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mjobk

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  1. I haven't been able to find any information on developing APX 100, 135 in HC-

    110; there's some info on medium and large format APX in HC-110, but I'm not

    sure how relevant this is to 135. So here's my question....

     

    I'm ready to develop some test rolls but want to get a ballpark temperature

    and agitation time for this combination to start. Any suggestions?

     

    Or, do people strongly suggest not using this combination, and develop the APX

    in Rodinal? I have a lot of HC-110 (I usually shoot TriX) and Rodinal is not

    so easy to come by. In addition I have only 2 rolls of APX which I want to

    develop (after I do the test rolls).

     

    Thanks for your time and attention.

     

    Martin O'Brien-Kelly

  2. I've used Tri-X for 2 years now but have reached the point where I

    want to explore the potentials of other films. Early next month I'm

    off to Cambodia to work for an NGO for at least 4 months. Part of

    my work there will be to do photography for the organisation.

     

    Does a film like XP2 Super, in 35mm, (C-41 process) make sense to

    use while on the 'road' and wanting results before returning home.

    I doubt I'd be able to find a darkroom with all the chemicals

    available in Cambodia to process traditional B&W film; maybe I'm

    wrong but I won't know this until I'm there and have searched around

    Phnom Penh. I've gathered that there are good photo preocessing

    labs in the capital.

     

    Has anyone picked XP2 Super for this reason, that is, being able to

    develop it on the road where chemicals and darkrooms are not

    available. With C41 I can get photos to my NGO and once I'm home I

    can get into the darkroom to make some better quality prints.

     

    Advice or suggestions appreciated,

     

    Martin

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