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Help buying a Canon digital camera


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I am currently a photography student looking to change from film to

digital. At the moment, I am comparing the D10 with D20, and tossing

up whether to scrape together the cash to purchase the D20. One

feature that interests me with the D20, is the B&W mode. Can anybody

tell me what the differences are with using the B&W mode on the D20

versus converting photos to B&W in photoshop. What are the advantages

of this mode?

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I'm not really sure what it is but my friend was toying with it recently and it's just got some nice "filtering" controls if I remember correctly, much like what you could do in photoshop. The disadvantage again is that you can't change it after you've shot the picture, so shooting in color in the first place is a better idea because you can mix channels however you like as many times as you want later on in photoshop.

 

I could be wrong though, i've not had a chance to play with that "feature" or whatever it is.

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<center>

<img src="http://homepage.mac.com/ramarren/photo/PAW3/large/53a.jpg"><br>

<i>Calla Lily - Canon 10D + 50mm f/1.4</i><br>

</center><br>

 

Shane,

<br><br>

Using the channel mixer, you can simulate use of any color filters commonly used with

B&W film. What you can't do is simulate a polarizer or ND filter, those are the only two

filters I use anymore.

<br><br>

The 20D's B&W mode and filter settings are definitely a convenience, but by no means

essential to producing excellent B&W photographs.

<br><br>

Godfrey

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"one advantage is being able to shoot with yellow, orange and red filters; even green and blue for specific tone control with B&W images. This is something that can't be added later."

 

Shane, you are just flat dead wrong with that answer. All adding a color filter does with a digital camera is rob of the sensor of data and lower image quality. All of the color filter effects are easily emulated when doing the color to b&w conversion after the fact.

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Last week's issue of Amateur Photographer contained a review of the 20D. Among the

thingds they looked was the B&W system, including the filter settings. They came to the

conclusion that the B&W system was OK, but not great, and that the filter settings needed

really strong colour before differences were apparent. It seemed to have much wealer

effects than the equivalent real-world filters would have on a film camera.

 

Their conclusion was that better B&W effects could be achieved by shooting normal colour

images and then post-processing in Photoshop or another software package.

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Yes, color filters rob the sensor of data; that's what a color filter is supposed to do. Within that data could be channel noise that may be unwanted. You can remove noise in the blue channel by simply using a UV filter before the sensor even records it.

 

Have you shot B&W both ways with digital and compared them side by side ?

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As far as the flexibility of filtering color shots in Photoshop goes, the channel mixer is

fantastic. With it you basically have an infinitely variable set of color filters that can be

applied long after the exposure.

 

The 20D seems like a pretty nice camera. I'm tempted myself (I have a 10D) but the black

and white modes on digital cameras are dubious at best compared to post-exposure

manipulation.

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