Jump to content

david_schwartz6

Members
  • Posts

    284
  • Joined

  • Last visited

Posts posted by david_schwartz6

  1. 1200 sheets of AZO paper in unopened boxes. 600 are F2s, 600 F3s. Kodak stopped producing AZO years ago - it was the premier contact printing paper for large format for years, the favorite of Michael Smith and Paul Chamlee, among others. These boxes were stored in a closet which may have gotten warm over the years. That said, AZO is well known for its resilience to environmental abuse. I am GIVING these away - you pay shipping only. As is, no returns. contact dschwa8059@yahoo.com
  2. <p>Just to add my own two cents. I learned on a Wista DX. I haven't used the Tachihara or Shen Hao. I thought the Wista was just fine. The only drawback I found was a relatively limited bellows draw, which has implications only for close up photography. As an aside, you may be able to find a used Deardorff at a comparable price -- I haven't used one, but they are supposed to be quite fine, and probably do not have the same limited bellows draw. But to your question -- yes, I learned how to do large format on a Wista and was quite happy. </p>
  3. <p>I have decided to go back to my large format camera after some years away, and have four boxes of unused

    Ilford Delta 400 8X10 film that have been sitting unrefrigerated in their boxes for some time. The expiration date

    on the package is January 2002. Of course the only way to see if they are fogged is to test a sheet or two.

    Here's the question -- is the best test simply to develop an unexposed sheet and see what it looks like?&nbs

    p; Or do I need to expose it by photographing a fairly high contrast&n

  4. I bought one many years ago, and still have it. I never found it particularly useful -- in fact, it is the kind of thing that seems to make things easy, but actually prevents you from learning how to do it yourself. After about a month, I stopped using it, and used my eyes and brain -- a much more effective combination. One of the most difficult things you have to do in B&W photography is to learn how to see a setting in monochrome -- learn how to do it yourself, with no aids, and you'll have made a major step.
  5. Laura

    I have been taking photos for 20 years, and there are only 10-15 that I would show anyone else. It takes a very long time to learn the craft. and having looked at your own portfolio. I think you have some wonderful things to say photographically. Just keep on doing you thing!

  6. I do. I have seven cameras obtained in the course of 20 years. All film, except for a point and shoot digital I use for snaps. The other six are large format, medium and 35mm. Why do I keep using film? I like it. I know how. For the longest time, digital output could not compete with analog -- that's not true anymore, so I have some of my negs scanned and printed by digital labs. Very good results. I am loathe to buy anything better than a point and shoot for taking the image -- the technology is improving so rapidly that I worry I am buying at the steepest part of the technology curve -- next year, all your digital cameras will be left in the dust by gigapixel sensors. That kind of thing. It took me a long time to buy a CD player, just for this reason. Anyway, I'll play with my film cameras for the time being -- no one is working on producing a better medium format film camera than a 500C/M Hasselblad, or a Leica M3 -- much less my Kodak Masterview 8x10!
×
×
  • Create New...