bob jr.
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Posts posted by bob jr.
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Please help - my 17-85 IS lens keeps erroring out every time when the focal
length is set at 17 or 24, At 35 and greater it doesn?t happen....it happened
for the first time today and now it keeps happening every time.
What should I do?
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Thanks Tom! And thanks to everybody else also. "Two heads are better than one" truly does work. I know that everything will be fine that day, due mostly to the combined concern and expertise right here.
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No wardrobe change - these are military folk going to a military ball.
You must get some of the strobes? I don't understand - please explain...
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Bob,
How would you orient the umbrellas? Would you shoot the light into the inside of the umbrella which then bouces back at the subjects? Or would you shoot the light through the umbrella? If you do shoot through the translucent umbrella, which way would you have the umbrella turned?
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Bob and Russ,
Thanks for all of the great instruction. I will use it all for a successful shoot. As they say in Hawaii, Mahalo!
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Russ,
I already know enough about lighting to get the job done...and I will find a way to get it done well...please don't interpret my open and honest questioning as ignorance. And I am creative enough to be able to utilize what little I can get here to enable me to do the job. Maybe you need to go to weeks or months of classroom instruction before you can do anything like this. I don't think I need that.
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Hi, I will be photographing a military ball in a few days, and I wanted to get
your advice. It will be in a hotel, and I will be setting up in a long
corridor outside of the ballroom. I will be at the non-entrance (dead end)
side of the corridor. If the hotel can't turn it off, there will be ambient
light from the ceiling. I have an Interfit system with two strobes. I will be
putting a softbox on the one and I am debating on whether I will be using the
other (I have an umbrella that I could hook onto the second if need be). The
subjects will be standing in front of a Westcott "Storm Cloud" mottled grey
muslin background. I intend to use a slave light behind the subjects for
background light. My 580 ex will be pointed at the ceiling; it will be set in
manual mode in the weakest pulse to trigger the strobes(s) and the background
slave. I also have two Photoflex reflectors (a 42" on and the smaller one)
with brackets and light stands so I can use them if need be. I have two
cameras, a 20D and a 5D.
My questions are:
(1) Can I use the aperture to effectively make the ambient light "disappear" or
appear to not be there at all so that I can make it look as if the shot was
taken in a dark studio with only my strobe/slave lighting? Someone told me
that the smaller the aperture the more the ambient light will not be a factor.
(2) Has anyone out there had a similar situation, and were you able to make the
lighting look nice and what did you do?
(3) Does anyone have any advice for me given my set-up and equipment?
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No; on the 5D they were - or most of them for that matter. I was borrowing my friend's - still am...
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I have the 24L and I LOVE it! I did an Easter party shoot last Saterday and used the hell out of the lens.
http://the-camera-man.smugmug.com/Events/306507
More examples elsewhere on my site. Just make sure that you use the date limiter found near the top of my home page, because I have had the lens for only about 1 month now...
- bob
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I prefer the 580 EX because I can hook up my auxilliary batter pack to it for more rapid recharging and prolonged firing.
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I will be doing a group shot in front of this building:
http://www.blackgate.net/gallery/v/travel/Hawaii_2003-12-02/100_1990.jpg.html
It will be 10:00 AM; there will be 40 people, all behind and around the rock
wall-type sign in front of the building. The eight dignitaries will be
standing directly behind the wall on ground level. Most of the others will be
standing on a foot high riser just behind the dignitaries. The sun will be
shining in the subjects' faces and to their left a little.
Any thoughts on a preferred set-up for a picture like this? I will be using a
20D and a 17-35 L lens. I have a 580 and two 430's and a STE-2 transmitter.
Could or should I position these flashes directly in front of me to illuminate
the subjects for some fill flash? Today I went there to do a test shot with
the flashes in place, and only one of them fired dependably (one didn?t fire
at all). What shutter speed/aperture combo would be preferred? I assume that
I should go with ISO 100...correct?
I think I will take three shots with flash and three shots without. That
should give m,e enough pics to choose from in case of closed eyes or yawning
or something like that. And a small enough amount of pictures so that the
dignitaries don?t get indignant.
Help with suggestions please...
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Thanks to everyone! But I figured it out, using Adobe Bridge, which was what I hoped. Just select all of the jpg's to be processed, then go to TOOLS>PHOTOSHOP>IMAGE PROCESSOR when in Adobe Bridge. It's that simple. This processes the jpg's, rotates them, and can also do other automated tasks which can be recorded in Photoshop.
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Thank you Matt; that is VERY comforting.
But is there a way to batch handle this in Adobe Bridge?
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If I right-click on images in Windows XP folders and rotate them, is that bad
for the pictures? Do they "lose" anything?
If they do, how can I batch process jpg's, including auto-rotate?
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Thanks, Michael and William, for your answers. They are surely VERY helpful to me.
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I wrote the following message a couple of months back. For the most part, the
shoot went well (although it was raining around most of the island; was only
able to shoot during about 40% of the trip):
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Hi!
On Friday I will be meeting with a local helicopter tour company (I'm in
Hawaii). They are thinking about using a photographer to promote an up-coming
event. Actually I cold-called the company, telling the man that I spoke with
that I was a new photographer looking to expand my portfolio. I told him that
my rates would be very reasonable, since I am just starting out; additionally,
I told him that I would give him an opportunity to test me out at no charge to
him. If he likes my pics, great; he can use me. If he doesn't, no harm done.
Assuming at some point in the near future that he likes my work, please give
me an idea as to rates and pricing so I know how to propose/charge him.
Thanks in advance for all of your replies!
- bob
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I didn't charge him anything for the shots - the understanding was that I
could use the pictures for my purposes and he could use them for his. Now the
owner (or manager) wants me to do another round of shots, except this time
they will be taking the door off. (I think I will be shooting in conjunction
with a Japanese movie-making crew or something like that.) What should I
charge him? How much per hour? Or should I charge by the job? What if they
want to use my pics for a motion picture or something like that? Is it
customary for photographers to sell all rights to the photos from the get-go,
or should there be some sort of royalty every time the picture or pictures
appear in the mass media?
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Did you recently take a trip on a passenger jet plane? I borrowed a new 85 1.2 from a friend a couple weeks back. It went real rough onto my 20d - in fact, I think I remember it didn?t go on at all. When I looked at the mounting plate, all four screws were VERY loose; in fact, they were about ready to just fall off. It was bizarre...it was almost as if someone had unscrewed all of the screws to where they just about fell out. I screwed them all back in with a jeweler?s screwdriver. When I later asked the owner, he said that he recently took a trip to California (with a few days of my borrowing the lens). The guy at the Ritz camera shop in Hawaii here told me that airliner trip can do that to lenses (something about the high frequency sound from the engines)...
Hope this helps...
- Bob Duren
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yes, thanks!
Now I know why some of my pictures at my last gig were completely blown out. I had broblems at a Christmes party for some submariners and at a hula dance presentation. I couldn't figure out what was going on. Now I remeber that I had set it to second curtain sync using the menu on my 20D during a night-time parade in Honolulu; and I forgot about it 'till now. I guess that if the second curtain isn't set on the 580 but it is on the 20D the second curtain will screw things up a bit. Question: if set on the 20d but not on the 580 unit, will the second curtain work properly? My guess is "no".
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Please recommend an audio converter that I can download from the Internet that
converts WMA sound files to OGG sound files. This is aggravating. I have Pro
Show Gold, and P.S.G. doesnt recognize the sound files that my audio recorder
records (WMA). It also doesn't recognize the sound files that iTunes
generates from converting the WMA files; it also doesn't work with the sound
files that are converted from Windows Media Player when I do the BURN option
to a disk from WMA to CDA.
I really would think that P.S.G. would accommodate more sound file types. Can
anyone else out there relate?
I just want to create some simple slideshows! Jeesh!
- bob
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I now have 2 430's and 1 580 and a ste-2. If I were to use all three flashes
in relatively close range of my subject, is it true that each flash would have
to work 1/3 as hard as if it were the only flash in the shoot? In other
words, three flashes provide three times the light; so, if all of the flashes
were to fire off with the strength needed in a one-flash situation, the
picture would be over-exposed, correct?
( I am asking this because I am wondering if the recycle time would decrease
in a multi-flash situation like this, since each capacitor would be drained
less) (assuming my assumption is correct above)
- bob
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also, is it possible that he is using AI FOCUS?
I have found that, in some circumstances, the AI FOCUS screwed me up, especially when doing the recompose "dance" mentioned above.
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Hi!
On Friday I will be meeting with a local helicopter tour company (I'm in
Hawaii). They are thinking about using a photographer to promote an up-coming
event. Actually I cold-called the company, telling the man that I spoke with
that I was a new photographer looking to expand my portfolio. I told him that
my rates would be very reasonable, since I am just starting out; additionally,
I told him that I would give him an opportunity to test me out at no charge to
him. If he likes my pics, great; he can use me. If he doesn't, no harm done.
Assuming at some point in the near future that he likes my work, please give
me an idea as to rates and pricing so I know how to propose/charge him.
Thanks in advance for all of your replies!
- bob
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Bob,
Earlier in this post.....
(Bob Donlon - Albany, NY , oct 16, 2006; 01:57 a.m.
Never had the problem, but had a few problems with the burn process locking up, so I burn to ISO, then to the disc and it solved any issues I had.)
.....you mention about burning the ISO file onto the DVD. I did that, but the DVD doesn?t work in the DVD drive. What do I do now? I currently got the ISO file burned onto the DVD -R disk.
- bob duren, Hawaii
17-85 err99 at Wide Focal Lengths
in Canon EOS Mount
Posted