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  1. It's hard to give any reason why the Elan7 is better than the Nikon F80, or vice versa. In the end, it comes down to your preference in terms of the little differences between each body or brand. For example, you may prefer Canon lenses to Nikon lenses, Nikon flashes to Canon flashes, etc. Or, perhaps you prefer one body's custom functions to the other. Make a tally of the things you want from your camera, and compare this list to what each of your options actually provide. I think this is the best way to determine which one you will want to buy.
  2. This all depends on how far, and how close, you want to photograph subjects without changing the lens.

     

    Personally, I would be interested in having a zoom that is capable of going 24mm at the wide end, and at least 70mm in the telephoto end. This leaves a couple of options, the first and cheapest being the 24-85mm f/3.5-4.5 USM, and the second and more expensive being the EF 24-70mm f/2.8L USM. You can go longer if you don't mind only 28mm at the wide end, and get the 28-105 f3.5-4.5, which is highly regarded, or you can get the 28-135 f/3.5-5.6 IS USM. These should be very versatile for your purposes.

     

     

    I generally use a 28mm or 50mm prime on the street. For crowd situations, or when I can't get close to a subject, I've thrown on a 100mm prime on occasion. Would I benefit from a longer lens? Probably. But I wouldn't want to leave a long lens on my camera and lose my wide angle capabilities. I would much prefer a 24-85mm or 24-70mm, or even the 28-105mm and 28-135mm zooms over something that gets me up to 200mm but compromises heavily at the wider ends. But that is just my style preferences.

  3. The shadow is cast by the lens, and in this case the bulk caused by the lens hood, over the bottom portion of your image. The only way to get around this problem is to remove the lens hood and see if that helps. If it doesn't (pop-up flashes, because they cover a fixed range -in this case 28mm- will produce shadows when a longer lens is attached to the camera), then you need to get a dedicated speedlight, such as the 420EX.
  4. To answer your questions about Max 400, the answer would be that yes, it is "*that* crappy" for portraits. I have had some success with that film in the past, mostly for night time photography, but I stay as far from it as I possibly can.

     

    If you want to take portraits, try Kodak's Portra range. It may cost more, but you will find that it will yield superior results.

  5. Well, the concept of a good all-around lens is somewhat ambiguous. I would argue that a 50mm 1.8 would make a good all-around lens. I can get by with just this lens if I have too. But I am sure you had something different in mind, though.

     

    I think the 24-85 would be a good suggestion. While you won't get the long end that the 28-135 IS USM would offer, the extra 4mm at the wide end will open up a lot of doors in wide angle photography. Personally, I'd rather have a wider lens than a longer lens, so I vote for the 24-85.

  6. I think you will find that most of the retailers will sell it for about $2499. Vistek and Henry's have some of the better prices around.

     

    You might want to try Carman's Foto Source. Check out their Ebay deals. You never know, they may be selling a 10D on Ebay for cheap. I've bought from them before and I find them completely reputable.

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