olliesteiner Posted July 17, 2002 Share Posted July 17, 2002 My latest enthusiasm (obsession might be more accurate) is trying to appreciate how the high end of the tonal scale comes across on a print. I've asked some questions about this, on this forum, and gotten some very helpful advice and information on films and developers with regard to this quality. The other day I noticed that the whitest white of which my monitor is capable isn't all that brilliant. - I don't think it could be called a Zone X. For example, the white background of this message seems more like a very light gray to me, not as white as a nice enlarging paper. My question is: Are there monitors which can render a really brilliant white, comparable to the Zone X of a beautiful print? Link to comment Share on other sites More sharing options...
ramy_sadek Posted July 18, 2002 Share Posted July 18, 2002 Yes, there are such monitors. I should think that most consumer grade monitors could yeild a pretty good white. The decent ones often offer a color temperature adjustment. There are also software compensations that can be done. Macs come with this, and I believe adobe offers a decent one. Finally, there are professional grade monitors. These things are incredible, but costly. They can do anything. Awesome. Anyway, unless your monitor is a real piece, you should be able to get it to give a brighter white. -Ramy Link to comment Share on other sites More sharing options...
james_megargee Posted July 20, 2002 Share Posted July 20, 2002 Ollie, A very usefull web site that I have found with answers to your question is http://www.normankoren.com/zonesystem.html Link to comment Share on other sites More sharing options...
pete_andrews Posted July 22, 2002 Share Posted July 22, 2002 The brightness of the monitor is fairly incosequential. Ask yourself how bright a sheet of paper is in the dark.<br>It's the contrast ratio that's important, not the absolute brightness.<br>For example: I've measured a few 'average' monitors with a photometer, and in a darkened room they're easily capable of a 300:1 brightness ratio, up to maybe 600:1 if they're properly adjusted. A paper print can get nowhere near to this, maybe 100:1 at the very most.<p>It's not how bright the whites are, but how dark you can make the black that counts, with any display device. That's why we project films and slides in a darkened room, and why you should dim your room lights to use a computer monitor for any critical viewing as well. Link to comment Share on other sites More sharing options...
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