Shining

Izvanredna kompozicija Nebojsa! A i arhitekt ima neku zaslugu tu, ha!

PDE

Jeste Oplenac.

Vadim, spasiba bolsoe. Privet, Nebojsa.

Mislim da ovako dobra fotka zaslužuje i story:

The History of Oplenac

In the 19th century this area was covered in woods. The term Oplenac most probably derives from "oplen", meaning wooden parts on ox cars. Karađorđe had settled here, built vineyards and orchards, and established the defence of the nearby Topola town. His son Alexander built new buildings and renewed his father’s vineyards and orchards. It was not until the arrival of King Peter I of Serbia that this place got its true importance.

Peter I, upon assuming Royal Duties in 1903, chose a spot 337 metres (1106 ft) on the top of Mali Oplenac for the location of his St. George Church. The location was measured by geodesy experts; so the altar would face east according to Orthodox tradition. In 1904 the cornerstone was laid, and the Charter dedicated to St. George was placed in the foundation. The winning prize for the tender was given to architect Nikola Nestorović. After a long and animated expert discussion, primarily regarding the demand for the monumentality of the Serbian-Byzantine style, and due to the King’s own displeasure with the proposed solution, another tender in 1909 was launched. The committee was made up with basically the same previous members (Mihailo Valtrović, Andra Stevanović, and architect Konstantin A. Jovanović, who replaced Dragutin Đorđević from the previous committee).

The committee awarded first prize to the young architect Kosta J. Jovanović. On May 1, 1910 construction started following the Kosta J. Jovanović’s plan. For four months stone breaking lasted for the crypt and the foundation of the church. On September 1, 1910, the foundation was mostly completed. In 1911 the building process continued at a fast rate, and the church was already under the dome. It was decided that same year that the façade of the church would be made of white marble, which came from nearby Venčac Mountain, even today known for its exceptionally white beautiful marble. In the autumn of 1912 the church was generally complete and ready for consecration. The Serbian Archbishop Dimitrije consecrated the church on September 23, 1912. During pauses of the 1912-1913 Balkan Wars and the First World War, there was also a pause in the construction of the church. When Austria-Hungary occupied Serbia in the winter of 1915, the church was looted – the copper cover was removed from the dome, roof and portals. The lighting conductor was also removed as well as the bells. Many windows were broken including little marble pillars and ornaments. Using the excuse that important records might be hidden the occupiers desecrated the graves in the crypt.

Returning to the liberated homeland and to the historical creation of the Kingdom of Serbs, Croats and Slovenes, Peter I was not able to see completion of his foundation. The king died on August 16, 1921, and his successor Aleksandar I took over its completion. He modified the original plan.

After the reconstruction of the crypt, by Kosta J. Jovanović, this was followed by the iconostasis, the lightning conductor, then a new copper roof with golden edges on the dome. The bells were made by Frères Piccard from Annecy le Vieux, France and the mosaics were made by Phul & Wagner from Berlin, Germany. The bronze chandelier was made by Luks, Zagreb, Croatia. The church was once again consecrated in September 1930. Church services were held until 1947. After that it was declared an exceptional cultural monument and open to visitors.

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