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tom_barrance

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Posts posted by tom_barrance

  1. I'm probably going to get a D300 but the body alone weighs more than my OM4T with an

    85mm f2 lens fitted. That makes the difference between a 'carry anywhere' camera and a

    'carry when you're planning to take photographs' camera.

  2. I'm finally going to make the transition to a DSLR and Nikon seems like the best replacement for my

    Olympus OM system (I currently use mainly an 85mm f2, plus 24mm, 50mm and very occasionally 200mm

    primes).

     

    Two main uses: one is fine art stuff like these

    http://tinyurl.com/2kpped

    http://tinyurl.com/2op2dy

    http://tinyurl.com/yrsgxr

     

    which I want to be able to blow up BIG, and the other is low-light synchro-flash shots of dancers like this:

    http://tinyurl.com/2foryu

     

    I want to use prime lenses for their shallow DOF, small size and low light ability. I'm looking to get mostly

    used lenses to save cash. This is what I'm thinking of getting:

     

    D80 or D300

    20mm f/2.8

    50mm f/1.4

    105mm f/2.8 micro

    SB600 or SB400 flash

     

    Any views or advice on these?

  3. I use a digital P&S but I want a DSLR for better image quality and speed of operation in low light. I'll still be

    using film for my 'art' photography. (I don't want to get into a digital versus film argument here.)

     

    A few reviews say that the D40/D40x are good beginners' cameras but lack the advanced features of

    higher end DSLRs. My question is whether I would need any of these features.

     

    Easily usable manual controls are important. 2.5 fps is enough for me and I'm not worried about

    megapixels. The D40x is small, quiet and light, and according to Imaging Resource it has a better dynamic

    range than any other DSLR except the Fujifilm S3 Pro.

     

    So apart from the limited number of DX lenses available, what would I be missing if I bought a D40x

    instead of a more expensive DSLR?

  4. I'm debating the same decision myself. I think I'm going to go for the D40, one reason being

    that I like wideangle lenses and the Nikon goes to 28mm equivalent, while the G9 needs a

    hefty adaptor to go wider than 35mm. If you're more a telephoto person the G9 might be a

    better bet as it goes to 210mm with the standard lens

  5. I'm tempted by a D40 as it's light and low noise, but I want an affordable and reasonable sized 24mm

    equivalent lens. So I'm thinking of getting the 16mm fisheye and using lens correction software to

    straighten out the images. I'm assuming that if I stop down to around f/5.6 I'll have enough DOF not to

    worry about the lack of autofocus.

     

    Would anyone recommend this? Or will I lose too much resolution when correcting the distortion?

  6. How much control will I have over flash if I buy a P5100 and an SB-400?

     

    Specifically, will I be able to easily adjust the balance between background lighting and flash so that I can

    combine flash (to freeze action) and motion blur (to give the impression of movement)?

     

    Some examples shot with a P5100 or P5000 would be great if anyone has them.

     

    I'm planning to use this for taking pictures of dancers in clubs - I'm looking for a small camera/flash

    combination as I want to be relatively unobtrusive.

  7. Thanks for the suggestion. It looks nice, but it doesn't appear to have a hotshoe. One of

    the main reasons for switching from the S70 is that I need more control over flash.

     

    Ralph, the reason I was considering an older camera is that fewer pixels generally means

    less noise. I wondered if I might have missed one.

     

    Rob, I don't judge cameras on 100% crops but I do take note if several reviews say that a

    camera has noise issues.

  8. I'm looking for something a bit better than my Canon S70 for taking pictures of people up fairly close,

    sometimes in low light.

     

    The camera must have

    - a hotshoe

    - aperture priority and manual exposure

    - short shutter lag

    - fast handling

    - low noise at 400 ASA

    - wideangle lens, 28mm equivalent (though I could accept a 35mm equivalent if a high quality conversion

    lens is available)

    - good-sized screen, at least 2.5 inches (my eyes are getting too old for 2 inch screens

     

    It doesn't have to be a current model - I'm happy to hunt around on ebay - and it doesn't have to have

    more than 5MP. Price isn't a big issue but I can't afford a Leica.

     

    I don't need a big telephoto range: 80mm equivalent would be enough, though 100-120mm would be

    nice.

     

    I don't need an optical viewfinder (I've got used to using the LCD screen as the S70's viewfinder is so

    inaccurate.)

     

    Any ideas?

  9. Jane Bown, the celebrated Guardian photographer, takes all her pictures with very old OM-1s

    which she bought second-hand, so I think they do last. But I did read somewhere that the

    OM2n is the most reliable of the Olympus bodies.

  10. Thanks for some helpful suggestions.

     

    I don't have enough budget to get a D3. Even the D300 and prime lens combination I've

    suggested is going to be hard to justify.

     

    When you're up close to people the size of the camera you point at them does make a

    difference, however you behave. For my classroom shots I tend to get in really close -

    often resting the camera on the desk where the children are working. P&S live view is great

    because the children tend to forget that I'm taking pictures. At least 28mm wide is

    essential - 35mm isn't wide enough for me even on full frame. For this kind of work I'd be

    happy with my Canon S70 if it wasn't so noisy above 100ISO.

     

    I'm not keen on zooms, partly because of size and bulk, partly because I'm old-school and

    I'm used to using primes. Apart from the classroom stuff I'm still shooting film, with an

    OM4T and 85mm f/2, and a Ricoh GR1s (fixed 28mm 2.8). The dance stuff is an area

    where I think a good DSLR with the right lens and flash could make a big difference.

  11. I'm looking for a fairly unobtrusive camera for use in available light. I'll be using it for two main purposes

    - taking pictures of groups of people working together in classroom situations, and of dancers in clubs

    (where I'll be mixing flash and available light).

     

    So I'm thinking along these lines:

     

    D300 (at the moment I'm using a point-and-shoot for my classroom work and I find live view really useful)

    20mm 2.8

    50mm 1.4

     

    I'm planning to use primes as they're less threatening to point at people compared with big zooms. I know

    the d300 is big and heavy, but without a big lens it doesn't look much bigger than other bodies.

     

    Does this seem like a good setup? Any alternative suggestions? Any suggestions for a good flashgun?

  12. I'm looking for a reasonably priced, relatively small camera for taking slow synchro shots of dancers in

    clubs. Must go to at least 28mm wide and have good high ISO performance, and be able to adjust the

    flash level.

     

    Currently I'm using a Ricoh GR1s film camera with fast colour film but as it's a bit hit-and-miss it's getting

    expensive. Also I'd like to be able to use off-camera flash for better modelling and less redeye.

     

    Here's an example, though I'd like to do better than this:

    Andy

     

    I'm wondering about a second-hand Sony R1 with a Metz flashgun, or will I have to go the DSLR route -

    and if so, which camera/flash combination would you recommend?

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