bjarke_vejby
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Posts posted by bjarke_vejby
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I don't understand why the G5 is the subject of so much interest. IMO the
Minolta Dimage 7, now 1 1/2 year old, still is the best proconsumer digital
camera. I had it for more than 1 year and its sublime. Never the less i can spot
the differences from the M in a nanosecond: (to sharp and plastic colours in
some kind of a digital way/meaning, and without PS one is f......).
My favorit "photo.net-uploader" at the moment is BTW shooting with that
camera: Robert Ottohall:
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Hi Noddy, please explain the meaning of "Zen pkotography".
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Karim, no offence. Managing double meanings is not and art, if we are talking
about ones native language. Never the less i'm not born yesterday. After
naming the tread and confirming the posting (no point of return), and
especially with that pict., my conclusion is.......... : self-induced !
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Brian, very nice shot. Whats the story ?
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Thanks Harvet, and thats why the wikings left !
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What i called the thread is a direct translation from danish to english of what
the guy on the photo is doing, and was in my mind not related to anything
else. Karim, do you say hmmmmm, when Bob Dylan sings "Blowing in the
wind" ?
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Noddy, very nice picture. IMO "No words" is not limited to Leica pict. or
analog media.
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Sony Ericsson P800.
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Please guys, this is a Leica site. I guess most of us have a Digital Camera to
shoot a pict if we are in a hurry, and cant wait half and hour to develop a b&w
film, or need a jpeg or two to a website or a attached file.
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Steve, i bought the book in London last month, (and James Lager Volume II)
and nearly had to pay overload when entering the plane home. In UK its
published by Thames & Hudson. ISBN 0-500-54267-8. At page 5 i can see
the following:
" French text translated from HCB: de qui s´agit-il? by Jane Brenton."
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Is this book the same as: "the man, the image & the world " ?
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Marcs pict remind mee of the Disney movie: "The beauti and the beast" !
I like the M7 to kiss the G5 and see what happens.
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Nokton or other lenses is fine for non Leica-users.
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Why do i keep my M6 Ttl:
1) Price
2) Price
3) Price
4) I like to be the boss !
5) I dont like the M to be the boss.
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Roger, i think you misquote me. I was talking about the quality of a wetprint
compared to a inkjetprint. My eyes tells me that this type of output is much better,
than any output coming from a digital camera, this includes streetphotos, but again
thats my opinion. I'm not talking about internetpicts; nobody can se the differents
between a digital camera and a largeformat camera.
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Lets say a digital back for a R8 or R9 cost 2000 US dollars, and we are talking
about a changeable 10 megapixel back. Thats cheeper than bying a Nikon or
Canon high spec digital SLR-camerahouse. Thats IMO a huge progress for
owners of R-gear. Further, they dont need to invest in dual lenses. And the
dont need a truck to carry the gear around.
Re: the G5 topic, yes the Canon G's are very nice cameras, but please, we are
talking about computerpresentation on a 17 inch. LCD and outprints from a
inkjetprinter. I choose to believe, that our M-masterpieces coming from the wet
darkroom wil turn up much better than any of the pict made by any digital
camera, but (perhaps) the new Kodak digital camera (6000 US dollars).
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www.apple.com.
US now produce computers as nice as the German M. PS will rock !!
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Gregory
" there's a 24 inside every 21, and a 24 inside every 28......as long as you are
prepared to crop a little bit "
Look at this pict from White Lion Pub in London, it's cropped from 21 to
approx. 24 mm. I dont like it. I'm quite sure that the distorsion would be non-
existing with a 24 mm or a 28 mm. But a 28 mm could not take this specific
pict. in the narrow street.
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Got My M6 Back From Sherry
in Leica and Rangefinders
Posted
Felix, congrat. with your reborned Leica.
Re: "..never ever use those shutter releases..."
I use Tom A´s soft releases all the time, and i guess i gain a full stop in dark
conditions and has never heard that the soft releases should be "persona
non grata" ?