tao
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Posts posted by tao
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Ok, I understand your point of view although I still think that would save you some time answering some questions in this very forum thread and give some sort of visibility to your users, even if "product plan" is frequently rescheduled.
Anyway, thank you very much for your answer.
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My post was more about services and features implementation and bug corrections. That would show users what has been taken into consideration on the short, medium, long run. As for the website traffic evolution I don't feel really concerned about that -as a PN end-user - I guess it is more sensitive information restricted to marketing and sales persons.
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Walter, she also used a couple of photos of mine and it's quite fine with me since she credited me along the pictures, besides it looks like a poetic blog of some sort with very tender and nice sayings. No big deal I think...
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Do you have at PN a document drafting the evolutions of the site - I
think that would be very nice for people contributing suggestions, bug
reports, ideas, etc. about having an idea on the features you decide
to implement, delete, correct in some sort of timeframe. Besides I
think that would convey to your subscribers about the amount of work
that represents.
Regards,
LL
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I'll be staying two-three weeks in Mopti in January 2004 - I'm looking
for any advice, tips, on this country and especially Mopty city.
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<i>"(...)You are asking that the details of digital manipulation be a part of critique request? Or, that the photographer enter the details of any digital manipulations in the "detail/technique" section of the photo information for the critiquer to critique? or, both? (...)"</i><p>
Well... both actually now that you say that... :-)<br>
I feel _very_ uncomfortable not being able to see - at first sight - on a critique requested by the photog and on "Critique Photos" presentation layout whether the image has been digitally manipulated or not.
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I would find very nice the photo.net|gallery|photo_critique page
layout would include information about whether the image has been
digitally manipulated or not.
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<i>Occasionally, I will step in my backyard, camera in hand,
looking for something that catches my eye - something that I
would find worth photographing. Most of the time, I come back
with either nothing or shots so uninteresting that they end up
thrown away and forgotten before they even make it back from
the lab (or deleted if digital). </i>
<p>Luis, my personal experience is that the more I want to take
good pictures the less successful I am... somehow. It is more
like a question of "presence" and "disponibility". The picture
comes to you, not the opposiye (I don't go out hunting for it)...
This is a reason why I became more and more interested in
asian religions and philosophy. It's about overcoming your
<b>inner resistances</b> and <b>"lacher prise"</b>.
<p>BTW - if other readers share a similar point of
view/experiences I would be interested in hearing from you.
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You might also try out "Publimod'Photo" 16-18 rue du roi de sicile 75004 Paris (Le Marais district) tel : 01 42 71 65 10 fax : 01 42 71 55 36
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you got to distinguish TAKING PHOTO from USING PHOTO - there is no law preventing you from taking anything or anybody - except that in some touristic place of Paris you may get annoyed by some sort of law officer if you are shooting with a tripod (eg. Jardin du Luxembourg) - now as for the USE it mostly depends if you are gonna to publish them or not. In the case they get published some people might compalin your photo has caused prejudice to them in someways (they have to make the proof of it). Also there is a distinction when the character is clearly identifiable and alone on the picture with group of people. If you happen to get to Paris before Sept 22nd I strongly recommend you to go see the retrospective on the French photographer Jacques Henri LARTIGUE at Centre Georges¨Pompidou (Beaubourg). http://www.cnac-gp.fr/Pompidou/Home.nsf/docs/fhome - I went there this morning, it's a terrific exhibition ! Also, at Musee d'Orsay - http://www.musee-orsay.fr - there is the exhibition "photography at the turn of the century" until Oct 19th, and an exhib. on the French Daguerreotype tull August 17th.
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I have a mint chrome M6ttl .72 and a used M4P - I've stopped using built-in lightmeter and now use a separate spotmeter - since them I mostly use (90% of the time) my black M4P.
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Same problem...
(NB: I log in simultaneously from different computers under the same name)
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As far as I know I don't think people have to justify themselves about their ratings on this website. If you can't stand putting yourself "in danger" I suggest you think a little bit about your reaction. I think it would be a pity you decide not to post your photos anymore on PNs, you have some very interesting stuff.
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You mentionned work from sean penn - is this photography or speech ? is it available on the net ?
thanx
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Dear Robert,<br>
<p>First of all let me say I enjoyed reading your essay a lot. It conveys very strong ideas, it is very well written and articulated. However I wanted to comment on a couple of shortcomings or shortcuts you take.<br><p>
o Was it really necessary to personalize your text on Salgado ? It apears, to my own astonishment, that Salgado's work is controversial, so may be your essay's title made more people read it. Which I think was unecessary because of its intrinsic qualities.<br><p>
o I quickly browsed through two books from Salgado published by Editions La Martiniere ("Exodes", "la main de l'Homme"), none of the photographs were captioned. I believe the caption from the Bombay picture you mention is not the original caption, if any.<br><p>
o May be it would have been worth writing about the "distance" between the photographer and his subjects. In the 70's John Szarkowski wrote about photographs being either Windows or Mirrors. As for me I think Salgado's work could mostly be considered as a window on the world. May be the "unusual" distance he takes made you react... Also I would add that your text is a good counter-example to your statement about Salgado's work inducing passivity.<br><p>
May be this is the beauty of his work : windows being viewed as mirrors..<br>
<p>LL<br>
<br>PS1: I apology for my English (not my mother tongue).<br>
PS2: I would like to read other texts from you. Please keep me updated.
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Chuck - I mostly use a <b>M4P</b>, a <b>M6ttl</b> and a <b>FM2</b>. <br>
<p><b><u>Ms</u></b> : addicted to the viewfinder, IMHO prism system can not compare to the experience of a direct viewfinder, BTW your statement about WYSIWYG is partially false ; <b>Ms</b> allow me much much slower speeds than the <b>FM2</b> ; <b>Ms</b> are les conspicuous ; my <b>FM2</b> with a tamron 90mm macro lens takes much more room in my bag<br>
<p><b><u>FM2</u></b> : I like the <b>FM2</b> for its construction, simplicity, no electronic (except for the lightmeter, which I don't use) - I use the <b>FM2</b> for macro work and focals > 90mm ; the "prism" view is ok but so less bright than a viewfinder ; I changed the standard visor for the grid visor which is ok <br>
<p>The thing you missed is that the viewfinder system has intrinsic qualities and drawbacks ; it is the same for SLR ; two different systems ; two different uses.<br>
Cheers,<br>
LL
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Very nice ! - only the small metallic(?) bit I don't quite figure out what it is
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Thank you all for your suggestions. I have a good and cheap
opportunity with a tamron 90 macro lens, so I'll try that one.
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I mostly use leica m cameras with 50, 35, 90 and 24mm lenses
however I need to do some macro work and have at least one
lens around 90-200mm<br>
could you recommend me a good all in one lens ? or one for
macro (90mm?) and one zoom <br>
thank you
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I posted a comment on my photo -
http://www.photo.net/photo/1572148 - but I uploaded
the wrong file. When I edit my comment I have no opportunity to change
the uploaded file...
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Thank you very much for the sum up ! I get it now...
Well my profile says I'm a member of the www.photo.net community since July 17, 2001 (I stumbled on Philip Greenspun's photos while looking up for people using Illustra database...). I've been active only since a few weeks. I consider PN a really great great place. This place is an open system (from a systemic point of view), rating system is part of that system. It appears this module can be "cheated" or "biaised" on purpose or not. I would consider quite dramatic PN would be endangered by people taking advantage of an open system such as PN. Please note I am _not_ saying that someone or an other has biased the system on purpose, I'm just saying it is a possibility, again with or without "evil" intent. I consider a normal decision from PN to think about a nice way out when such cases happen. I think the "out of contest/hors competition" section was a great idea because it was quite neutral. Now I also find a bit shocking when people talk right away about lawyers (may be because I'm European) whereas PN is in my opinion a wonderful project not to be tainted by "usual business" stuff - I'm not sure I make myself clear.
Whatever - I only hope every PN members will go on acting as mature people realizing the wonderful tool we have here.
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err... well.. can someone post a summary of the previous episodes ? I'm not quite sure I understand the whole story...
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Mark : true but that would not allow an easy search request
Brian : I fully agree with you, a search facility by country and city would be great and would very much make sense I guess for photo.net members.
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I think it would be great if members - who want it - could add
information like intant messenger id (icq, aim, yahoo messenger, etc.)
in their profile.
[AFRICA][MALI][MOPTI] seeking advice
in Travel
Posted