ransford

Sky desturated - too pretty. Comments appreciated

Joel, I think this should be in the category "photo-journalism" because you have captured the real "meaning" of a visit to Disney. But I'm waiting for more flowers - you know they are my passion.

Great picture, almost oriental. I see you have just started putting up photos. Look forward to seeing more.

I respond to this photo with serenity. Powerful in its simplicity, something I've found difficult to achieve.

There's more to New Mexico than beautiful scenery. Some of the

things I found at the roadside. Comments welcome

I like the contrast between pose and spontaneity, formality and seductiveness. If I'm not the photographer, maybe she's looking at me (I hope).

Successfully simple - not an easy feat. Congratulations

Colors, primarily background, manipulated in PS to create what

I "saw" and "felt" when I took the picture. Comments welcome.

Of all the cat photos I've seen, this ranks among the best (I see you do well with women, too)

Comments welcome

Very exciting. I love the contrast between the intensity of the tulips and the lack of color intensity of the leaves and stems, even though the latter are striking because of the outline of the lighting. A very strong and masculine treatment of flowers that are often weak when clustered

 

Maxfield Parrish would be proud of this picture. I am a Parrish fan, so I mean that in the best of senses.

Reminds me of some Dutch and Flemish paintings with modern dress. My eyes keep moving around this photo, which is one of my tests for a superlative work of art.

This is enchanting, I would even say intoxicating! There are too many good things happening in this picture that I despair of mentioning them. Sergio, what you feel in this picture I feel also. Thank you.

Ransford

I find this picture "satisfying," and I mean that in a very favorable sense. I wanted to comment on the framing because I like this the best of your frames, perhaps because it is the simplest - obvious without being intrusive. Also, it is the most meaningful: The flower comes from somewhere outside the picture; this flower is still alive.

Ransford

I hope there is no message here. I would call it "spiritual" rather than "erotic." But the point is that I look and look and look and then I think and think, but not too much of the latter. This piece demands enlargement. I see it as almost life-size figures on an austere white wall over a fireplace (not a museum wall). I see it as monumental, sculpturesque. If it works that way, then it is great. At any rate, to me it is powerful, teetering on the edge of melodrama without falling in.