dan__ Posted January 20, 2002 Share Posted January 20, 2002 I am looking for some information to give to students about pre-flashing photo paper at a low contrast 0 or 00 to help add detail in highlights of a contrasty print. Where could I find an article, etc? Link to comment Share on other sites More sharing options...
scott walton Posted January 24, 2002 Share Posted January 24, 2002 I don't know about sites but I have done this a good deal. With the negative in the holder, after printing, I would use a Kraft negative envelope and use about 1/10th of the time of the exposure and put the negative sleeve under the lens moving it during exposure. A normal 10 sec exposure with a 1 sec flash works well in most cases. You will see the highlights come right in. These envelopes are for 4x5 and 8x10 film and are somewhat opaque/frosted white tinged envelopes. Hope this helps Link to comment Share on other sites More sharing options...
ron_gratz Posted January 30, 2002 Share Posted January 30, 2002 This is how I was taught to do flashing: <p> Place a small sheet (e.g. 4x5) of your paper on the easel. Cover oneedge of this - say 1/2" - with a sheet of opaque material. Set yourf/stop at f/22 and do a test strip by exposing the sheet in incrementsof 1 or 2 seconds for up to 10 seconds. Process the paper and let dry(or use Ansel Adams' trick of drying in a microwave). The edge you hadcovered will not have been exposed and so should stay at the basewhite. This is your reference. Look for the exposure that shows thefirst hint of gray darker than your reference. This is the thresholdof the paper. Use the next lower exposure (e.g. if your 1st hint ofgray was at 3 seconds, use 2 seconds) and flash the paper. This allowsspecular highlights to remain pure white but the rest of the sheetwill show a lower contrast. Link to comment Share on other sites More sharing options...
david_surowiecki1 Posted June 21, 2002 Share Posted June 21, 2002 Scott, regarding your answer. I don't understand what you mean when you say "with the negative in the holder." If the neg is still in the enlarger, then how is your, for example, 1-second flash, anything other than just adding an extra 10% of exposure to the print. Won't that make every value in the print 10% or so darker? Link to comment Share on other sites More sharing options...
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