Eeva

I was trying to get as hard light than possibly. Maybe the cropping

should be tighter?

The cropping thought is valid, but is tighter the correct direction? Clearly the arm is the issue, I would continue working on the area under the arm where just a bit of light hits the subject's (mannequin's?) hair. I like the lighting, I think the issues may be adjustments to the composition.

This was odd for me to ensure that I was actually looking at a manequin. I thin the lighting is wonderful. Too bad we can't get people to stay that still.

I'm not sure of the origianl shot, but I feel that maybe if you back out and then crop tight , including the arm more in the shot, that it might make a difference. But it depends on what you're looking for. Otherwise, TOUGH! Very realistic and crisp to the first glance.

You obviously know what you are doing as a photographer, and I'm ready to like - and even to like a lot ! - many of your pictures, but if I may make ask a general question about your work, why do you leave your Photoshop work so obvious...? I think this picture, and so many other works you posted here are really spoilt by the fact that your PS blurring and other similar effects are so flagrant, and look so artificial... It's just my opinion, but I'm quite convinced, that many serious photographers and art buyers would take your work much more seriously once your Photoshop work would become much less noticeable.