crappystuffs

You might want to check that you use the same metering mode on your 6D and G11 to see why the same approach behave differently.

If I remember correctly, E-TTL flash always try to give you the correct exposure, by setting it 3 stops above its reading you practically tell your flash to overexposed your subject. I tend not to compensate my flash if I want it to provide fill light in a backlit situation.

<p>Denpasar's A.S Roma fans at "Say No to Development to Benoa Cove" rally.</p><div></div>

<p>qwerty</p><div></div>

<p>Congratulation guys, seem like you're all are on a roll there. Lot of good pictures here in the thread. :)<br />I thought of getting closer, but went against it. Maybe from wanting to show the milieu(?) or maybe was just too affraid to engage those guys at work.</p><div></div>

Not so sure about the light bit.<div></div>

<blockquote>

<p><em>What do YOU hate about Street Photography?</em></p>

</blockquote>

<p>Its small yield of keepers, at least on my part. :)</p>

<p>E., yes, indeed we are a long way from those days. :)</p>

<p>...rty</p><div></div>

<p>A slightly rainy noon</p><div></div>

<p>distance a from</p><div></div>

qwerty<div></div>

<p>qwerty</p><div></div>

<p>I don't think it stands above my other pictures from last year. But I remember enjoying the time spent when shooting this. Something that somehow I rarely feel last year. And it has a Picasso like vibe to it which make it unique among the pictures I shot last year.</p><div></div>

<p>It has real movement in it.</p>

Congratulations.

<p>I think you can find reviews on the 622 at http://speedlights.net<br>

I once toyed with a friend's 622 and it impressed me as a capable performer.</p>

<p>I really wish I can go and see it.</p>

Effective approach.

<p>A bit late, but congratulations! :)</p>

<p>No wonder I have the feeling that he's not that unfamiliar to me. Oh, well....</p>

<blockquote>

<p>Dr. Uziel agreed. “The eclectic selection of topics, the different styles of photography and the different papers may suggest an album fetched together by someone else,” he said.<br>

At the very least, Professor Wolff said, there are two albums contained between the covers: one showing the Eastern Front and the other showing Munich and Bavaria. “Maybe the key,” he said, “is to fit them together.” We welcome your assistance in trying to do so.</p>

</blockquote>

<p>There's still room for doubt. Unless I read it wrongly.</p>

<p>Congratulations, Barry and Pnina! Good luck with the exhibition!</p>

<p>Using a single focal length and adjust my position accordingly always feel faster to me than to adjust the focal length in my zoom to frame the scene correctly. It's probably a personal perception over reality. Since the former involved a flowing affirmative motion, an almost spontaneous see and grab action, while the latter feels like a search and pick action. Just my two cents.</p>

<p>I think Winogrand use 28 mm for most of his photos.<br>

Like Damon D'Amato said it's a focal length that required you to work real close to your subject and really shine at crowded environment. I use it almost exclusively, but that is because it support my "vision" and not the other way around.</p>

<p>Yes, the sun's angle changed rapidly during early morning which could account for the difference in exposure. Especially if it was a cloudy day with strong wind.<br>

Like what Frank Uhlig say, the difference in exposure is small enough. But in the cases that you want to nailed it right, I suggest bracketing your shots.</p>