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mark_in_st._louis

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Posts posted by mark_in_st._louis

  1. Josh, I assume your last statement was directed at me. I have the Crumpler and love it. I ordered the camo colored one after finding it on the internet in stock. I wanted the black color but they are on backorder at most reasonably priced places. It is about $60 US from Crumpler. I have the black one backordered through adorama for $25 delivered and will keep the camo as a backup once it arrives.
  2. I started with this tripod <a href="http://www.bhphotovideo.com/c/product/131427-REG/Slik_615_315_700DX_Pro_Tripod.html" >Slik Pro 700DX Tripod with 3-Way Pan/Tilt Head (Quick Release) - Supports 15.00 lb (6.80 kg)</a>. It does not have the cult following of some of the other brands but those that buy it like it. With a light camera and a tripod that is not heavy you have to weight the tripod to avoid being effected by wind and minor vibrations. After a few years I've gone Gitzo but this is still in my collection of toys and is a great tripod.
  3. In answer to horse show questions, for me horse show = Miniature Horse. AMHA and AMHR shows. Typically halter & driving. Not quite as mocho as most that are interested in horse shows. But thats my hobby.
  4. <p>

    Thank you for your thoughts. Regarding the D700 vs. D3 decision, I've found that I really enjoy using the grip on my

    existing D200 since I have large hands and have never wanted to use the camera without it. So, the D700 with grip

    is actually a larger camera than the D3 from what I have seen. I've read some reviews of the D700 grip and think I

    would enjoy the D3s approach better if a grip is always going to be used. I actually like the voice recording feature of

    the D3. I see the new 2.0 firmware provides some of the D700 like features. And with the price down $500 or so the

    price difference is really not as large as when the D700 came out. Now we are looking at a $3250 vs. $4500

    decision. Plus back to the marriage issue, I'll get in just as much caca buying either one, so I may as well go for it.

    Regarding the lens I find that the existing 70-200 is never used at 200mm in DX for my use, So, I'm hoping... As

    already mentioned, no LCD cover is provided on a D3. The 6 and 12 layer glass LCD covers look interesting but they

    use

    an adhesive instead of the mounting points that the Hoodman uses.

    </p>

    <p>

    Has anyone that owns the D3 ever had access to both the Kirk and the RRS L bracket? I'm curious what the

    advantages are of one over the other. Thinking about the Markins M20 red with this.

    </p>

  5. I'm looking at that $4500 price for a D3 and B&H and wondering if it is my civic duty to take one off their hands.

    Don't want them to be stuck with palets full when the new models come out. The low light levels would help me a

    great deal in my photography (primarily indoor horse shows). Looking at grabbing an additional en-el4a, bl-4, and

    hoodman hoodcap. Anything else I should help B&H with on the order? Current inventory SB800, 70-200, 85mm

    F1.4, 50mm F1.4. And a D200 that will have to visit eBay to make this work and have me remain married.

  6. Well I've decided to take the plunge and go for one of those D3s that they are discounting to clear out. Thought it

    was about time to upgrade and make a final purchase on a serious head. I'm leaning towards the Markins M20 Red.

    This will be my first ball head. Any reason not to go for the Markins M20? I thought the red finish looked nice, does

    this rub off over time? For a D3 which plate would you suggest. At this point my thoughts are the RRS BD3-L...

  7. Thanks to each of you. I have not used ISO 3200 and am looking forward to playing. Elliot, I appreciate the time you put into your response I have looked at the different examples you have provided in great detail. I believe that if I choose to ago with the 85mm I will get the F1.4 to avoid the issue of ever wanting to replace it in the future.
  8. My current collection of playtoys includes a D200 and the Nikon 70-200 VR, along with the 50 F1.4 lenses. I'm

    attempting to take pictures of horse shows indoor and still have some motion blur at ISO 1250, F2.8 with the 70-

    200. I have been thinking about picking up the 85 F1.4 but wonder if I should be putting my money into a D300

    instead. A D3 would be nice, but this is a hobby for me and that will be on the list for lottery winning expenditures.

    Budget $2k.

     

    What are your thoughts?

  9. <p>Take a look at a monitor like the <A

    href="http://www.eizo.com/products/graphics/cg221/index.asp">Eizo ColorEdge

    CG221</A> monitor that can reproduce the aRGB color space. I would doubt there would be much market for a monitor like this if a $400 monitor was as capable of reproducing aRGB.</p>

    <p>An An <A

    href="http://www.shootsmarter.com/index.php?option=com_content&task=view&id=151">article

    by Will Crocket</A> sums things up these differences well. I had a chance to see one of his recent road shows and learned a great deal.</p>

  10. Unless you have spent over $4k for your monitor and specifically chosen an aRGB monitor you will not be able to adequately view an aRGB photo. Which means when you get it back from the professional lab it may have a green or blue cast that you could not see. Unless they were nice enough to correct it for you.
  11. I'm looking at the

    <A

    href="http://www.bhphotovideo.com/c/product/62542-REG/Westcott_1103_Background_Stand_for_Illuminator.html">Westcott

     

    1103 Background Stand</A> for use with a 7' x 8' flexout style

    background.  I'm

    unclear of the type of attachment this stand has at the top for the

    background.  Has anyone else had experience with this product?  What

    similar products would you recommend?  My usage would be indoor where kids

    and wind are not a factor...

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