joseph_tese

Thanks for the responses. They are helpful. I suppose (to summarize and rehiterate) I was looking for other ways to utilize flash outdoors other than just on camera Speedlights, without hindering mobility. The grip that may provide a slightly off center angle seems interesting, or maybe even holding it with my other hand. Yes, I'm constantly reading and watching online resources; I'm asking with the hopes of finding unique answers and techniques. Thanks Patrick and Jeff.

Hi There! I am all for getting a good portrait, and I have instincts to set up external flashes and any necessary attachments if needed..but let's say I'm shooting for a local magazine or newspaper, or even wedding!. I obviously wouldnt walk around with a wireles speedlight on a stand, or would I? I often see the photographer walking around the event with just a Speedlights on top, faced upward w a bounce card for some extra fill. But in my little experience, no matter how subtle I put the flash, it is still a little too flat and I just wish it was hitting 45. For the pros: What are your tips for maintaining mobility without compromising quality and unique lighting, even in a candid setting? I understand due to the nature of the assignment and environment you are limited in equipment, but that shouldn't limit our ability to continue to pursue pretty and unique lighting, even in the moment, as best we can. Do you have an assistant following you with a softbox or bounce? What if it's just you? Or is all natural light the way to go.. Perhaps I can be enlightened! Thank you!