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jonathancharlesphoto

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Posts posted by jonathancharlesphoto

  1. First a response to Eugene's point:<p>

     

    An artist's work may be a collection of <i>objets trouves</i> and

    these may be photographs by other people. <u>But</u> the

    content of each photo is an artwork (however trivial) by the

    photographer. So the collector / editor is just a second-hand

    artist (rather like the photographer who snaps a series of

    paintings in a gallery - the real artist is the original painter). The

    only way the collector makes a significant artistic contribution is

    when the collection takes on an identity which is radically

    different (and greater) than that of the individual

    components.<p>The role of the critic is rather different, and here

    we return to the original question. The artist may know what he

    is trying to express but not how well other viewers of the work are

    able to pick this up. A good critic can in a negative way report the

    failure of the message to get across (to him) and in a positive

    way may see in the picture important aspects that the artist

    included subconsciously, as part of intuitive creativity. Either way

    the artists own examination of his work is only part of the story.

     

    <p>(Please assume "IMHO" and for "he" read "he or she")

  2. Returning to Mark's original question - I think the problem isn't

    the subject matter, it's <i>Why you take the photo?</i><p>

     

    His gripe, as I understand it , is the simple recording of the

    object - like "I just saw this nice geranium, here's a photo of it ..."

    or "This really rare bird came and sat on my fence and I

    managed to get my camera out before it flew away ..." or even "I

    hired this model and amazingly she agreed to take her clothes

    off ... Wow! look at her ..."<p>

     

    I think he's got a point. IMHO if the photographer is actively

    thinking about the picture he wants to make, the best angle, how

    it is lit, what is in the frame and how it is composed <u>then</u>

    it is a creative process - whatever the subject. <p>

     

    It doesn't have to be very original - that depends on how much

    the photographer knows other people's work and can think of

    new ideas.<p>

     

    "There's nothing new under the sun" - but we can all have our

    individual ways of looking at it.

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