<p>Hi all, I am getting ready to order some studio LED lights for a new venture I am jumping into with zero experience.<br>
I am starting a new podcast/video-cast. The studio will be portable and we intend to record each episode at a steak house. The room we'll be using is a former bank vault. It has no windows but there is an open doorway, so it is very dark. Myself and two guests will be seated together at one end of the table.<br>
I am getting ready to order (2) CAME-TV 1024 LED high CRI light panels but I can't figure out if I want 2 daylight panels or 2 bi-color panels or one of each?<br>
<strong>Question 1: </strong> Would you recommend setting up both LED panels behind the cameras or one behind the camera and one behind the people being filmed?<br>
<strong>Question 2: </strong> I am on the verge of deciding to get both LED light panels in the daylight model, with no bi-color. It just seems to me that 1,024 LED bulbs at full blast would produce a lot more light than 1,024 LED bulbs at 50% or 512 LED bulbs at 100%. Based on my research this week, the bi-color panels will not allow all 1,024 LED bulbs to be lit at 100%. You either get 512 bulbs at 100% or 1,024 bulbs at 50%. For those who have experience with bi-color LED light panels, how often do you not want full daylight out of them? Do you find that you often (or usually) want the tungsten coloration on your subject?<br>
Thanks in advance for any "light" on this subject.</p>