peter_hughes1
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Posts posted by peter_hughes1
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<img src="http://www.ravenvision.com/images/melaneeface.jpg">
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<p>From my experience, certain lenses produce a particularly
beautiful rendition of the out-of-focus areas of the shot. Non-ASPH
Leica lenses have that reputation, as do lenses from Zeiss, such as
those for the Hasselblad camera. It is especially important at the
maximum aperture, which is the only "natural" aperture any lens has,
and which is not influenced by the shape of the iris opening.<p>I
could post any number of pictures taken with Leitz or Zeiss glass
that demonstrate beautiful bokeh. I've chosen one that I've posted
here before but which, I think, sums up the reason why I do consider
it integral to my art. You may find more on my site.<p><a
href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes
Photography</a>
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At my house we're having an "old fashioned" Thanksgiving: We'll
prepare a huge feast, invite over a bunch of friends, then we'll kill
them and steal their land!<p>The old adage that <i>history is written
by the victors</i> is never more amply demonstrated than when it
comes to major American "holidays."
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Women. What else is there?<p><a
href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes
Photography</a>
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Sorry, the Goth project is <a
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I'm not sure why you want to shoot with one of the classic lenses.
They are inferior in every respect from the modern lenses, especially
in the area of microcontrast. I had a 50mm Summitar for a while but
after a few weeks I dumped it, bit the bullet, and went for the
latest 50mm Summicron. A world of difference. The Summitar was muddy,
fuzzy and, compared to the Summicron, lacking in beauty. As for
shooting with an LTM camera, again, I can't really see why unless you
are just bored and looking for an exercise to perform. Along with the
Summitar, I owned a IIIf for a while and it was absurdly inconvenient
and difficult to use. It took me several minutes just to load the
damn thing. And every time I fired it I thought it was going to self-
destruct. I also went through a Serenar 85mm, and a user M3, which I
finally managed to drop and totally demolish. I now own an M6 TTL and
two Summicrons and I couldn't be happier.<p>If you go to my <a
href="http://www.ravenvision.com/peterhughes.htm">Goth Project</a>
and look around you will have no trouble picking out the Summitars
and Serenars from the Summicrons. Then you can judge for yourself.
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The only posts worth reading are those that make people think, which
outrage, and which encourage people to swim against the current. But
be sure you know what you're talking about before posting. There are
people here with 40+ years of experience.<p><a
href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes
Photography</a>
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The perfect SLR compliment to the Leica M is a Hasselblad.
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Point Lobos, of course. Next go to the "town" of Big Sur (26 miles
south of the Crossroads) and ask the locals for directions to
Pfeiffer Beach. You won't be disappointed. Be prepared for wind,
however. (Time to break out that UV filter!) You also might try Rocky
Point, Andrew Molera State Park, and the area around Point Sur.
Garapata Beach is a supreb location; the northern part is a nude
beach. There are one or two other hidden spots...but I'm going to
keep them for myself. :)<p>Personally, I'd skip Carmel. It's a
roadside art show disguised as a town--the center for bad art for the
entire universe. If you plan of checking out the, er, "galleries",
bring a barf bag with you. They're that bad.<p>I've always considered
the aquarium to be a letdown. Cannery Row is basically one giant T-
shirt store. And the restaurants are strictly ho-hum unless you like
seafood.<p>The place to stay in Big Sur is Deejent's Big Sur Inn.
Very pricey, however, even off season.<p>Have fun! And whatever you
do, be sure to check out Camera West on Calle Principal. Bring money
and tell Sean Peter Hughes sent you.
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<i>Although I have not tested the Summicrons, I did compare the
quality of bokeh with the pre ASPH and ASPH Summiluxes. The ASPH has
a harsher, double image out of focus appearance; the non ASPH is
smooth. Needless to say, the pre ASPH is quite soft especially wide
open; despite that, the bokeh is more appealing. My assumption is
that the Summicrons behave similarly.</i><p>Just as I suspected. I'll
go with the pre-ASPH, thank you.
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This may be heresy buy, honestly, I wouldn't do a thing to the M6 TTL
to "improve" it. The reason I own the camera is precisely
<i>because</i> it doesn't have Aperture Priority, multiple metering
modes, a motor winder (to take the pleasure away from winding the
camera myself!), auto bracketing, etc. If I want that, I have my EOS
7. Funny, but the Elan rarely comes out of the bag these days.<p>As
for those who say that we should be offered an M6 with the build
quality of an M3 I say, are you willing (and able) to pay $4000 for a
camera body? I'm sure as hell not!<a
href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes
Photography</a>
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A couple of months ago I was having coffee with an acquaintance. As I
got up from the table I managed to drop a nice, user M3 and do so
much damage that it wasn't worth repairing. The new 50mm Summicron-M
that was on the camera cost $250 and two weeks in the shop to repair.
I had no insurance and, to make matters worse, I had three shoots
scheduled for the following week. I somehow managed to scrape
together enough for a new M6 TTL, partially by selling a beautiful
Compaq laptop to a friend.<p>BTW, I now have insurance.<p>P.S. These
things happen.
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When the Leica M-series was new, in the early 1950's, it <i>was</i>
the fastest focusing camera around. Autofocus has changed all that. I
have no doubt that my $450 Elan 7 can focus much faster and with more
accuracy than my $2000 M6 TTL. But for the type of photography I do,
it doesn't matter.<p>If I was a working photojournalist, I would
carry both an EOS and a Leica M. I would use the former with a zoom
lens when the action was fast, the latter when I could spend more
time and wanted the magical quality that the Leitz glass has to
offer.<p>Bottom line: Use the right tool for the job.
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Andy -- You're right about chromatic aberration showing up worst
with dark against light colors. Now, if that's the worst c.a. you can
show from a 90mm Summicron, well, that's not so bad. You should see
the c.a. I used to get from Canon USM wides: 20mm f/2.8, 28mm f/1.8
and even a 14mm f/2.8L. Much worse than that!<p>As for the beautiful
'bokeh', that's why I own the lens and that's one of the main reasons
I shoot Leica (and Hassy).<p>Frankly, I'm leary of aspherical elements
in lenses. Perhaps they do correct for some aberrations, but at what
cost? This is just a gut feeling, not backed up by any empirical
evidence, but I think the best lenses, as far as character and 'bokeh'
are concerned, are no faster than f/2 and w/o ashperical elements.
Also, micro-contrast is very important! And the late non-ASPH Leitz
optics seem to have that in spades.
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I should add that young people, males in particular, are attracted to
that which is new and 'cool.' It shows how 'hip' and 'with it' they
are. Digital 'rocks'! Leica is classical. How many 50+ men do you
see driving around with hard rock blaring out of the CD player in
thier car?! (I still do it occasionally, of course!) <p><a
href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes
Photography</a>
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It's not the cost factor: a Leica M6 and a 50mm Summicron costs no
more than an EOS-1v and a 70-210 f/2.8L zoom.<p>Young men like flash
& sizzle, loud bells & bright whistles; big, fat, long lenses; high-
speed motor drives that make them look powerful and professional.
Leica offers none of this.
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I routinely shoot the 80mm f/2.8 Planar wide open but it takes some practice to get sharp results. I use the Acute-Matte D screen and rely heavily on the microprism collar. I also use the rigid magnifier, commonly referred to as the 'chimney.' The pop up magnifier on the WL finder has a higher magnification but no diopter correction, which is essential for me. If I don't need the selective focus the f/2.8 aperture gives me, I stop down to at least f/5.6.<p><a href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes Photography</a>
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<i>Shall we try that</i> again?!
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</i>Close italics. :)
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<center>
<img src="http://www.ravenvision.com/images/lernercomp.jpg">
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Here is a photo of photographer Claire Lerner shot with the latest
(non-ASPH) 90mm Summicron-M @ f/2. The inset is a magnification of
the eye. It's only a poor JPEG, of course, but even so you can see
that there is no chromatic aberration and that it is more than
acceptably sharp, especially given the slow shutter speed (ca. 1/8
sec. on tripod). You will also note the extremely lifelike character
of the image, the superb 'bokeh', the natural color rendition�without
the slightest hint of crossover�and the soft and pleasing highlights,
all aspects in which Leica lenses excel.<p>I suggest that if you plan
on actually <i>shooting<i> with the 90mm Summicron-M, you will find
that it is a portrait lens without peer in the 35mm format, despite
the supposed "flaws" in its performance, none of which has ever
bothered me in the slightest.<p>
<a href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes
Photography</a>
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M6 + 50 & 90 Summicron.
<p>
And yes, give your cameras to RAWA. Maybe they can use them to
document some of the horrors women suffer under the Taliban.
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"Family of <i>Man</i>? Sounds rather sexist to me. Oh, I get
it: "Man" is supposed to be generic and all-inclusive. Hm. I wonder.
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Keeble & Shuchat Leica specialists?! Not! They don't even check out
(or clean!) their used gear before they put it on the shelf. And they
have a <i>week</i> guarantee, which is a <i>weak</i> guarantee. But a
good lens is a good lens, regardless of where you find it. Try Camera
West in Monterey. <p>Personally, I don't like to mail order,
especially used Euro stuff, because I want to feel it in my hands and
check it out with my own eyes before buying.
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M6 TTL 0.85. Don't underestimate the value of that built-in meter.
Plus it's <i>new</i>!<p><a
href="http://www.ravenvision.com/peterhughes.htm">Peter Hughes
Photography</a>
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The "grain" in PI is fake, added in the lab.
I bought the m6 and now i feel terrible
in Leica and Rangefinders
Posted
There should be some sort of law that a person can only buy the
equipment they deserve and know how to use, much as a violinist works
her way up from an inexpensive violin to the likes of a Stadavarius.