Film Camera Week for December 20

Greetings all and welcome to our new thread. Post all the images you like from any film camera. I'll start with a few from a roll of Ilford FP4+ that I shot in my Minolta XE-5 with 55mm f 1.7 MC Rokkor. Only got a few as my monitor "went south" after a few scans. Probably get a new one later today and resume scanning.

Ready for Christmas, shallow depth of field at f 1.7

Light dusting of snow a week ago last Tuesday. Tripod mounted time exposure

backyard snow, light from two 150 watt flood lamps and high pressure sodium streetlights

one more

same view with outdoor flood lamps turned off

I hope to develop and scan a roll of Tri-X that I finished yesterday.

Looking forward to seeing everyone's images.

There used to be a trainstation here

Yashica-44 & 60mm f/3.5 Yashikor, with Fomapan 100 135 film rolled into 127 backing paper

Dillsboro Chocolate Factory. Nikon FM2n, Zeiss Milvus 50/1.4, Tiffin #12, 400TX.

Open train car that is great for photography. FM2n, Milvus 50/1.4, #12, 400TX.

Diesel locomotive to help steam locomotive. FM2n, Milvus 50/1.4, #12, 400TX.

Caboose. FM2n, 5 0/1.4, #12, 400TX.

Shop in Dillsboro, North Carolina. Fm2n, Milvus 50/1.4, #12, 400TX.

Two from the GAF L-ES, Vivitar VMC (Cosinon) 50/1.7, ColorPlus 200. Taken in October.

 

 

Mass Ascension

 

Farm Flowers

so more Colorplus 200...fg, 28/3.5 ais (La boca, BA)

This was my first time using ColorPlus 200 and my initial impressions is that Gold 200 maybe a tad "warmer"- but probably not significantly so. Will shoot another roll this week...

Nikon F

Here are a few from a Contax RTS with a 42-75mm Yashinon ML f/3.5-4.5 lens. The film was Arista EDU Ultra 100 developed in PMK Pyro. It's an odd little lens, but it has very low levels of distortion and it's very sharp.

 

107

 

 

Settings

 

 

Angles and Ivy

 

 

Bag

 

 

Tracery

 

 

Supplies

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Konica EFP3 AGFA Vista 400

Our thread is off to a great start. Looking forward to seeing more images.

Great work with the Yashica 44, Rick. I tried rolling some 35mm Plus-X on 127 paper. I cropped the sprocket holes, but maybe I should have kept them.

nearby house, Plus-X in Yashica 44A

I've shot some Efke 127 in the 44A. Still have a roll of Rollei Retro 80 that I've been saving.

a good southern snow from a few years back (Efke 100)

Here's an early experiment with trimming 120 down to fit. I had several rolls of outdated APX 100 on hand.

APX 100 as exposed in 44A

I thought about just scanning the film in my 135 frames, the scans would probably have been a bit sharper too.

Now I just flattened the film with a sheet of plexiglass.

 

I've shot mainly Rerapan 100 and 400 in my 127 format cameras. I did respool 35mm once before, but it requires the film to be rolled in really straight or you get that it will bulge up from the backing paper at the film plane sometimes (unless you make a mask for it and lose the sprocket holes).

I should really make a jig for it.

 

Alternatively, just using a cigar cutter on a roll of 120 is much easier

President Eisenhower boyhood home, Abilene Kansas

Heiland Pentax H2, Kodacolor

Voigtlander Vito II (Color Skopar 50mm), G filter, UFX100, Pyrocat HDC & V600 scan. Aloha, Bill

Nikon F2, 50/1.4. Lifesaver on the wall, Buceo Harbor. FP4+ in Beutler.