gregory_wilson2

Thank you, I'm going to try those out. I didn't know about those processes. I'll report

back after.

Yeah, no tripod for this shoot. I'm not familiar with semi-stand or stand, you're talking

about very little agitation, yes? The PMK is a pyro two bath dev. So, the stand dev

would give lower contrast negs? has anyone used it with delta 3200?

I thought, for some reason, that neopan would be available in 120 but its not. I will still

be shooting with 35mm for the job but will also be using a Hasselblad. I think delta

3200 is my best bet for that camera. any thoughts?

I'm photographing an event coming up, I am told it will be lit very poorly. I don't know what that

means exactly but the event coordinater said it will be less than desirable conditions. So, he we

go: I was planning on using Neopan 1600 due to the fact that the grain is a bit less intense than on

delta 3200 and also the contrast is less. I'm thinking that the event will be single source lighting so

the shadows and highlights will be drastically different, but I want to bring up the shadows as much

as I can while keeping the high lights from over exposing. My idea is to rate the film at 800 and

develop with a PMK developer but pulled one stop. I'm not looking for a contrasty negative, I want

to get as much tonality as I can, but the neg also has to be printable. Any thought for me? I'd like

to hear what you think about other developers and films as well if you have had any luck. One

other idea is Neopan 1600 processed in HC110 Replenisher pushed 2 stops, that I have found

brings out amazing shadow detail where I thought there would be none, but the highlights started to

block in, I guess an easy fix would be not pushing the dev so much..

Anyway, thanks ahead of time for your responses.

-greg