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andrew_hall1

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Posts posted by andrew_hall1

  1. >I would not be at all averse to a KM DSLR with Sony sensor expertise and development money behind it. On the other hand, with Zeiss lenses coming available for Nikon F mount too, Nikons become even more interesting to me again.

     

    Those KM DSLRs will only serve as the bases from which Sony develops their own, sort of like Rollei developed their SL35 series from the Zeiss Ikon Voigtlander Icarex.

     

    The ZF lenses are manual focus. Latest promo photos do not show any electronic contacts on their mounts. Not particularly conducive to Nikon dSLRs. The EOS digital range with an F, M42 or C/Y adapter offers more compatibility with Zeiss lenses.

  2. These are not CZJ lenses. They are CZO(berkochen)-designed, made in Japan and digital ready. (So there should be new formulations for the wideangles.)

     

    To ensure maximum compatibility with M42 cameras, I don't think they will have auto diaphragms.

     

    Those who use the original M42 Contax SLRs can now have brand-new Zeiss lens to go with them. Nice.

  3. >it still comes as a shock when a major brand name dies!

     

    Make that TWO major names! Sigh.

     

    Konica (formerly Konishiroku) was the oldest Japanese camera maker. Minolta (formerly Chiyoda) also dates from the pre-WWII era. It's hard to believe they are going to join the likes of Miranda, Petri, Zunow, Topcon, etc...

     

    I snatched up a Konica Lexio 70 last year, shortly after the merger with Minolta. Now I'll have to stock up on Konica (formerly Sakura brand) film ... so very sad.

  4. Konica (formerly Konishiroku) made the first camera in Japan back in 1903. Minolta (formerly Chiyoda) also dates from the pre-war era -- made their first folder in 1929, the first Japanese TLR in 1937. Both were camera makers long before post-war upstarts like Pentax (formerly Asahi Optical) and Nikon (formerly Nippon Kogaku.) So very sad that they have to terminate the business that got them started in the first place.

     

    And I thought the 4/3 system of Olympus, with their tiny sensors, would be the first to bite the dust...

     

    I'll go grab some Konica film and stock them in a freezer. Japan's first photo paper in 1903, Japan's first colour film in 1940...Sigh, anyone remember their old brand name Sakura Film?

  5. The ZF/ZS series are going to be digital ready. The 50 and 85 are the first to be released probably because they are just re-mounted Contax versions with insignificant light fall-off when used with a digital sensor. (Of course their focal lengths are popular too.) The wideangles will need more development in this respect.
  6. That's a Makro-Planar. I don't think any 30mm Double-Gauss formulation can clear the mirror of a 135-format SLR.

     

    >The reports of distortion and vignetting in the Zeiss Ikon Planar 50mm f/2 M mount is not encouraging news either.

     

    FWIW, the ZM 50 has exactly the same amount of distortion and light fall-off as the G 45, and their MTF graphs are practically the same. Funny how people don't seem to complain about the G lens.

  7. >These filters blur the entire focal plane... with the Thambar, the plane of focus is composed of both blurred and sharp image-forming light.

     

    This could have been lifted from the product description of the Zeiss Softar: http://www.zeiss.de/c12567a8003b58b9/Contents-Frame/2ae977442718e5c9c12569bc005c3a47?opendocument&highlight=softar

     

    http://www.zeiss.de/C12567A8003B58B9/Contents-Frame/9E75D9B13153559CC1256A1D00562A35

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