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Demand's Different Approach to Documentary Photography


claudia__

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Alex, sorry...i keep forgetting you have to register to get the NY Times articles. basically, Thomas Demand uses documentary photos or his own memory to construct out of cardboard realistic models of scenes that have some significance. then he photographs these models as his final product. some of his photos are quite large, like 9 feet long. the models themselves are not preserved. it is difficult to tell that you are looking at a photo of a model except that they take on a simplified surreal look like photo-realistic paintings or "magic realism." you can Google his name to get more info. i am intrigued by the way he expands the meaning of "documentary." and as Ellis suggests, perhaps it is not "documentary photography" at all. but i find it quite interesting and raises questions that are fun to play with. a different twist in a Cindy Sherman kind of way.
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Mr.Demand,it seems, has a burning desire to contemplate

the resynthesis of certain snippets of the world as he sees it through his(and others)

photographs.And then uses photography to document these resulting sytheses.Now that

is some high brow parlour game!I must admit his work does look good,and is well

executed.Thank you for the link.

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As a scale modeller myself I'm impressed with the neatness of his work. Can't

say this approach does anything for me as a photographer, though. I

suppose the "art" of it is that he chooses such absolutely banal scenes to

model in such pristine detail.

 

Here's one of mine.<div>00BNot-22187384.jpg.aade061f10cd5e3c1eade095f1063d34.jpg</div>

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Just had another look at Demand's stuff. They actually do have an odd

fascination that the model aircraft above don't have. The models are almost

TOO perfect -- while Demand's crafted realities are purposefully off. And I

suppose in the long run that's what makes them art my my model just a model.

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Alex, I can't claim the F-100 as my own. It was build by Joe Grice and took top prizes at the national scale competition called Top Gun. I thought I'd post it in this discussion of Demand's "false realism" since many her may never have seen this caliber of scale modeling.

 

As I said above what sets Demands work apart is the "not quite right" realism as well as the mundane scenes he chooses to model so closely. BTW, I'd again argue that if we as the viewers of his art need to be told which real life scenes these photo mockups are meant to portray (like who:s bathroom) in order to appreciate them as art this there's something wrong here.

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Donald hit on what was bothering me about Demand's work. Yes, you have to KNOW that what he is photographing is a scale model and not the real thing. (Anyone read "The Real Thing" by Henry James?) Unfortunately, there are a lot of gimmicks in art these days. You cannot sell it unless it is "original" and to be "original" means often enough not a unique vision but mere novelty. This is novelty. It's interesting novelty but in the end will end up as curiousity and nothing more. Stuff like this usually has a short shelf life.

 

I much prefer Donald's photographs of his model planes. Perhaps Demand is technically a better photographer, but at least with Donald's photographs I don't feel jerked around. The photographs are of real model airplanes that are not only beautifully made but also fly.

 

Donald, I could not believe that pilot's nostrils--they were the more realistic nostrils I have ever seen on a model of a person.

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