shinden
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Posts posted by shinden
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I wonder if you've got any nearer your solution now after so much advice. Should you, however, decide on Leica R7, I've got one in excellent shape and would let it go for US 600.- Just let me know.
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Thanks very much for the hints. They are very helpful.
Ladislav
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I have just got new gaoersi 6x12 panorama camera and was surprised to find no
manual with it. Anyone has got any experience with assembling the camera (I will
be using it with schneider super angulon 8/75mm lens). Thank you for any advice.
Ladislav
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Joe and the others,
thanks a lot for your kind advice. As I already have the Leica 21-35mm and have some difficulty focusing on Leica R7, I am glad I can use the lens ond the canon. Thanks again.
Ladislav
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Hello,
has anyone any experience with mounting and using Leica R 21-35mm asp lens on
canon eos digital bodies, esp. canon 5D. Thank you.
Ladislav Drezdowicz
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I have used 35mm lense almost exclusively for more than 25 years. My Leica 35mm/1,4 aspherical was stolen in India in 2003 and I bought Nikon
35 mm/2 AiS instead and has used it since then. And I must say that I like the Nikon results just as much as the expensive Leica lens. You will simply love the smooth quality of the pictures but must be careful to avoid flare, in my eyes the only handicap of the lens.
Ladislav Drezdowicz
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Has anyone any experience using other sources of lighting than flash
in street photography? I am thinking here of LED video lamps or
similar. I hear that some photojournalists use other sources than
flash. Thanks for your response.
Ladislav Drezdowicz
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Develop 6 minutes in each solution at 20 degrees Centigrade. Agitate 5 seconds every 30 seconds.
My favourite combo is TRI-X exposed at 650 ASA, developed 5 minutes in each solution at 20 degrees Centigrade and agitated 5 seconds every 30 seconds. Try it and you will like it.
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I've a 60% contract with a local newspaper, the rest of the time I get assignements from other newspapers/magazines or NGOs, or I do personal projects, which I can sell from time to time.
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Thanks for all the comments so far. It may be that Gary is right and the screen is the older type. I'll check. As I said I find it hard focusing in close-up work and in poor lighting conditions. And for close-up I mostly use 2,8/60 mm makro elmarit. And I like to work fast.
And please don't pick on Jay so much. His voice of dissent is quite refreshing in the sea of the romantic Leica sighs.
Thanks again.
Ladislav
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The regular focusing screen on my Leica R7 is rather dark and in
close-ups difficult to focus. Does anybody have experience with
Beattie srceen on Leica R?
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Hello Everybody
It's about time I drop a my comment into the pot:
1. Don't order the photo; it's not for sale any longer
2. The picture is framed now hanging in the living-room and so far
nobody's been shocked, enraged or saddened.nm But then, as some
of you suggest, we are here in Europe
2. Please abstain from sending any pictures of your cancer-dying
relatives or friends. My brother died of it just two years ago.
He was a pitiful sight. Nobody had ever forced a cigarette into
his mouth when he was a child or later.
3. Grab shot, void of any asthetics, poorly lit. Well, I'll be more
careful next time
4. How about adding a new category to the picture rating system: M:
for "moral". Would be a great outlet for many a frustrating soul
5. The little girl has long forgotten she had a cigarette put to
her mouth; so has her father and mother, but some of you will
carry the moral shock and the bitterness of it for a long time.
6. No harm meant but how about a little bit more of humour next time.
Ladislav
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Unlike my first folder on Tibet, Cabo verde has been a 6 year
project done on no assigment but for pure pleasure. When I first
visited the islands in 1997 I knew I was hooked and destined to
return every successive year. It would be hard for me to give reason
full reason, but as I am mainly interested in people I found the
right kind of them on these desert like islands. I felt I had to
learn the Capverdian Creol to move and communicate more freely. As
there are more Capverdians in emigration than on the islands I
traveled to find them around Boston, in Holland and Belgium,Senegal
and Switzerland. And I am still on my way to find out more about
them.
The address is:
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Unlike my first folder on Tibet, Cabo verde has been a 6 year
project done on no assigment but for pure pleasure. When I first
visited the islands in 1997 I knew I was hooked and destined to
return every successive year. It would be hard for me to give reason
full reason, but as I am mainly interested in people I found the
right kind of them on these desert like islands. I felt I had to
learn the Capverdian Creol to move and communicate more freely. As
there are more Capverdians in emigration than on the islands I
traveled to find them around Boston, in Holland and Belgium,Senegal
and Switzerland. And I am still on my way to find out more about
them.
The address is:
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Yes, some of you are right. I wanted to stir the pot and see how much we differentiate between a moral issue and a photographic one. I put the picture in the Leica forum and most of you respond like lay priests not like photographers. By the way, the little girl had great fun showing off in that pose.
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Unlike my first folder on Tibet, Cabo verde has been a 6 year
project done on no assigment but for pure pleasure. When I first
visited the islands in 1997 I knew I was hooked and destined to
return every successive year. It would be hard for me to give reason
full reason, but as I am mainly interested in people I found the
right kind of them on these desert like islands. I felt I had to
learn the Capverdian Creol to move and communicate more freely. As
there are more Capverdians in emigration than on the islands I
traveled to find them around Boston, in Holland and Belgium,Senegal
and Switzerland. And I am still on my way to find out more about
them.
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<center><img src="http://www.photo.net/bboard/uploaded-file?
bboard_upload_id=14441884"></center><br><center>Ticino, Switzerland,
2003</center>
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Hello Kenny, I think I owe you an answer concerning your suspicion about my whereabouts in Tibet. Here is the desired information: I went to Tibet on my own, entered the country from Nepal on foot, hitchhiked and trekked in the country for two and a half months, illegally for most of the time, as the Chinese authorities would not issue any travel permits to individual travellers and confine them to the territory of Lhasa. I slept in cheap Tibetan hostels, monasteries and nomad tents. Nobody paid for my trip and I work for no Tibetan organisation, which is rather a shame on my part. Moreover I spent 25 years of my life in a communist country (Czechoslovakia) and with thousands of others never believed for one day the official Czech-Soviet propaganda. If you honestly want to know what's being done to the Tibetans, and you find it hard to believe independent reports of Amnesty International or similar sources, why not ask Tibetans and get first hand information. have met some who spent years in forced labor camps, were tortured in the most atrocious ways. I myself saw Tibetans maltreated by Chinese soldiers in their own country and witnessed an atmosphere of general anxiety almost everywhere. What more can I tell you?
May I in turn ask you to give me your honest opinion on the issue of Tibet. Do you say yes to the occupation of Tibet by the PRC? Do you think it right that Lhasa today has more Chinese than Tibetans, that people cannot exercise freely their religion, that they cannot speak for themselves. Don't tell me China has brought progress and liberation to the people. Nobody asked for it. It destroyed and continues to destroy one of the most unique spiritual traditions in the world. I xpect your honest answer, Kenny. Stay well, Ladislav
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Hello Rob (Appleby), I have pondered your argument about journalistic and documentary approach for a while and I must say I don't quite see your point as far as documentary photography is concerned. I remember many photographs, some from Old Tibet, in which
people pose or face the camera and the pictures don't seem any less documentary for it. As a matter of fact I don't much care whether my work is journalistic or documentary as I don't wish to follow any premeditated pattern. I take a picture when I am moved and I sometimes don't hesitate to ask people to pose if I feel I may get more visual impact from a situation. My point is that if people look at me when photographed, they will look at hundreds of others who happen to look at the photograph. This is one of the magics of photography - the universal participation of eye consciousness. Also I would hesitate to use the word deep in context of photography. Good or bad, yes, but do you feel that C. Bresson's or Koudelka's photographs are deep? They are good and that's more that can be said.
On the other hand I wouldn't hesitate to say shallow to some work, as the many high rated photographs prove.
Still I thank you for your comment. It helped me to reconsider and clarify things for myself. Kind regards, Ladislav
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Sorry Boys (girls do'nt seem to be Leica Fans - or am I wrong),
Sorry I'm so late to answer your questions. First let me tell you how ovwerwhelmed I have been by so much appreciation. I didn't expect that.
Andrew, thanks a lot for your offered help in terms of finding some publicity in N.Y.. I will be obliged to you for any contact. I am not with any agency so far and maybe I'm not the right man for it. I work slowly, enjoy long-term projects that seem never to end. Here a few technical details that you and some others would like to know.
I use Leica M6 for most of my work and use it with 1,4/35mm asph. exclusively. I could just as well have it welded to the camera. Recently I've been also using a Nikon F100 with Nikon AF 2/105mm DC.
My eyes are not what they used to be so I'm happy F100 takes over some job. Especially with a tele-lens and portraiture job. As to films and developers I do a lof of experimenting (sick of it sometimes), but basically I use Kodak TX exposed to 320 or 400 ASA and develop in D-76, diluted 1+1, for 11 minutes (20 degrees Centigrade). This combination works in almost all conditions. Because of the hard light contrast in Tibet, I developed some films in two-bath Emofin (6 min/6min). I exposed the TX at 640 ASA for that. The pictures I like I first enlarge 24x30cm to use them as show prints and to scan from them. I use Epson Perfection 2500 scanner. Later I enlarge to 30x40cm or 40x50cm for exhibition purposes. I use Ilford, Bergger and Moersch enlarging paper. Moersch is rather a new paper manufactured by a small company in Germany and in my view is one of the best. I don't use flash often and when I use it I always know that everything may go wrong.
Despite positive criticism some people suggested that I should stay away from politics when photographing (in Tibet only?). I wonder what photography is about. I take pictures of people not of daffodils or dragonflies. The fact is that all Tibetans I met, in Tibet and elsewhere, are utterly dissatisfied with the political situation in their country. I don't know if 70 years ago I would have taken pictures of monks beating up slaves, but in 1996 I witnessed Tibetans kicked and beaten up by Chinese soldiers. I photograph what I see, not what I am supposed to see. Sorry.
Some of you express a wish to see some more of my Tibet photographs I may add a few more but I want to save space for my African folder about to come in two months.
Thanks a lot again. I^m looking forward to seeing some of your work.
Ladislav
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Sorry Boys (girls do'nt seem to be Leica Fans - or am I wrong),
Sorry I'm so late to answer your questions. First let me tell you how ovwerwhelmed I have been by so much appreciation. I didn't expect that.
Andrew, thanks a lot for your offered help in terms of finding some publicity in N.Y.. I will be obliged to you for any contact. I am not with any agency so far and maybe I'm not the right man for it. I work slowly, enjoy long-term projects that seem never to end. Here a few technical details that you and some others would like to know.
I use Leica M6 for most of my work and use it with 1,4/35mm asph. exclusively. I could just as well have it welded to the camera. Recently I've been also using a Nikon F100 with Nikon AF 2/105mm DC.
My eyes are not what they used to be so I'm happy F100 takes over some job. Especially with a tele-lens and portraiture job. As to films and developers I do a lof of experimenting (sick of it sometimes), but basically I use Kodak TX exposed to 320 or 400 ASA and develop in D-76, diluted 1+1, for 11 minutes (20 degrees Centigrade). This combination works in almost all conditions. Because of the hard light contrast in Tibet, I developed some films in two-bath Emofin (6 min/6min). I exposed the TX at 640 ASA for that. The pictures I like I first enlarge 24x30cm to use them as show prints and to scan from them. I use Epson Perfection 2500 scanner. Later I enlarge to 30x40cm or 40x50cm for exhibition purposes. I use Ilford, Bergger and Moersch enlarging paper. Moersch is rather a new paper manufactured by a small company in Germany and in my view is one of the best. I don't use flash often and when I use it I always know that everything may go wrong.
Despite positive criticism some people suggested that I should stay away from politics when photographing (in Tibet only?). I wonder what photography is about. I take pictures of people not of daffodils or dragonflies. The fact is that all Tibetans I met, in Tibet and elsewhere, are utterly dissatisfied with the political situation in their country. I don't know if 70 years ago I would have taken pictures of monks beating up slaves, but in 1996 I witnessed Tibetans kicked and beaten up by Chinese soldiers. I photograph what I see, not what I am supposed to see. Sorry.
Some of you express a wish to see some more of my Tibet photographs I may add a few more but I want to save space for my African folder about to come in two months.
Thanks a lot again. I^m looking forward to seeing some of your work.
Ladislav
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Hello! This is my first attempt to present a folder in photo.net. I
hope it's going to work somehow.
Remember Tibet
To begin with Tibet is not an enjoyable country to travel around
nowadays. To be sure, the scenery is breathtaking, the Tibetans are
charming but the omnipresence of the police and the army overshadows
your wayfaring pleasures. Tibet stood for high spirituality once but
the Chinese have succeeded in disrupting the centuries long
tradition. The scientists are telling us that by burning the virgin
forests we are destroying the Earth's lungs and may soon become
short of breath. Likewise I am convinced that by treading down
Tibet's heritage we become more confused and desorientated than ever
before.
I travelled two and a half months through parts of Tibet and tried
to capture some of the life's aspects of Tibet today.
I was happy to carry one camera and one lens. The strain was taxing
and I never missed sophisticated equipment.
This is the folder:
http://www.photo.net/photodb/folder.tcl?folder_id=250754<div></div>
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My new portfolio: Prerana Hostel
in Olympus
Posted
<p>I would like to share my pictures with the photo community. My new portfolio "Prerana Hostel" is a result of my 3 months' stay at the hostel in Danapur, Bihar, India, where I taught the Musahar girls and could live with them and share their joyful and sorrowful moments. by Ladislav Drezdowicz</p>