margaret
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Posts posted by margaret
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I can't find it as a word, nor can I find it as a category in the indexes of the photo books I have. I can guess from the categories and photos associated with it what in this forum what it MIGHT be, and am also assuming it is a "sigle", a word that is the sum of its parts. So... can someone or several someones, please spell it out? What is bokeh, what does it mean, and can it be cured? ;-)
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Ivan, your first photo of the group of children is very charming, but
the second one, with the swings, pleases me more. I like your framing
of them, between the trees, with the sea and the moody sky in the
background. Wonderful movement there.
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I don't have a license, so have never driven and only my husband has
a car. I bought my M6 a year ago, having decided to upgrade from a
Minolta HiMatic 11, a range finder that was made in 1969, and with
which I was perfectly happy until I started to do black and white.
One camera, one lens, with luck and a year of hard work and saving a
second before Christmas, a 28mm. Black and white film, access to a
dark room, developing and printing myself, and using this treasure
the M6, it has to be a passion, and it is. Don't ski, sail, golf,
ride horses, drive cars, fast or otherwise, or many of the other
things that are "holes you pour money into". All right, good wine,
but that is a local product here. ;-) How do I afford it? With great
care and a lot of love.
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If the child in the foreground in the first photo is the subject of
interest, and the group of three children in the second one is, I
find it unfortunate that in both cases their legs are cut off, as,
incidentally, are the legs of the man beside the children in the
second one. I call attention to it because it happens in both photos.
<p>
Margaret
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Terence Malick's 1978 movie "Day's of Heaven", one of the most
visually beautiful movies I have ever seen. Scenes set up like
paintings, spectacular use of light, beautiful. Incredible
photography.
Margaret
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Don't you already? ;-)
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Si tu fait fais des images, ne parles pas, n'ecris pas, ne t'analyse
pas, ne reponds a aucune question. Robert Doisneau
<p>
(If you make images, don't talk, don't write, don't indulge in self
analysis, answer no questions.)
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Stefan, I don't think anyone has given the response as to how to
actually hold the camera, and my experience it is the only and best
way to do it.
<p>
Fold the middle, ring and small fingers of your left hand toward your
palm, and support the weight of the camera on them. This will leave
your thumb and index finger free to work the focus ring and aperture
ring, while your right hand index finger is ready to change the speed
and declench the shutter. At least with the 50mm lens the weight is
quite perfectly balanced and you will not notice it at all soon. This
is the whole point of it, becoming at ease with this wonderful
camera. As others have said, use it, use it, use it. That is all it
takes. Depth of field checking, that will come from cause and effect
experience, same for the understanding of light levels. Above all,
enjoy it, don't be afraid of it, and get out there and shoot some,
many many many, rolls of film. Margaret
- When did the LEICA- bug bite you first ?
in Leica and Rangefinders
Posted
I was smitten the first time I picked one up and held it in my hands,
roughly one year ago. I already loved the look of it, but holding it,
my God, that was something else. I felt like an electric charge went
through me. It was at an equipment trade fair open to the public, and
I had the financing worked out by that evening.
<p>
So you are feeling the mechanical watch bug, too? I also have two of
those, and prefer to use a fountain pen. What does this say?