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neal_weissman

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Posts posted by neal_weissman

  1. <p>a few noob questions:<br>

    <em>specifically why</em> is kodak ceasing slide film production, but maintaining print film production -- it is my understanding that professionals prefer slides?<br>

    the preceding post lists <em>Professional</em> slide films and <em>Amateur</em> slide films -- what is the difference? as an amateur, why would i not want to shoot the professional film?</p>

  2. <p>@Cliff Calhoun -- a few noob questions:</p>

    <ul>

    <li>what is the difference between the scan/digitize of a print film versus the scan/digitize of a slide film?</li>

    </ul>

     

    <blockquote>

    <p>Switch to slide film. It will force you to learn proper exposure, unlike print film. Also, it is less expensive to shoot, overall.</p>

    </blockquote>

    <ul>

    <li>what is the connection between <em>slide-versus-print</em> and different exposures; and what do you mean by "proper" exposure?</li>

    </ul>

    <blockquote>

    <p>If you want to submit your work for publication, most editors will demand slide film.</p>

    </blockquote>

    <ul>

    <li>why will editors not want to deal with print film?</li>

    </ul>

  3. <p>thanks for the responses .. but i wouldn't know how to remove the prism, or pull out the viewscreen -- do these require special tools and skills?<br>

    Richard, i am noob confused: "holding open the shutter" means, i assume, the "B" setting on the timing knob; are you saying that i should then keep the shutter button depressed and look for fibers -- where would i look for the fibers?</p>

  4. <p>a myriad of fibers recently began appearing in the Nikon F4s viewfinder.<br>

    removal of the lens revealed that the fibers are not on the lens, not on the mirror, and not on the groundglass prism.<br>

    i cannot afford a repair, so i solicit suggestions as to where these fibers might be located, their source, and whether i can fix the problem.<br>

    i see an occasional fiber on the scanned negatives but i cannot be certain that their source is the recently-appearing viewfinder fibers.</p>

  5. <p>I am trying to learn how to operate a newly-acquired Nikon F4s. The benign-neglect approach, which has been exclusively heaped upon me for months, and by many, is absurd, worthless, tiring, and expensive (need i say more?)<br>

    so, i am seeking anyone in NYC willing to peripatetically meander with me and help with the learning burden.<br>

    if you harbor ulterior commercial interests, then i do not want to hear from you (i've already heard from you enough!)</p>

  6. <p>might there be anyone in nyc willing to teach me how to operate my newly-acquired F4s?<br>

    <br />Intitially, please answer these queries:<br>

    1. why would i set focus mode to 'manual' if i am using an autofocus lens?<br />2. what is meant by "maximum aperture slower than f/5.6"?<br />3. "aperture" versus "effective aperture" == ?<br />4. how to use diopter.<br />5. autofocus modes: when to use "single servo" and "continuous servo"?</p>

    <p>(... and many, many more!)<br>

    thanks.</p>

  7. <p>beginner's question re macrophotography. i have seen the relevant posts, in this and several other forums, but they lack the fullness -- comprehensiveness and examples -- that a beginner needs.<br>

    to the quick: how to coordinate the concepts of macro-lens, bellows, extension tubes, reverse rings, &c.<br>

    as a concrete example, why would i <em>need </em>to combine an expensive macro-lens http://www.adorama.com/NK2004AFDU.html with a bellows and/or reverse ring and/or extension tubes? and what features would each of the 16 permutations produce?</p>

     

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