Film Camer Week for January 10

Greetings all and welcome to our new thread. Post all the images you like from any film camera. I recently finished a roll of Plus-X in my Rollei B35 so I will share some of those images.

cloudy in Tupelo

yet another place that sells that expensive loaded tea

light dusting of snow from early December

exit to Mossy Oak shopping area

location of Farmer's Market- only visitors this time of year are people hunting Pokemons

One more-

near downtown Houston, MS

Looking forward to seeing everyone's images.

Walk last fall. FM2n, Zeiss Otus 85/1.4, B+W 010 UV filter., Kodak Ektachrome E100.

Maple leaves turning color. Nikon FM2n, Otus 85/1.4, 010, E100.

Fog. FM2n, Otus 85/1.4, 010, E100.

More leaves. FM2n, Otus 85/1.4, 010, E100.

Lizzie T. FM2n, Zeiss Milvus 50/1.4, 0 10, Ektachrome E100.

 

Leica M3, 5cm f/3.5 Elmar, Fomapan 100

James Bryant - your second photo,("Maple leaves turning color") - love the lighting and softness - awesome.

A few more autumn leaves. Last two from the Miranda Automex II with Auto Miranda lenses (Macron 55/3.5 and 28/2.8). ColorPlus 200 film.

 

55/3.5

 

 

Cottonwoods

Edited January 9, 2020 by m42dave

28/2.8

 

 

Bosque

 

Miranda Automex II and III

Institute for African Studies, University of Ibadan

Concrete Art in the strictest sense

Nikon F

 

Here are some from a Minolta Alpha 807si with a Minolta 35-105mm f/3.5-4.5 lens. The film was Ilford FP4 Plus developed in PMK Pyro.

 

Underpass #3

 

 

Skyline

 

 

Welcome to the Third World

 

 

Underpass #4

 

 

Wait

 

 

Time Machine

 

 

 

 

 

 

 

 

 

 

 

 

 

Sunday market...(fg, 28/3.5, colorplus 200)

The Brown Hotel, Louisville Kentucky

 

Honeywell Pentax 6x7 (Non-MLU), SMC Pentax 67 55-100mm f/4.5 Zoom, Kodak 400TMY-2, HC-110B

Rolleiflex 3.5F, Acros100, Rodinal semistand.

 

 

From the Konica C35 V. One of my last rolls of Plus-X from a bulk roll that expired in 2012.

Dark morning sky

Hardware store window

dark parking lot, sun illuminated smoke

The C35 V was a lower priced version of the Konica C35. Missing from the V is the self timer, rangefinder, and automatic flash (guide number). One advantage, though, on the V you could set for flash and manually select apertures, although and a single shutter speed of 1/25 second.

Hello

Here are a few from the Retina IIIc using Bergger Pancro 400 shot at 200 and developed normal in HC110 dil. B

This came out more contrasty than expected, I tried to back off the contrast but...

Could it be HC110 is not quite right for this stock or maybe 200 is not the speed?

 

I will do more later

 

 

 

 

 

Over in the "What camera are you using this weekend?" thread, Mike Gammill admired the Praktica BC1 outfit I featured and said:

Very nice outfit, Rick. I look forward to seeing some images.

 

Well, I'm happy to oblige, having put the camera and a selection of lenses through their paces over the last couple of days. It's a sensible, practical and sturdy camera that performed flawlessly, and I thoroughly enjoyed using it. The film was Arista EDU Ultra 200 developed in PMK Pyro.

 

Pentacon supplied the prime lenses for the "B" series, mainly revamped versions of the older M42 lenses used throughout the Praktica range. The Pentacon PB zoom lenses have rather mysterious origins, but most sources agree that they were manufactured by Sigma, Cosina and Cimko in Japan, and Samyang in Korea. There were two quite different versions of the 70-210mm f/3.5-4.5 lens, one allegedly made by Sigma (f/4.5) and the other by Samyang (f/4-5.6); I have both and they are very good lenses. I also used the 35-75mm f/3.5-4.5 zoom, most likely a Samyang lens, likewise an excellent performer. The 28mm f/2.8 lens is the original Pentacon construction. I'll note beside the images the lens used.

 

Ready and Waiting (35-70)

 

Window (Sigma 70-210)

 

Detail #3 (35-70)

 

Conga (Samyang 70-210)

 

Oxford Pies (28mm)

 

The Day Begins (70-210 Sigma)

 

Entrance (28mm)