andy_kidd 0 Posted June 20, 2001 Oh yeah... i'd say that dame definitely rates a '10'. You did a nice job 'capturing' her, too! Link to comment
juanio 0 Posted June 20, 2001 One of the best nudes ever seen in photo.net. I's sensual and visually nice. Very good job! Which settings did you use? Link to comment
Guest Guest Posted June 20, 2001 "Usual" studio setting - two lights (big softbox and a beauty dish), black background thrown over a bench.. And a beateful model, of course ;-) Thank you very much. Link to comment
g1 0 Posted June 22, 2001 I agree with Juanjo, certainly one of the better nudes I've seen here. An excellent pose & composition. I love the anonyminity of not seeing the face, and the diagonal line of the legs, aswell as the arms crossed, thereby squashing the breasts together. Nice lighting & tonal range too. A brilliant shot. Link to comment
jason anders 0 Posted June 24, 2001 What do you like about this? Very straightforward, the model is ok, i mean a great shot gets a 4.5 or whatever, and a nude always gets something higher. Go outside a bit more. Link to comment
amypowers 0 Posted June 26, 2001 Hmmnn...Well, first off, the border makes me feel like I am looking at one of those decks of cards with naked girls on them. I don't mean to sound nasty, I just think it sort detracts from the subject. Who is indeed lovely, and I like the black backdrop, and the skin tones, and her hair over her face. There is a sort of "period" look to this thats appealing. I would have liked more symmetry in the placement of her hands, and her breasts need to be adjusted a little. But overall, quite nice. Link to comment
anders hald 0 Posted June 29, 2001 What's this obsession with poses? This is a picture of a girl having her picture taken, a picture of a photographer struggling to think of a clever pose. Where's your passion, where's the girl, what's the point? Link to comment
david_parmet1 0 Posted July 6, 2001 I agree with Anders. The pose seems awkward, it looks forced. Her hands don't seem to belong where they are. It seems odd somehow. Link to comment
rowenaaine 0 Posted July 6, 2001 I would have liked to see the right leg off the floor a bit (maybe on a small box under the backdrop) so it was more in line with the diagonal of the tucked-under leg. Link to comment
Guest Guest Posted July 6, 2001 Well, I would not take it if it was for me. I asked the question after Anders Hald's comment. Link to comment
kevin_kolosky 2 Posted July 6, 2001 For me, if it is not black and white, it is not fine art but rather pinup. That doesn't mean its that way for anyone else. it looks too contrived to me. And I like to see faces. Kevin Link to comment
jillmyers 0 Posted July 6, 2001 I think you are on to something, just not there yet. This pose is indeed way too awkward and borderline pin-up. I love the close-up long horizontal shot in this folder. Do you have any others more along those lines? Link to comment
bruce_hamm 0 Posted July 6, 2001 I like the picture quite a bit, as well as the others in your folders. Nice work. However, what I do find troubling is that this is the fourth time I've seen this photo posted to this forum. Now, I understand that we all want a lot of feedback on our work, but with the volume of critique requests on this forum I don't think its fair to community members to re-submit photos time and time again. I may be off base here, but thats my opinion for what its worth. Link to comment
carl smith 0 Posted July 6, 2001 its not pointless, its a good photo and we all know that from the first time you posted it. By posting it a fourth time and writing a title like pointless makes me wonder if you really want to hear anything about it or if you just want a whole lot of responses. As it is you now have at least two responses pointing out that you need not post this four times to get attention. Link to comment
steven_smith1 0 Posted August 7, 2001 I like the picture but would rather see both hands on one leg or the other. Crossing them changes flow of picture. Your eyes should be lead to a focal point. Link to comment
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