donbright

XT-5, XF33.14

Drakes Beach

Fujifilm XT-5, XF23mm f1.4

Break out of the Pentax 67II after a long hiatus. Torrey Pines Reserve, San Diego

Pentax 67II, PentaxSMC 45mmf4, Portra 160, Induro CLT Carbon Tripod, Arca-Swiss Mono, Portra 160

Took this recently at Torrey Pines Reserve in San Diego. I had been itching to breakout my Pentax 67II that had been sitting awhile. Also getting aquainted with Portra 160.

Pentax 67II, Pentax SMC 45mmf4, Kodak Portra 160, Induro CLT303L Carbon, Arca-Swiss Monoball.

Torrey Pines Reserve

Fujifilm XT-5, XF18-55f2.8-4

Laurel Tree, Point Reyes National Seashore

GFX50SII, GF45MM 2.8

Rive Gauche, Paris, '21

Fujifilm X-E4, XF23mm f2

Crystal Cove, Cool Winter Sunset

Fujifilm X-E4, XF27mm 2.8, Tripod

So funny, Resurrected are these HCB Psyche dissections of how he did it!! HA! Ha! Ha! There are a hundred of these. You'll never know what drove this man, rich family or not.

He was one of the best because he woke up every day with excruciating enthusiasm for life and the spirit of curiosity, patience, a sense of just 

 loving life that translated through his camera and there are," HUNDREDS!' Of his images that are," OFF THE CHARTS! Oh, and by the way, there is also great

imagery of the modern era. 

Paris Streetwalk at night

Fujifilm X-E4, XF33mm 1.4 LM WR

Nightlife on the Rive Gauche, Paris

Fuji X-E4, XF14mm 2.8

Autumn at Luxembourg Gardens, Paris France 10/21

Fuji X-E4, XF23mm F2

ILe de Cite, Paris France, Wine shop

Fuji X-E4, XF23mm F2[ATTACH=full]1412686[/ATTACH]

Red Rock Erosions

Fuji XT-2, XF35mm F2[ATTACH=full]1369813[/ATTACH]

Red Rock Pine

Fuji XT-2, XF16mm F2.8

New Fall

XT-2, XF23mm F2

Because there would be a lot of aliasing artifacts if it didn't. The AA filter is needed if lenses produce detail at higher spatial frequencies than the Nyquist frequency of the sensor. 24 MP is just too low resolution and most lenses easily outresolve it, and all the higher-frequency detail would end up as artifacts if no AA filter had been used.

 

With thr 36 MP D810 I got a few images ruined by aliasing, but not that many. With 45 MP I have only seen it clearly with one lens (500 PF). Mostly I use either really wide apertures or small apertures. This way I unintendedly avoid the sweet spot of the lens that could elicit aliasing. But with the 500 I can't avoid it and it's a very high resolution lens so I end up seeing aliasing sometimes on the D850.

 

With 45 MP or 60 MP, it is less common to have significant aliasing than with 36 MP. I am not sure if anyone makes a 24 MP full-frame sensor without an AA filter, maybe Leica have one. (?) I think aliasing with 24 MP FX sensors would be so common and so serious that no manufacturer takes that risk.

 

For pixel shift, the 45 MP sensor would be a better candidate. Pixel shift should remove any moire so it would have that benefit, but other types of aliasing could still end up happening. However, I can't recall Nikon mentioning an interest in implementing this feature.

 

I would be surprised if there is any outdoor scene with no movement at all.

Fujifilm X cameras omit the AA filter.

Cypress Survives

XT-2, 35mm F2

That scene looks COLD

So much so, when showing up I thought about bailing out, but then I remembered how far I had come to get there.

Limantour Beach, Point Reyes National Seashore

XT-2, XF90mm F2