enrico_pocopagni1

Hello Birdy,

With your comment you made my day for 1.000 days!.

 

I hope to see your pictures on Photo.net as soon as possible, at least before I'll not be able to see 'em any longer even with my glasses (time goes on in a rush!).

 

I'm shure your pictures will be the best pictures ever seen, but to make 'em truely unforgettable you do need some practice. What do you think about some free lessons?

 

And please, remember: takin pictures is not a race, and there's no reward in the end, apart from seeing some walking with their own legs as a book cover or as an article's illustration, and apart from your personal satisfaction, of course.

 

I Love you a lot.

 

E.

Splendid is the spiral feeling from the motion blur. With a less distracting background (e.g. more out of focus, more uniform or the like) this picture could be a good example of "essence of Tango".

I wonder if road to the left would be better laying on the lower side of the frame, starting in the lower left corner. Saturation of colors is impressive but yet natural.

Thanks for the critiques.

The bended line of composition gives the precise sensation of the dancers' twisting motion. Very good indeed.

A picture in the stream of baroque painting of still life (Caravaggio, Poussin, Baschenis to name only a few). The two halves of red salade bunch tend to establish a symmmetry axis I find a bit distracting.

Greetings from Genova

Expression you caught makes me doubt I'm seeing an animal. Splendid example of MF work.

Many thanks to all kind persons that commented and rated this picture. Captivating images can be found even in the strangest places like a building site.

The picture shows a detail of a steel basement for one of the columns that will support the roof of a shopping center I'm surveying these times. Personnel did lay on something that protected a certain region from rain; this way rust unevenly attacked surface and gave that quasi-geometrical shape and delicate complementary colours. This reminded me many Paul Klee paintings, so, willing to counterbalance the visual wheight of the rectangle and remark a diagonal line, I added rusty nails (which are the most common thing in a building site, as my scooter'r rear tyre had to test a few days ago). Greetings.

Nice idea and realization. Have you tried not to crop the small red drops at the very edges of frame? Greetings. Enrico

I'd like to know your opinions. Many thanks.

Fresh and naive, but vith an exquisite balance of technical skill and art sensitivity

In simplicity stands beauty.

Splendid mix of composition, lighting and colors.

Greetings

Enchanting atmosphere. Have you tried a B&W version only?

I would like to know your opinions, advices, hints and tips about

this picture.

Many thanks

I'm happy to first comment this picture, but I find strange it's uncommented up to now. Colors and composition are uncommonly delicate.

Greetings. Enrico

Hello Igor,

I find splendid the dark metal skin tone, very dramatic and well balanced by the true metal surface of the scissors.

greetings.

Hello Rita,

the light, composition, subject and color of this pic recalls me an impressionist oil painting. In my opinion, together with your inspired autoportraits, is one of the best of your whole work.

Greetings

Enrico

The golden diffused morning light gives this picture a feel of a watercolour painting

Stunning sense of depth, perspective and colours

I'm on Marc's side: artifact is one of the art's substances. There's nothing wrong imitating "reality" or extracting from nature shapes, lines to make another, human and artistic, nature.

The only complaint about this exquisite, geometrical image is the fuzzy silver cloth that I find formally extraneous and a bit distracting. It prevents too the full readability of the left hand.

Thanks for comment.

Depth of field is the pain in the neck of every Medium format photographer.

Here I tried to achieve as much DOF as I could, avoiding diffraction to rise: it's meaningless to increase sharpness of distant things and simultaneously reduce sharpness of EVERYTHING, at the cost of longer exposure.

I sized recent pictures to display on my 19'' monitor and I didn't mind to resize before uploading. I hope now pictures ar right.

Enrico

This "aquoreous" and atmospheric landscape has the feeling of a renaissance dutch painting.

I feel a little strange the horizon in the very middle, and the lower darkest area in the reflection. (maybe tilting the camera slightly upwards...?)

The corner of the walls with that harsh, acid artificial light recall me the deserted cityscapes of Mario Sironi, italian futuristic painter I love much.