![](http://content.invisioncic.com/l323473/set_resources_2/84c1e40ea0e759e3f1505eb1788ddf3c_pattern.png)
jonathancharlesphoto
-
Posts
2,072 -
Joined
-
Last visited
Content Type
Profiles
Forums
Blogs
Events
Downloads
Gallery
Store
Posts posted by jonathancharlesphoto
-
-
-
-
-
-
First a response to Eugene's point:<p>
An artist's work may be a collection of <i>objets trouves</i> and
these may be photographs by other people. <u>But</u> the
content of each photo is an artwork (however trivial) by the
photographer. So the collector / editor is just a second-hand
artist (rather like the photographer who snaps a series of
paintings in a gallery - the real artist is the original painter). The
only way the collector makes a significant artistic contribution is
when the collection takes on an identity which is radically
different (and greater) than that of the individual
components.<p>The role of the critic is rather different, and here
we return to the original question. The artist may know what he
is trying to express but not how well other viewers of the work are
able to pick this up. A good critic can in a negative way report the
failure of the message to get across (to him) and in a positive
way may see in the picture important aspects that the artist
included subconsciously, as part of intuitive creativity. Either way
the artists own examination of his work is only part of the story.
<p>(Please assume "IMHO" and for "he" read "he or she")
-
Returning to Mark's original question - I think the problem isn't
the subject matter, it's <i>Why you take the photo?</i><p>
His gripe, as I understand it , is the simple recording of the
object - like "I just saw this nice geranium, here's a photo of it ..."
or "This really rare bird came and sat on my fence and I
managed to get my camera out before it flew away ..." or even "I
hired this model and amazingly she agreed to take her clothes
off ... Wow! look at her ..."<p>
I think he's got a point. IMHO if the photographer is actively
thinking about the picture he wants to make, the best angle, how
it is lit, what is in the frame and how it is composed <u>then</u>
it is a creative process - whatever the subject. <p>
It doesn't have to be very original - that depends on how much
the photographer knows other people's work and can think of
new ideas.<p>
"There's nothing new under the sun" - but we can all have our
individual ways of looking at it.
-
-
-
-
-
-
-
-
-
-
-
-
-
See my <a
href="http://www.photo.net/photodb/presentation?presentation_i
d=122229" target=blank>presentation</a> for the series<div>
</div>
-
-
-
-
-
Recycled Art
in No Words
Posted