Jump to content

jeff_stuart

Members
  • Posts

    87
  • Joined

  • Last visited

Posts posted by jeff_stuart

  1. I use a cheap 25� x 27� generic-brand bag. It�s ok for 35mm. I�ve

    loaded as many as 4 reels at a time with it, there�s enough room for

    that. A bag is way way easier than trying to make a room light-tight.

     

    <p>

     

    Can�t say whether a bag can be too big. If you can lose a cassette in

    there it is probably too big?

     

    <p>

     

    Once in the tank, move your processing to the kitchen. If your

    girlfriend complains about that then don�t hesitate to accommodate

    her.

     

    <p>

     

    Cheers,

  2. Dave,

     

    <p>

     

    I have the SCA 3502/M2 adapter. On the aft end is a swing gate which

    opens to reveal four switches which enable and control -3 1/3 to +3

    1/3 TTL compensation. I have tested this carefully and it works as

    expected with the M6 TTL.

     

    <p>

     

    Cheers,

  3. John,

     

    <p>

     

    Contact DAG Camera at http://www.dagcamera.com/. They sell the

    pressure plate & springs for screw mount Leicas for about $25. They

    may have the M6 plate too, though I didn�t see it on their parts

    list. If they don�t have it I�m sure they�ll advise you where else to

    look. If the camera is light-tight you probably don�t need a new door.

     

    <p>

     

    Given the thickness of the aluminum I�d say there is no way on Earth

    to flatten a bent plate.

     

    <p>

     

    Good luck,

  4. Steve,

     

    <p>

     

    First, congratulations on dodging the knife. Keep that up.

     

    <p>

     

    I spent some wonderful days in Maui years ago. It is an amazing place

    including a sunken volcano, an eroded volcano, an inactive volcano,

    tropical rain forests, pineapple plantations, deserts, cattle

    ranches, alpine forests and flora found nowhere else. There�s all

    kinds of landscapes, endless views. And oh yeah, sunsets.

     

    <p>

     

    There used to be �undeveloped� (local) beaches on the south and north

    ends of the island. Really neat places. That was 20 years ago. They

    are probably golf courses by now.

     

    <p>

     

    I had one 35mm camera, lenses of 35mm, 50mm and 105mm. I never felt I

    wanted anything wider than 35, but I did wish for a longer lens. With

    your kit I�d probably be using the 135 lens and Rollie alot. Macro

    never occurred to me.

     

    <p>

     

    While you�re on the west side of the island, spend a half day to

    drive up to the summit of Haleakala. 10,800 feet as I recall. You can

    see the Big Island on a clear day. They close the summit when it�s

    cloudy, so don�t put it off till the last day. Trust me, it is good.

    And if you dive get a boat to Molokini.

     

    <p>

     

    Aloha,

  5. Bob,

     

    <p>

     

    I don�t think this CF news will slow the digital juggernaut. There�s

    no need to mail CF cards. If you�re traveling you�d certainly carry

    your card(s) on your person. And if you do have to mail images you�d

    burn them on CD and mail the CD. And of course you can send images

    electronically if you�ve got the bandwidth.

     

    <p>

     

    Don�t get me wrong, I�m a fan of film and plan to be shooting it

    right up till I�m planted. I keep hoping the USPS will find some

    better way to handle the terrorist threat. That would be good news

    for us dinosaurs.

     

    <p>

     

    Cheers,

  6. Fran,

     

    <p>

     

    There are a few alternatives between the automatic bliss of the ATL

    and the hellish toil of hand processing. I use a Jobo CPE2+ for

    instance, and I find it produces results superior to my local �pro�

    labs on a consistent basis. CPE�s with the lift attachment

    (recommended) are for sale on EBay anywhere from US$300 to US$400.

    Throw in a tank, bottles, thermometers, you should be able to get

    started for around US$500 fixed cost. The CPE2+ is the preferred unit

    in the CPE line as it has an improved motor and thermal protection

    for the heater.

     

    <p>

     

    Besides the CPE Jobo also makes the CPA and CPP processors which have

    tighter temp controls than the CPE, and stronger motors for swinging

    larger tanks. Any of them can do E6 quite well, though they are

    manual processors compared to the ATL series. (See http://www.jobo-

    usa.com/products/processor_comparison.htm

    for more info.)

     

    <p>

     

    C41 is easy to do with the CPx processors as well. B&W, in my

    opinion, is easier done by hand.

     

    <p>

     

    Mike, I�ve run maybe 16 rolls of pushed Provia and I�ve never noticed

    a color shift. I�ve never pushed any other emulsion. I rate the film

    EI160 and process a nominal N+1, or EI320 and N+2. I also tweak the

    2nd developer, though this is an attempt to manage saturation

    somewhat, not color balance. My only complaint pushing Provia is the

    blue layer gets severely underexposed in tungsten light, and it gets

    pretty twitchy trying to correct it after the exposure. I now use a

    blue filter for pushed Provia in tungsten light (which negates the

    extra speed, but whadyagonnado?) Unfiltered florescent light is

    easier to post-process.

     

    <p>

     

    Using JOBO�s 1520 tank I use 250 ml solution for two 35mm rolls.

    That�s 40 rolls per 5 liter kit. Kodak�s 6-bath 5-liter goes for

    ~US$50 and Tetenal (with some creative purchasing) about the same.

    The 1520 will also do two 120 rolls or one 220 I think, I don�t shoot

    6cm film. I have used up most of one Tetenal kit which is now 5+

    months old and I haven�t noticed any degradation in quality due to

    oxidation of the concentrates.

     

    <p>

     

    I started doing my own E6 because I was disappointed in the local

    labs (including two Q-Star labs) and mailers were unattractive. I

    continue because I get good results and I enjoy it. The money you may

    save (or not) is small compared to the time invested. I wouldn�t want

    to do it for a living, but as recreational entertainment, it is good

    fun. And as Phil Greenspun says in his tutorial on Photo.net, when

    you set eyes on a clean dry roll of slide film you developed

    yourself, you feel like a hero.

     

    <p>

     

    Cheers,

  7. Alex,

     

    <p>

     

    What precisely do you mean by �The TTL is like a hungry baby�

    regarding batteries? Leica specifies 2900 frames per battery set. I

    use lithium batteries and I�m doing better than that, about 100

    rolls/battery. I�m not really sure because I�ve never let the battery

    fail.

     

    <p>

     

    How many rolls does your �hungry baby� shoot before it needs to be

    fed? If it is below specs maybe your camera needs service?

     

    <p>

     

    In an age when many cameras drain a set of 4 AA�s in 40 minutes of

    normal use, and critical assignments require separate battery packs

    strapped to the photographer�s belt, it is misleading to suggest the

    M6TTL is a battery hog. Don�t be dissuaded Sybil, or anyone else.

    Batteries are a non-issue with the M6TTL.

     

    <p>

     

    Cheerios,

  8. Phillip,

     

    <p>

     

    Cross processing in what way? 1st developer? What�s the basic process?

     

    <p>

     

    I do my own E6 using Tetenal 6-bath and experiment mostly with Fuji

    Provia trying, for the most part, to extend the contrast range. I�m

    getting good results rating the film at 120 (under exposing) &

    processing the 1st dev. the �normal� time (~6:50 in a rotary tank)

    and pulling the color dev. about 5%. Saturation is more than adequate

    for my tastes, and skin tones in particular are nice & smooth

    compared to by-the-book exposure & processing.

     

    <p>

     

    I�ve never seen any color shift with Provia & Tetenal between a �1/3

    to a +2 push (which involves both 1st & color dev. timing.)

     

    <p>

     

    I did see a definite blue cast once when I omitted the reversal and

    ran the color dev. only half its normal time. Maybe that should be a

    blew cast? But, considering the dumbass treatment, the film performed

    admirably.

     

    <p>

     

    I�m always interested in E6 info. Please tell me more.

     

    <p>

     

    Cheers,

  9. Mark,

     

    <p>

     

    All lenses exhibit a decreasing DOF at wider apertures. For portraits

    and some stills, especially when the subject is close, the thin DOF

    at f1.4 can be used to emphasize the subject.

     

    <p>

     

    Comparing shots taken by the Summilux at f2.0 vs. f1.4 the difference

    in focus is subtle but discernible. I wouldn�t give it up, I like the

    effect. The only fault I see in the �lux is it gets a little soft

    when opened that last stop. That used to bother me. It doesn�t bother

    me so much now.

     

    <p>

     

    I have the lenses you are considering along with the 35 Summicron

    ASPH. The newer (90 & 35) designs are amazingly sharp. But in the end

    I have more good shots taken with the 50 than either of the others. I

    like the perspective, the close (for Leica anyway) focus, and the

    thin DOF when I want it. And the extra speed doesn�t hurt.

     

    <p>

     

    BTW I also have the .85 body � it works great with these lenses.

     

    <p>

     

    Good luck, whatever you choose I think you�ll do well,

  10. Pat,

     

    <p>

     

    I recall reading somewhere (can�t find it at the moment) that the

    Microtek 4000 has the same internals as the Polaroid SprintScan 4000.

    The promo photos for the M look identical to the P other than the

    positions of some switches & lights. The specs are identical as well.

     

    <p>

     

    If it is the same, then it is indeed a good performer, especially

    with slides. I have the Polaroid and like it alot. I see it for $750 -

    $200 rebate at B&H which is a lot of scanner for the money. This

    includes the Silverfast plugin for Photoshop which is pretty nice

    too. Only does 35mm, but then so does my M6.

     

    <p>

     

    Cheers,

  11. Mani,

     

    <p>

     

    First attempt, illumination 350 lux, wind out of the north 5-7 knots,

    I completed the exercise in 40 seconds or so. Second attempt, well

    there was no second attempt because I rewound the leader from a

    perfectly good unexposed roll of E100S into the cassette after the

    first attempt. Rats. (BTW I also set the camera�s meter speed which

    Mani�s instructions don�t require. Without this laborious step I

    might have been down in the low teens, for sure.)

     

    <p>

     

    Kaisern, I had a watch like the once. Maybe it just needs a new

    battery?

     

    <p>

     

    Also, I�d like to try Bill�s technique but I don�t have an ABCON. Is

    it OK to just go in the kitchen and have a beer, skip the ABCON and

    the bleeding part?

     

    <p>

     

    Cheers,

  12. Tristan,

     

    <p>

     

    Ignore those funny boys. They probably ate too many Christmas cookies

    and they�re a little hyper.

     

    <p>

     

    The correct answer is send the camera to me and I will exercise it

    for you.

     

    <p>

     

    Also kidding of course. Remove the battery, wind and fire the shutter

    at all speeds a few times, exercise the brightline selector. Better

    yet of course, shoot film with it.

     

    <p>

     

    Cheers,

  13. Rick,

     

    <p>

     

    I use the same combination (M6TTL/Metz SCA 3502-M2/Metz 32 Z2) and it

    behaves as you describe. It works fine too (especially for �bounce�

    lighting).

     

    <p>

     

    My reading of the manuals is different from yours. Page 12 of the

    Metz manual states the lightening bolt is �permanently lit� to

    indicate the flash is ready. The Leica manual is more ambiguous,

    saying if the bolt �continues to flash� this indicates the flash unit

    is ready. This may be a poor translation of the original German I

    suspect.

     

    <p>

     

    In any case, I think you�ll find your unit is working fine. The 32 Z2

    is a handy light, small and versatile. You can�t beat the swivel head

    for fast & easy lighting options either.

     

    <p>

     

    Cheers,

  14. I woke up in a sociology lecture once and heard the lecturer remark

    that under stress social groups tend to define themselves more by

    what they are not than by what they are. In other words, groups

    tighten ranks by exclusion. This is accomplished by individuals

    assigning increasing significance to smaller and smaller perceived

    differences between them.

     

    <p>

     

    When the �M� and �R� camps square off then we�ll know the end is near.

  15. I haven�t done B&W in years (but I do E6 at home, so I�m not out of

    touch.) First concern: trust me, no hands on Earth are gentler with

    your film than yours. Your film will never be safer. (You will screw

    up and gouge the emulsion and you will never do it again � the clods

    at the lab will do it again and again and again...)

     

    <p>

     

    Second, chemical shelf life: if you process infrequently look for a

    powder developer, mix as little as you can manage, use it one-shot.

    As I recall D-76 and Microdol last 2+ months as a working solution. I

    don�t think refrigeration helps, but evacuating air from the storage

    bottles does. If you process a lot then shelf life is not important.

     

    <p>

     

    Get a good tank and reel. I like JOBO, but there are other good

    choices. Don�t put photoflo in the tank or on the reels. The wetting

    agent will make the reels sticky and will cross contaminate your

    developer.

     

    <p>

     

    Use a thermometer. Be consistent.

     

    <p>

     

    Drying film dust-free can be a problem. Use photoflo in your final

    rinse, hang the film in a closet, see what happens. If that doesn�t

    work (dust) you can buy a filtered dryer for $500 or build one for a

    lot less.

     

    <p>

     

    Try it Gulley, it�s fun.

  16. My sympathies to the EOS forum. You are big and strong though, and I

    think you can survive this.

     

    <p>

     

    And please, don�t blame us. Alfie is only getting started. He

    would�ve gotten to you sooner or later. Who knows, sooner might be

    better?

     

    <p>

     

    Tony, please don�t delete anything. Censorship is darkness. I won�t

    try to divide our little village into pro-Alfie vs. anti-Alfie camps.

    Let�s just say the critics of Alfie�s critics are pretty consistent

    in defending a �right to express oneself� and I agree. And so do we

    all share this �right�?

     

    <p>

     

    �If you don�t like it, ignore it.� is the motto. Cuts any whichway I

    think.

     

    <p>

     

    Childish? Vindictive? So skip my post.

  17. After last weekend I was genuinely despondent. I had made a real

    effort to ignore the big "A". But sheesh, he must do nothing but camp

    on forum posts, 24 hours a day, and his "contributions", I swear, are

    calculated to aggrevate. Anyway, rather than whine anymore I decided

    to write my own forum-specific filtered browser. I call it the "Super

    Ronco Wang-B-Gone". I am using it this very minute, and it bloody

    works great. It is alpha-code right now, else I'd offer it for free

    to anyone interested. BTW, it can filter any number of names and

    email addresses, even mine, which should make it all the more

    popular. Cheers,

×
×
  • Create New...