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robert goldstein

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Posts posted by robert goldstein

  1. I have noticed that different images of identical resolution and dimensions often have widely varying file

    sizes when saved as JPEGs. In other words, at the same JPEG quality level, some files are larger than

    others. I am often bothered by having to reduce quality level in order to post a JPEG image to a website at

    a reasonable size, as this can alter the appearance of the image on the web. As an example, I like to

    split-tone B&W images in Lightroom. They may initially look great on my monitor, but when saved as low

    quality JPEGs, weird color shifts sometimes occur. Raising quality level eliminates the color shifts.

     

    Obviously, JPEG compression is not as straight forward as one might expect. What is the explanation for

    this phenomenon?

     

    Rob

  2. <<I really hate the Mac interface and the Apple way of hiding things I really want to get to. I

    know that sounds strange, but if nothing else is available, I'd rather put up with Windose than

    fight with a Mac.>>

     

    With all due respect, I must say that if you find the Mac OS more difficult to use than

    Windows, you have not taken the time to learn how to use OS 10 properly. I use both and

    would choose Mac any day of the year.

     

    Rob

  3. A very nice general purpose zoom lens is the Pentax 16-45/4. I own this one myself and have been very pleased with the results. The only negative is that at the wide end, the lens blocks part of the built-in flash, which is not much of an issue if you rarely use the built-in flash. External flashes are always preferable, anyways. There are many Pentaxians who like the Sigma 17-70/2.8-4.5. It is bigger and heavier, but has greater telephoto range. Somewhat above these two lenses is the new Pentax DA*16-50/2.8, which is also somewhat more expensive. For longer telephoto zooms, you will have to get advice elsewhere, as I do not use them.

     

    Pentax is renown for very fine fixed focal length (prime) lenses. I would suggest that you spend some time perusing the Pentax SLR forum at dpreview, where you can find more discussions of lenses than you would ever want to read. Look under the "Discussion Forums" menu.

     

    http://www.dpreview.com/

     

    Good luck and have fun with your new camera.

     

    Rob

  4. The Pentax is in a different league than the Nikon and Canon. In terms of build quality,

    weather

    sealing and other features it is at or near the professional level. I would place the K10D

    somewhere between the D80 and the D200, but much closer to the latter. And the excellent

    shake reduction feature on the Pentax is not available on any Nikon or Canon DSLR. Pentax

    has fewer lenses available than the other two manufacturers, but unless you have highly

    specialized needs, you should be able to find excellent lenses that suit your shooting style.

     

    Rob

  5. I was so intimidated by Photoshop that I put off entering the digital realm for several years

    before taking the plunge, first with scanned film and more recently with digital cameras.

    What I found most helpful to overcome my anxieties was to begin working on my own

    photos with a basic book at my side. Reading manuals in isolation of actual image files is

    nearly worthless if you have no concept of the programs's structure and capabilities.

    Photoshop is a massive program with many features that are of little value to the average

    photographer. Learn the fundamentals first--levels, curves, layers, masks, selection tools,

    etc. If you can master these skills, you will be able to produce very pleasing images. I still

    have a long way to go myself, yet some of my work is pleasnatly above average. As with

    most things in life, it's easy once you know how.

     

    Rob

  6. Personally, I think that your standards have risen since you started shooting digitally. I know

    that mine have. Still, you should be able to get very good results from well done scans. Up

    until recently, I used a Minolta 5400 to scan Astia 100F and Provia 400F, and I was very

    satisfied. I never bothered with 3rd party software, as I felt that the Dimage Scan performed

    admirably. Setting the proper pre-scan exposure was critical, and it was rare that I was

    unable to capture the full tonal range present on the film.

  7. This is a follow-up to my earlier post. I replaced the 24 inch iMac with a MacPro/23 inch

    CD combination. The monitor is spectacular, in my estimation. Illumination is not

    completely even across the screen, but he uneveness is so trivial that no one would ever

    notice it withought specifically looking for it. The color cast that plagued me with the

    earlier CD is but a distant memory. I use ColorEyes for calibration, and am very

    pleased with it. However, I

    have not compared it to any other products.

     

    It is my understanding that the aluminum encased Cinema Displays are on their third

    generation and that many of the problems so common in the earlier generations have

    been fixed. This certainly squares with my experience.

     

    Rob

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