christian hilmersen www.
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Posts posted by christian hilmersen www.
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The worst thing is that I cannot see two control wheels....
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Sam Song: sounds like the e-410 in live-view mode... It sould not be too hard to make something like a digital contax G based on 4/3ds. One problem with this is that the 4/3 lens mount is quite large....
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It seems like the Hexar is back. Unfortunatly mine is replaced with a M6 after having been destroyed in battle (fell out of the car, catapultet to the flor etc). Great thread BTW.
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Agreee with Rick Keir. I used a personal development license at ABB - a 200 000 employee company: the department didn't have enough budget at the time. I frequently bring my own books to work: it is just easier and faster than going through the company procedures.
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Thanks. The artistic value of the second picture is about zero IMHO. I like the zigzag line from lower left to top/middle right, but the tonality was what I was the most happy with - and that was a little personal victory after having been "down" for a week after having seen the horrible tri-x/red-filter pictures.
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Nice. I think the little boy's arm makes the picture: his imbalance fits very well with the wavy reflection.
Slightly OT, but I feel the reflection explains the expression...(picture was in late September - so the snow was surprising)
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There is very little snow here as well (Norway), but above 1200 meters there is plenty - probably due to the fact that temperatures have gone up . We have hardly had any days with below -20c degrees this year. It is really scary to see how fast the glaciers are disappearing... (Luckily I have managed to go skiing every weekend since october.)
These pictures are from "Fl�tatind". The summit is only 1600 meters. From the top you have a view across the atlantic in one direction. The second picture show the view in the other direction.
See <a href="http://www.fjellforum.net/viewtopic.php?t=7643">www.fjellforum.net</a> for color pictures, and the view in the other direction.
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Basically I haven't taken a picture since october. I took this and a few other
pictures on a mountaineering trip I had two weekends ago. For most of the trip
I used a red-filter and tri-x.....a choice I regret. Combined with inaccurate
exposure (as I said, I am out of training) the results looked like they had
been taken in the Sahara - the pictures were grey and borring.
The exposure wasn't dead on for this picture either - but with Fuji Acros 100
it was saveable (making quite a nice 45x30cm print).
<img src="http://www.fjellforum.net/download.php?id=5742"> <br>
Without red filter (but correct exposure): <br>
<img src="http://www.fjellforum.net/download.php?id=5741"> <br>
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I have no idea about the price - but they were not that expensive new. I really like my Konica Hexanon 50mm. It fits the M6 very well (see. www.hilmersen.net for OOF charateristics etc - I love it, but it is subjective). The M6 does not have 40mm framelines.....
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See <a href="http://www.hilmersen.net/cmsimple2_4/index.php?
PAW_2006:Week_46">Hilmersen.net-Week 46</a> for my comments.<br>
<img src="http://www.hilmersen.net/cmsimple2_4/images/PB111328-small2.jpg"><br>
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Seems like it is under exposed or badly fixed. It also seems like you have to check your dark-room: it seems like half the picture has been exposed to light: there is a diagonal across the picture. On the left of this diagonal it is lighter, and to the right it is darker. I am taking about your attached photo. Some of your other pictures look nice. Generally you have to adjust curves and sharpen when scanning for web. (Sorry for not taking the time to go into all the other pictures now - the PC I am on is blocking the thumbnails...)
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Sure it is snow. There is a greenish color cast - but I saw no point in making the snow whiter than I saw it. The camera...well, not Leica this time....but the colors are odd so it can't be OT can it?
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See <a href="http://www.hilmersen.net">www.hilmersen.net</a> to view my
comments for this week. <br>
<img src="http://www.hilmersen.net/cmsimple2_4/images/PB101320.jpg"><br>
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"I have read and followed comparisons in magazines and the web regarding 35mm film versus digital. The general conclusion is that DSLRs with large sensors out resolve 35mm film starting around 6 to 8 megapixels. This doesn't hold with point and shoot cameras because of the small sensor size. Digital is more critical of over exposure, so the contrast range is an issue. I tend to underexpose and watch for clipping. The shadows can be effectively recovered in Photoshop. "
So have I. I will just remark that I was only taking about the best b/w films e.g. delta 100 souped in a t-max developer and scanned on a good scanner. If you really believe that the resolution is as good with a 6mp camera I am really really surprised. That you and others prefer the completely noise freee images from a digital camera is a different issue.... For some pictures I acutally prefer my 5mp Olympus to the Leica - but the resolution is not even close. The 1ds MKII pictures that I have printed didn't really blow me away either - and I am taking about b/w picutres that requires a lot of detail/resolution....
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The quallity you will get from an M8 will not be as good as from an M6 with good 100 iso b/w film. With faster films or color the table turns. So if the the quality from an M6 isn't good enough, forget about the M8. The tonal range in a digital is less than in b/w film. I do not have an M8. I base my statement upon a resolution and tonal range test of Canon 1DsMkII vs a Canon 1 film camera with fuji 100 asa b/w film(astia?) scanned with a minolta scanner that I read in a magazine. (I must also mention that the magazine concluded that the 1ds was superior anyway (i.e. they prefered the look of digital). This photo is with out a doubt something you can be very, very proud of and it suits the square format perfectly. There is also nothing that has nicer tonality than the agfa 100 asa film in mf. With this film your results will not be as good with a M6 - it is nice but grainy: you need the extra size. I have not used 25 asa films with the leica (something like gigabit films or rollei..), so I am not sure the extra speed you get from the lenses/larger DOF can help you achieve similar results with the m6. Regarding the size of the digital equipment, you must remember that you will have to bring a charger and an external disk-drive and a waterproof case to put everything (at least the disk-drive).
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I notice that I am the only one that does not find MF sharper than 35mm negs..... IMHO it is wrong to compare using the same film. I have to use two stops faster film with MF in order to handhold (and to get the same DOF). MF lenses are slow (the Mamiya 6 lenses are f4 aren't they?).
Regarding print size from 35mm. 20x30cm is absolutely no problem if developed correctly. With fuji or ilford films 30x45cm is usually not a problem (the negative has to be perfect) - anyway the scanner is the limiting factor (Nikon 4000 dpi multipass using vuescan). I must also say that I did not use to like tri-x, but really like it now souped in tetanol ultrafin plus (i.e. t-max style developer). It scans nicely, but will show some nice-looking grain. As mentioned tonality is what you really will loose.
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I have a Hasselblad 501 and a Leica m6. With the same iso film the a shot taken with the hassy has more tonality. But, I tend to shoot with slower film (astia 100 og delta 100) with the leica. With the scanners I have, I find that 100 asa and leica is a very good combination. 400 film is good to, but you will get a 35mm look.... What I find is that it has taken me some time to get good prints, but now I am quite consistent: good exposure, good scanning, good ps-work and good printing is the key - all of these require training. I choose the hasselblad when:
- I want to controll a narrow DOF (a SLR issue - I guess)
- when I want a square format
- when I want the hassy out of focus look
I choose the leica for:
- mobility
- simplicity
- when I do not want a narrow DOF
- in difficult light conditions.
Lenses: I have Konica Lenses. I prefer these to the Hassy lens. These lenses have 10 aperture blades (the hassy has 5 I think). The result is that the OOF areas become smooth and natural looking. With the hassy I get pentagons.
Notice:
Sharpness is not an issue. If anyting, the leica/konica/100 iso b/wfilm/nikon scanner and vuescan combination is sharper than the hassy and flatbedscanner combination. The 35mm negatives also seems sharper. (I hardly ever use tripods or flashes...)
Tonality is different. Sometimes I prefer the 35 tonality, sometimes the 6x6.
Hope this helps.
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Really nice thread. Thanks. PAW 23 was taken in Shanghai.
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I like your picture, Jack - emotional.
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Languedoc, France <br>
<img src="http://www.hilmersen.net/cmsimple2_4/images/vue0069-8bit-small%20copy.jpg"><br>
Leica M6, Hexanon 50, Tri-X in Ultrafin Plus<br>
see <a href="http://www.hilmersen.net">my homepage</a> for more.<br>
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The D-Lux 3 seems nice, but I guess I will guess I will continue to use Olympus for SLRs - weather proof bodies and lenses is really nice for the type of photography I use it for. A protective case? I would save my money. Yes, it will protect - even from use! Film cost? I you develop yourself it isn't that high is it? You should remember that a removable hard drive etc quicly adds to the cost of a digital wonder. Seems like you are needing an excuse to buy the camera...IMHO that you want it, and that it will give you pleasure should be enough.
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<img src="http://www.hilmersen.net/cmsimple2_4/images/boathouse-8bit-
small.jpg"><br>
Boat house in Koster, Sweden.<br>
<a href="http://www.hilmersen.net">Christian Hilmersen</a>
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Hurray!!!
As a very happy user of an Olympus E-1 (and a M6), I really appreciate this news. The only thing....I wish it had been a smaller sumicron. AND for those looking for wide angles: olympus makes some very good wide angles for the 4/3 standard.
I am going to buy one? Not quite sure. Maybe if it is splash proof.
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<img src="http://www.hilmersen.net/cmsimple2_4/images/landskap-small.jpg"><br>
<a href="http://www.hilmersen.net">Christian Hilmersen</a><br>
Alaska cruise: M gear or Nikon SLR?
in Leica and Rangefinders
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