<p>Youre a stallion, cheers mate<br /><br />Im seriously considering ditching Canon altogether(3 bodies, 10+ lenses) and reinvesting in Sony FF (instead of stop gap apsc) From what i can tell the glass choices are getting there (i can realistically do most of my stuff with a fast 70-200, 24-70, an extreme wide/fisheye and a planar 50mm) and 90% of my work is low light gigs which from all accounts the A7's crush anyway (i know i have a few hours of research ahead of me re 7s vs 7rii..). Anybody want to offer any reasons why this is a bad idea? (apologies if i seem ignorant but i just struggle to find the time to keep pace with all the details of advancements)<br /><br />If my stills will be just as good and i get 4k vid with low light perf across the board, am i missing something? Several festival shooters i know have gone this way in the last 12 months.. <br /><br />Anyway a bunch of new questions there, im 'thyping'<br /><br />Cheers<br /><br />S<br /><br /><br /></p>