera ever?

 

Did he go to London looking for a rendezvous with Boris in some hotel?

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thanks for the outpouring of support and advice. I agree that using an EV of -0.5 to 1 results in a perfect histogram. Why I need the correction and why the R9 lightmeter doesn't do this automatically sans correction is beyond me... so be it, correction will be made. I will continue to work at it and eventually get some pictures posted. Thanks again!

BTW, does this rule of -0.5 or -1 EV apply to T and P as well?

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BTW, beautiful DMR pictures Stuart and Gib... I agree that for reasons beyond me that the EV cnange of -0.5 to -1 is necessary. Scientifically this does not make sense as I USED to shoot transparencies exclusively and was alwys sensitive about the exposure range anyway. My R8 lightmeters were fantastically accurate in this regard.

BTW does this correction apply to T and P as well.

Also, I have been using selective as well as matrix metering. I relaize that the above EV compensation applies to matrix and assume it would also apply to selective as given the crop factor, the selective area now represents nearly 30% of the surface... in essence making selective well NOT SO Selective. Do you all agree with my stratedgy?<div>00HA4K-30958484.thumb.jpg.617cfb4e1050fa690fa1dfaf49d07acf.jpg</div>

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As far as I know, the meter responds identically regardless of mode. Albert, if you primarily

shoot with the DMR, there is a way to adjust the meter's response yourself. I believe it is in

the instruction manual. You will need the film back. Using a sequence on the film back, you

can adjust the R9's meter response in 1/10th of a stop intervals. So if you primarily shoot

with the DMR you could adjust it to -.70 EV and that should solve most of the exposure

compensation problems. One of these days I am going to set up a gray card and determine

the EXACT sensitivity of the DMR and program it into the R9...This is just like a pro

photographer buying a box of film and using the first roll to determine the true ISO and color

filtration.

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Albert there is another issue that has come up before that some have experienced with the DMR and the R9. Here is the fix some folks have put the R9 on ISO 400 than put the DMR on and it has created exposure issues. Take the DMR off the body put the R9 film door back on and battery and reset the ISO dial to ISO 100 take a few frames empty than remount the DMR. Now if you continually are off by a great some and you see things jumping around than you may have a more serious problem and a few folks have experienced this also were the meter cells went bad in the R9 and than this needs to go into leica for a expensive replacement. When I did all my testing with the DMR and 1dsMKII the R9 was actually more accurate than the Canon 1dsMKII so it sounds like there is something going on there that is not normal. I use A mode quite often on my personal work a lot and really have no issues with compensating with either body or either DMR setups. If you have questions just e-mail me and maybe I can walk you through this. Guy

 

Nels go out and actually shoot something instead of your mouth

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Albert one other thing I should mention that i have noticed with my Nikon D200 is that this camera in default mode tends to underexpose. The reason for this is it looks like Nikon setup the camera for consumers to keep them from blowing highlights and it is actually not a bad idea in a way but you can compensate for it in the menu's. So some of these more consumer camera's maybe setup like this to begin with. Just something to be aware of.
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Thanks Rene i have no interest in dealing with any of them, they do what they want and if they don't want to go try something than just talk about it than it is there loss not mine but i will help folks that ask for it like Albert and i have posted on other forums with Alberts questions. So I will leave this site and the trolls i gave Albert some idea's to look at and now I will get back to work.
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"How many posts on a thread with DMR in the subject take before Guy usually shows up

proclaiming it to be the ultimate camera ever?"

 

How 'bout you, Nels? It's been d-a-y-s since you've declared your undying love for your

Canon 5D.

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