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claudio_coltro_coltro

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Posts posted by claudio_coltro_coltro

  1. Jim,

     

    If you go to Costiera Amalfitana do not miss Paestum for its Greek Temples and the Museum. I tend to agree with some answers that parking may not be easy in places like Positano.

    Considering that the distances are not long, I would stay in Sorrento all the time and drive up and down whenever you want. It is a good base for Capri, Pompeii Ercolanum, Vesubio, Napoli, etc.

     

    Regards

     

    Claudio

     

    www.claudiocoltro.com

  2. Jim,

     

    In most of small towns that draw in turists, even if you stay in modest hotel without internet, you are likely to find little internet shops where you can access. In the larger cities I have not seen many internet shops but likely the hotel where you stay will provide wifi or PC access proper.

     

    Regards

     

    Claudio

  3. Joel,

     

    Did you ever try to profile your scanner?

    I think this could fix your problem.

    If you have Vuescan pro version and get the slide targets according to the film you use.

    I have used the same scanner for 5 years now and I notice an improvement when I profile it, thing I do every year approx.

    If you go to www.hamrick.com instructions, it will tell you how to do the job.

     

    Regards

     

    Claudio

     

    www.claudiocoltro.com

     

    Claudio

  4. Matt,

     

    I hope to be on time. Veneto is a very beautiful area in the north of Italy. I would point out the smaller towns like:

     

    Bassano del Grappa

    Castelfranco Veneto

    Stra and other Brenta River Villas

    Treviso

    On the sea you could visit on top of Venice, Chioggia, Comacchio (two little Venices) and Portogruaro.

    Not precisely in Veneto, but not far from Vicenza is Mantova and Sabbioneta, two unmissable gems.

    If you go to Venice take the vaporetto to Burano, a place that will amaze you by its colours.

     

    Regards

     

    Claudio

     

    www.claudiocoltro.com

  5. As many people mentioned I would get the Vuescan PRO version.

    This is very important as it will allow you to profile the scanner according to the type of color slide brand you use. You will notice important improvements when you profile.

    I use Wolf Faust references for profiling.

    Welcome to the tedious and long process of scanning, a good audio system nearby in my studio helps! Now is on Carmina Burana...

     

    Regards

     

    Claudio

     

    www.claudiocoltro.com

  6. Dear All,

     

    I just built a web site and the more I look at it the more I get disappointed

    about the picture quality respect to what I see in my slides when projected.

     

    This is my workflow:

    a) I scan the slides at 1000 dpi in jpg format (I could scan at 4000dpi raw)

    b) Edit them very lightly with Picture Window Pro, I have to admit that I am

    not an expert on this matter, just extend the range, a bit of saturation and a

    bit of sharpening

    c) Compress them down to 72dpi (800x600 or 600x400 pixels) with a weight of

    80KB average.

     

    I would like to hear what is wrong with the workflow and what to do in your

    opinion to improve it to get better web picture quality.

     

    Regards

     

    Claudio

     

    web site: www.claudiocoltro.com

  7. Keith and Bill

     

    Thanks for your comments.

     

    I fixed the entrypage problem.

    Regarding the random picture selection for the index page, it is a very good idea.

    But how do you do it? I use NVU and did not see how such a thing could be done.

    I will add the number of pictures in each gallery.

    The writting will come later, but as I am not a native English speaker it will be slow.

     

    Thanks again

     

    Claudio

  8. Dear All,

     

    I just finished putting together a web site www.claudiocoltro.com

    with some pictures from many years of traveling.

    Comments and suggestions for its future rel 2.0 are welcome.

     

    Thanks in advance

     

    Claudio

  9. Fayek,

     

    I would encourage not to preclude the avenue of buying stuff from US stores. At least for me considering the premium of the Euro over the USD, it is well worth trying to do some numbers beforehand.

    I live in Italy and recently bought film from Adorama.

    The total expense is the published price for the goods + the cost of shipping (usually 44$) all this times 1,2 to consider the VAT and then there are extra 21Euros, fixed cost for handling fees with customs. I got everything in 4 days. So you can do your math...

    If you buy enough items you can amortize all the fixed costs (shipping + handling fees) it is not that bad and the choice is very wide.

     

    Regards

     

    Claudio

  10. Dera All:

     

    I have a Canoscan F4000US of which I am pretty happy.

    The only concern I have is that it does multipass multiscanning, for speck

    removal, for getting better S/N and to get more details in the dark areas of

    the slide, and understand that the final scan result is strongly coupled to

    having the whole machinery perfectly aligned.

    How can I check if the multipass multiscanning process is working well aligned?

    Has anybody had this problem serviced at Canon?

     

    Thanks in advance

     

    Claudio

  11. My pesonal strategy is to buy what I absolutely need. If I can wait I wait, technology is going beyond me and competition between camera vendors put time on our side.

    I only buy FF lenses by the way, for film/APC digital (whenever I will make the move) compatibility and for the inevitable day in which Nikon will go FF digital and I will suscribe inmediately.

     

    Regards

     

    Claudio

  12. Just another perspective. I have got one and it is as tight and smooth as an original lens, no play whatsoever. Double check with owners of the teleconverter to understand if this situation is common or one off.

     

    Regards

     

    Claudio

  13. From looking at MTF tests done by independent magazines in general Nikkors are way better than Tamrons/Sigmas/Tokinas equivalents.

     

    There is nevertheless one lens, the Tamron 90/2,8 macro, that has a stellar performance better than any short tele or macro from Nikkor.

     

    Looking at my own pictures, I have all Nikkor primes plus the Tamron 90/2,8, the Tamrom produces the crispiest images. It is relatively inexpensive, it cannot be missed independently of the camera body maker.

     

    Regards

     

    Claudio

  14. Jonathan,

     

    I used to have a similar zoom, and I am very happy to have it changed for an 85mm/1.4, same focal lenght as yours plus the 180mm/2.8 EDIF.

    Same weight to carry around on your shoulder, much lighter on the camera, far much more flexibility, more handeability and less shake, the 85mm is great for portraits and for low light street photography. The 180mm is a telephoto gem 700gr against probably twice as much on the zoom and optically flawless.

     

    Regards

     

    Claudio

  15. It is a great lens. It is a joy to use it for street photography with low light, it balances very well on the F90X.

    Nevertheless in the last months there is an option for people looking at this type of lens, the Zeiss 85mm/1,4 which seems to be better than the Nikkor from the optical perspective, see photozone.com. Depending on your preferences there might be some limitations respect to the Nikkor, it is that is fully manual (focusing and metering).

    Either one should give you plenty of satisfaction.

     

    Regards

     

    Claudio

  16. As yourself, I am happy user of film photography with a gems' collection of prime lenses that I bought over more than 15 years. And with a slide scanner, I have a Canonscan FS400US, we all have available the bridge to digital edition and printing.

     

    My real problem is that I do not enjoy looking at pictures in prints, and even less on a screen, I love seeing pictures through a slide projector (Pradovit/SuperColorplan) on a large surface. Nothing can match that viewing experience. Projection also helps in editing pictures, everything is so big, 2,x1,5m or more, that all defects stand out.

    So I cannot escape from film due to the quality and the awsome experience of slide projection that could probably be matched by a very large investment in a digital projector, an expense that I am not ready to take.

    I wish I could switch to digital though, I have no doubt that if one looks at the pixels, a D200 produces much better quality images than a scanned Velvia slide. And most importantly (for those who do not look at pixels) film purchase and development are getting more expensive. Nevertheless I am using some tricks to reduce the bill, by purchasing slide film in bulk you can get down the cost of a 36 exp roll down to 4 euros (Provia 100, Kodak 100VS) and development at 4,5 euros is sizeable but still manageable. I believe these prices will go up in the longer term.

    So let's see for how long the maths hold up for film and how the cost of digital projectors dive in the future.

    For the time being I see no reason to change.

     

    Regards

     

    Claudio

  17. Dear All:

     

    I have been shooting for years slide film from 30m (100 feet) bulk roll film.

    These days this type of packages are not available anymore in Italy, everything

    is digital, even in pro stores.

    I would like to try buying from other countries and having them sent over by

    Fedex or UPS.

    Questions:

    Where should I try, URLs of shpos selling Velvia 100 or Kodak 100VS.

    Is there any tax to pay when buying from foreign countries?

    Any bad experience with X ray fogged film?

     

    Thanks in advance.

     

    Claudio

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