mike sisk
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Posts posted by mike sisk
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<blockquote><i>...can't take more than 3GB of memory, so the 64 bit processors don't
really get you much.</i></blockquote>
There's a lot more to the Core 2 Duo processors in the new iMacs besides 64-bit. Plus,
saying 64-bit doesn't do much for you with less than 4GB RAM is a gross generalization.
<p>
The Core 2 processors in the new iMac are from the same family as the "Woodcrest" Xeon
in the Mac Pro and are much better than the old "Yonah" Core Duo in existing Intel iMacs.
<p>
Of interest to Mac fans is the vector performance of the Core 2 series -- it approaches,
perhaps even exceeding, that of the PowerPC AltiVec engine.
<p>
Here's a link to more geeky details:
<a href="http://arstechnica.com/articles/paedia/cpu/core.ars/1">
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I did a little research on this issue. Apparently Apple made a change in the USB kernel
extension that broke some things, including some of the Canon utilities. It isn't broken
across the board and seems to only affect some hardware configurations.
<p>
Here's one potential fix:
<a href=http://discussions.apple.com/thread.jspa?messageID=2718770">
http://discussions.apple.com/thread.jspa?messageID=2718770</a>.
<p>
The consensus in the developer community is that Apple is right and the third-party
products are not following USB guidelines. But that's subject to debate.
<p>
-Mike
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I haven't actually seen one or know of any online reviews. I ordered one with the faster CPU
and upgraded graphics card but it won't be here until next week.
I doubt the slightly faster CPU will be noticeable, and it's currently a build-to-order option --
the stores are likely only stocking the 2.16 GHz model.
Seems like an ideal machine -- they even included Firewire 800 on this one.
-Mike
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I never really do remote capture, but have you tried the CameraWindow application? It has a
remote capture task that works with my 1D2N on OS X 10.4.7.
-Mike
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There's also the RS-80N3 for $50 which is just a switch.
I have the TC-80N3 and it is a very useful device if you ever want to do long exposures or
timer stuff.
I even used mine as a timer for Polaroids back when I still used a 4x5 camera with
Type-55 film.
Keep in mind this is one accessory that you'll likely keep for a long time, or at least until
Canon redesigns the plug.
-Mike
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It's the little 4-pin plug.
<p>
If you can, get a "cable protector" from a 1D2N to help hold the firewire cable in place and
keep it
from falling out. Here's a picture:
<a href="http://old.mikesisk.com/photography/images/sd550/firewire1.jpg">
http://old.mikesisk.com/photography/images/sd550/firewire1.jpg</a>
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<a href="http://discussions.apple.com/thread.jspa?threadID=482808&tstart=0">
http://discussions.apple.com/thread.jspa?threadID=482808&tstart=0
</a>
<blockquote><i>
Aperture does run on the new MacBooks, but it is NOT officially supported, due to
limitations with the graphics card. This means if you call AppleCare, you'll simply be told
that you're running Aperture on an unsupported configuration. It's an "at-your-own-risk"
experience.
<p>
That being said, Aperture will install and run on a MacBook...at least you're not disallowed
from using it. No hacks needed!
<p>
And of course, Aperture is fully supported on all MacBook PRO models.
<p>
Joe Schorr<br />
Sr. Product Manager, Aperture<br />
Apple
</i><blockquote>
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I've tried it and it does work. But it's slower than an Intel iMac, Mac Book Pro, or Mac Pro.
The really cool thing about Aperture is its use of Core Image for image processing which uses
the graphics hardware to offload much of the image processing. On a Mac Book you don't
have much in the way of graphics hardware so it does the processing in software. Depending
on what you're doing and the file sizes involved this may or may not be a problem.
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Well, I know for sure that the Canon 1D2N, 20D, 10D, SD550, and S80 all work for me and
my wife on our various Mac's all running 10.4.7.
I don't know about all the Canon software, but I know the camera connecting software for
the 1D2N's personal functions works as well.
I think Canon is being overly cautious -- I believe there was some issue with USB in some
instances, but IIRC a later OS update solved the problem.
As to the original question, I think the SD550 (or the later models in the SD line) make
great pocket cameras. No remote, but the self-timer does the trick for me and is one less
thing to lose.
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Yes, but due to the Mac Book lacking a separate video card it's not optimal.
A Mac Book Pro is a better choice, but you might want to wait a bit -- Apple will probably be
releasing new laptops with the Core 2 Duo processors any day now.
-Mike
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<blockquote><i>
If you want to have some fun with your long lens...
</i></blockquote>
I did this at Yellowstone several years ago.
<p>
At one stop a bunch of obnoxious photographers with their long glass were yelling at
non-photographer visitors to get out of their way and generally being total jerks (so they
could get pictures of the illusive Yellowstone deer).
<p>
Next stop with no one around I setup a tripod with a 300mm f/2.8 and proceeded to take
pictures of the distant horizon. Before long I was surrounded by a bunch of these folks
asking what's up. I concocted a story of a grizzly bear at the treeline and before long a
whole line of white Canon super-telephotos lined the road.
<p>
Then I left. Most fun.
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I've tried several Sandisk USB card readers with the Camera Connector and always get a
"unsupported device" message.
The Apple support site does say it works with some media readers, but doesn't say which.
They say to check with the third-party vendor and a media reader with it's own power
supply is more likely to work. I've not seen a USB media reader with it's own power supply;
if it exists it sorta defeats the purpose of using an iPod if it needs to be plugged in.
RAW images transfer fine (at least those from a 10D I tested) but you can't view 'em on the
iPod.
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The Canon software that came with my 1D2N works fine on 10.4. My "field" laptop is a 12"
800-MHz G4 PowerBook with 768MB RAM and 10.4.7.
<p>
It's not fast, but it loads in much less than a minute. I don't use the Canon software that
often, but I have recently used the remote capture and personal settings application.
<p>
I think there's definitely something amiss with your Mac...
<p>
Oh, in case y'all are wondering:
<ul>
<li>Mac OS X v10.0 (Cheetah)
<li>Mac OS X v10.1 (Puma)
<li>Mac OS X v10.2 (Jaguar)
<li>Mac OS X v10.3 (Panther)
<li>Mac OS X v10.4 (Tiger)
<li>Mac OS X v10.5 (Leopard)
</ul>
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The Apple iPod Camera Connector only works with cameras (no card readers) and only via
USB. The 1Ds is firewire only so you're out of luck.
It's not as slow as some think but it's not that fast, either. I think a lot of people confuse the
Apple Camera Connector with the older Belkin unit that was slow as molasses.
I sometimes use my iPod to backup images from my point-n-shooter, but as others have said
there's much better and cheaper solutions.
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I'm quite fond of the little SD550.
<p>
One advantage it has over the newer models in the SD range is that it has a larger 1/1.8"
sensor.
<p>
These snapshots all came from an SD550:
<a href="http://www.mikesisk.com/photo/gallery/eacc9c/">
http://www.mikesisk.com/photo/gallery/eacc9c/
</a>
<p>Some of the Fuji models may very well be superior, especially in high-ISO
performance (something I don't really care about), but it irks me they're still using xD
memory instead of the much more common SD that Canon uses.
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MTBF probably isn't what you think it is.
<p>Look <a href="http://en.wikipedia.org/wiki/MTBF">here</a> and
<a href="http://web.archive.org/web/20001202154100/http://www.storage.ibm.com/
storage/oem/tech/mtbf.htm">here</a> for more info.
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I wouldn't worry. It's difficult to imagine what they could do to improve this particular lens.
It already has the latest tripod-compatible IS, weather sealing and excellent optical
performance. About the only thing I can think of that would make it better would be a focus
preset and the AF stop buttons like the super telephotos.
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I have all three of the lenses being mentioned in this thread. IMHO, for all intents and
purposes, they all pretty much perform the same when it comes to taking pictures.
<p>I also agree with the majority here in that the 16-35mm is a very fine lens. Here's a
few snapshots I took at a car show yesterday mostly with this lens and I don't see how it
could be sharper: <a href="http://mikesisk.com/ford-show/">
http://mikesisk.com/ford-show/</a>
<p>There are some differences, of course. My copy of the 24mm f/1.4 is soft wide open
but sharpens up nicely once you stop it down a bit. Still, it makes quite acceptable pictures
at f/1.4. And being 2-stops faster than the 16-35mm (3-stops over the 17-40mm) the
viewfinder is much brighter. I don't feel the image quality of the prime is significantly
better than the 16-35mm.
<p>The 17-40mm is a very fine lens -- especially considering it's price -- but having a f/
4 maximum aperture I find the viewfinder image dimmer than I'd like. It's also nearly the
same size and weight as the 16-35mm so there's no savings there.
<p>In summary, IMHO, there's little reason to get the 24mm f/1.4 unless you need those
extra stops or want a prime. Get the 16-35mm f/2.8 if you can, but if you can't afford it,
the 17-40mm f/4 is a perfectly good piece of glass. All my opinion, of course.
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Sure, OpenACS will do that. It's a very sophisticated web framework; you can check out the
details at
<a href="http://www.openacs.org">http://www.openacs.org</a>
<p>One site using an OpenACS-based photo-management back end is
<a href="http://www.pps.org/imagedb/">http://www.pps.org/imagedb/</a>.
Another using "classic" ACS of similar vintage to that here on photo.net is
<a href="http://archnet.org/library/">http://archnet.org/library/</a>
<p>Disclaimer -- I may be biased since I host all these sites, including that of
openacs.org.
<p>Many, many other open-source gallery packages exist. Gallery (PHP-based) is one of
the more popular:
<a href="http://gallery.menalto.com/">http://gallery.menalto.com/</a>
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With any of the G4 towers it's a pretty easy job.
If you go to the OtherWorldComputing website (http://eshop.macsales.com/), click on the
"Tech Support" tab and click on "OWC Installation Videos" you can view a video of the
process. OWC isn't a bad place to order upgrade parts, either.
-Mike
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<blockquote><i>Do we need a test to ensure the text hasn't been manipulated in
Microsoft Word?</i></blockquote>
Probably.
<p>
In the past few years (decade perhaps) there has been a fundamental change in the way
scientific research is done and used -- especially in the biological sciences.
<p>
First problem: researchers live and die (or rather their jobs and funding do) by published
research.
<p>
Next, this research is expensive and often backed and funded by a commercial entity. And
-- bizarrely -- you usually have to pay the journal to have your research published.
<p>
The end result is that the stakes are so high that much of the work to prepare a
manuscript for publication in a scientific journal is out-sourced. Professional writers are
hired to produce the text and "digital artists" are brought in to do the illustrations and
graphics.
<p>
The temptation to cheat is high since the rewards are, too.
<p>
It is by no coincidence that Tim Berners-Lee's main idea behind his invention of the web
was to allow the self-publication of scientific data.
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ExifTool does a great job. If you're on Mac OS X (or another Unix/Linux) you can pipe the
output from ExifTool through a string of standard utilities to find, sort, and rank various bits
of data.
For example, this one goes through a directory of images (subdirectories, too), extracts the
lens info, sorts it, and prints the top 10 used:
$ find . -print | Exiftool -canon * | grep "Lens" | sed "s/^Lens *:*//" | sort | uniq -c | sort -nr
| head -10 | nl
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Yann Arthus-Bertrand's book "Being a Photographer" includes a DVD documentary that's
interesting.
Opinions on Kodak Dye-sub
in The Digital Darkroom: Process, Technique & Printing
Posted
I also have a Kodak 1400 and agree with Edward.
The gamut and sharpness aren't up to the latest ink jets, but once you get it setup you'll
get a perfect print out anytime with no waste or surprises.
As an aside, if you show a non-photographer two prints -- one from a good ink jet and
the other from the Kodak -- and ask them which they prefer, 9 times out of 10 they'll pick
the Kodak. The feel and look of the output from the Kodak is what most think a
photograph should be. For this reason the Kodak dye-subs are preferred by a lot of event
photographers. And most of those little Kodak print stations at drug stores and such have
a Kodak dye-sub down inside.