arash khoshghadam

Thank you Max for your nice shot. The horizental frame exposes the eye-catching rythm composition. a good choice to break the rules and place the snail dead center. The background is blacked-out, helping the eyes to focus on the object rather than getting out of focus though there is a problem: I am sure the snail is the main object; for this reason, a macro shot would have helped much more efficiently. Also, the point of view could have been altered to produce a more fascinating shot. perhaps you could take the shot from the front side in macro mode. The leaf is too conspicuous to let the eyes rest on the snail and since it is a pattern-rythm element it is distracting.

Thanks for your nice shot. Its black and white profile is expertly effective. The informal balance ( eyes travelling between the younger and elder child ) works out, but the vague point is the title and the story the picture tells me.

why not the whole star with a wider shot? or maybe something is behind it which I can't understand.

very engaging. good rythm composition. interesting element of point of view.

fine art, good picture, color continuity and scheme is very interesting.

Phil. your first time is fantabulous. That's all I can say. everything is perfect, especially the bokeh which is harmonious in this case and very soothing. Keep up the good work. thank you.

magazine cover shot. good capture and focus especially with 10D. thank you.

The composition is all right, but exposure could have been + 0.5 EV to let neon bars glow brighter

Viki, I am still doing arithmatic to figure out what it is you have photographed and how.

A little to the right and downward, The yellow flower now chopped by the right edge would have been placed in the tetradic color scheme and in complementation with the purple one at the bottom

This shot is very elegent though there is one glitch: if a closer shot had been taken the red of the ladybug would have been taken 50% ratio with the green of the blossom. Also, the shot could have formed a line to lead the eyes from the top to the insect.

Dear Amy. The continuity of colors ( the skin portion of the shot which comprises 70% of the photo is very eye-catching. the accent ( the blu and complementary orange ratio is very well-placed, but I don't see why you have gone after regarding the one-third rule in such a portrait shot. your portrait dosen't have enough headroom as recommended. The negative space ( the blank portion ) is void and thus distracting, plus it competes with the positive space ( the object of the shot ). You could have used a wider lens to eliminate these shortcomings and still

keep the knee portion limited to the lower edge.

seeing your shot is quite an experience. Thanks

I am impressed though there is a minor suggestion. The bright spot in the cloud is the eyes' first entrance point . It could have been more into the frame. the lines emenating from the spot help guiding the eyes toward the boat. The balance between the negative and the positive space is superb. congradulation.

Much thanks for such a technically-considered shot. The eye-catching contrasts is phenomenal.ROT is well thought of, but it could have been more eye-boggling if the horizon hadn't been messed up by the small pole in the distance. It's recommended that photographers look around before depressing the shutter button.

I for one say that it's good thinking and timely shot behind this image, but I can stll find a little problem. There is not enough head room for the model and her hair is touching the edge of the frame. Alec could have made a note of that one to make perfect more prfect.

The shot enjoys creatively-adjusted lighting and demonstrates the photographer's savvy; also, the upside-down image shows theat the photographer knew exactly what he? wanted in the first place. The sepia tone works!

The black and white coice is indeed working here pretty well, but there is one glitch, in my opinion: Kaushik could have got rid of the distracting elements by a closer crop, thus focusing tightly on the boy and the lamb instead of letting eyes wander about around the frame to analyze the objects in the whereabout.