marco_ruggiero 0 Posted February 22, 2007 This was shot inside The Norton Simo Museum, Pasadena. Handheld and no available light other that the light above the painting ( Minimal). Thank you. Link to comment
luisarguelles 0 Posted February 22, 2007 La figura del hombre parece en principio demasiado centrada, pero las formas de la izquierda ayudan mucho en el equilibrio. Muy interesante! Link to comment
paula grenside 0 Posted February 22, 2007 Something in the pose of the watcher really echo your title. I can almost see him scratch his chin. Link to comment
belenalvarez 0 Posted February 22, 2007 Me gusta y estoy de acuerdo con Luis en cuanto a lo del objeto de la izquierda que equilibra la composicion, pero las formas me encantan. Link to comment
marco_ruggiero 0 Posted February 22, 2007 As pointed out it was shot without flash, the camera was handheld and the only avilable light was the overhead on the Painting. Thanks for your comments and critiques. Always welcome. Link to comment
pedrodeluisa 0 Posted February 22, 2007 Estupendo blanco y negro, como siempre, Marco. Efectivamente, bien equilibrada. Link to comment
cavagna ottavio 0 Posted February 22, 2007 ciao Bergamasc ... bella bravo ...bello anche il BW...forse con un poco di taglio ...miei gusti non offenderti... ciao... alle prossime Link to comment
meli d 0 Posted February 22, 2007 Ottavio, I also like it like that too ~ (I also see the painting as a tree, an extension of the man's 'trunk'!)Luis, this version happened by accident, when I was printing, and I thought you might like to see it, since it does place the patron off center a slight. ¡Further, it defines the edges, nicely accentuates the diagonal from the object left to the patron's stance(!) and even makes the V (a bird?) pop from the painting center. It definitely has a different aesthetic (a zip!)than the full frame, which encompasses the vast space of the wall and the patron's placement, and the stellar light, and I don't say I prefer it, appreciating the latter mentioned elements, but I also like it. Link to comment
marco_ruggiero 0 Posted February 23, 2007 Luis: Belen muchas gracias pro vuestros comentarios y a mi tambien me parecio que por cuanto el hombre estaba un poco centrado,los escapartes de la izquierda balancearon la imagen y ademas lo que me gusto mas fue el pose del hombre vis a vis el cuadro tan enorme y sobrasaliente y como dijo Paula,es como si el se etuviera rascando la barbilla confundido. Ademas las lineas del caudro me gustaron mucho en contraste a lo rectilineo del ambiente.Paula: As always thank you for your comment and that was also my feeling when I first saw it. Puzzlement.Pedro: Como siempre un gran placer y un agradecimiento.Ottavio:Da te mai mi offendo, veramente un piacer che a te ti piaccia cosi tanto. Mi piace molto il tuo taglio, pero io preferisco il mio solamente perche con il tuo e molto centrato e io ho voluto ottenere un po piu di bilancio nell'inquadro. Grazie per il tuo interesse e per il lavoro che gl'hai fatto. Sempre benvenuto e un gran piacere nel tuo interesse. Ciao abbracci, Il Bergamasco.Mel:What can I tell you, if I had ten friends and supporters like you I would be Cartier Bresson. Abbracci fortissimi, Il Pazzo. Link to comment
alones 2 Posted February 23, 2007 Beautiful composition , Looking through a hole in time . Great capture Link to comment
ZuikoD 0 Posted February 23, 2007 Bravo Marco! The object on the left gives us a sense of place and depth. I prefer Ottavio's crop, makes it cleaner. paz Link to comment
marco_ruggiero 0 Posted February 23, 2007 Alon:Thank you for your kind comment and I am glad that you like it. Yes it is as looking through time.David:Thanks very much for you comment.As I mentioned to Ottavio, I agree that his cut is clean, however, I had preferred mine primarily because it leaves the man a bit off center and the objects on the left balances the image a bit more.Thank you bot for your interest. Link to comment
fredericpascual 0 Posted February 23, 2007 Creo que tenias mas opciones, viendo que parece que habia poca gente... me gusta la luz taambien. Link to comment
marco_ruggiero 0 Posted February 23, 2007 Habia mucha gente, pero eses cuarto era tan grande y el hombre era el unico en frente del cuadro. Las opciones fueron eliminadas porques esta era la ultima del carrete. Ciao Y gracias. Link to comment
Jack McRitchie 150 Posted February 24, 2007 Outstanding, Marco, a really interesting picture. I'll let others deconstruct this one but it works so well on so many levels. What an eye to catch this! Your second version might even be stronger. This one goes into my permanent collection. Link to comment
pepa_de_rivera1 0 Posted February 24, 2007 Lo que mas me llama la atenci�n es -como bien has apuntado tu- el marco dentro de otro marco, el redondeado dentro del que forma la propia foto donde todo el ambiente es rectilineo. La opcion de que el hombre estuviera menos centrado seria la mas logica y equilibrada, pero tal como esta le da un punto de vista diferente, y sobre todo... seria otra foto. Link to comment
atoscano 0 Posted February 25, 2007 Hola marco interesante imagen, a mi no me molesta que el sujeto este centrado, ya que como tu bien dices, lo equilibra el expositor de la izquierda. PD. mi foto de Arias Montano la puedes ver sin papelera en retratando.com o en mi albun de Picasa. Un abrazo. Link to comment
azenall 0 Posted February 25, 2007 Es la imagen del hombro absorto en la contemplacion lo que hace la foto. Bien trabajada para un lugar con pocas posibilidades. Por cierto, Marco, que te parecen estas 2 fotos que subi a critica?: Esta es la que prefiere la gente http://www.photo.net/photodb/photo?photo_id=5641826 pero mi favorita es esta otra, que me da que ha pasado desapercibida, y no se porque: http://www.photo.net/photodb/photo?photo_id=5641793 Ambas estan hechas ayer sabado en una larguisima sesion de fotos con un amigo. Un gran saludo. Link to comment
cherlyn 1 Posted February 26, 2007 Very interesting with the man right in the middle, forming part of the painting naturally. Link to comment
josemiguelnieto1 0 Posted February 26, 2007 Con una composicion casi geometrica, que rompes conscientemente con la incorporacion de la vitrina de la izquierda, consigues resaltar la poco usual forma de la pintura. La incorporacion del sujeto, que se situa justo en el centro para poder contemplar la obra, como no podia ser de otra manera, da consistencia y realismo a la escena. Un trabajo documentalista muy atractivo Marco. Saludos Link to comment
marco_ruggiero 0 Posted February 27, 2007 Jack:Thank you for your very genrous comment, and I do like myself a great deal, Thanks I am flattered.Pepa y Antonio:Muy agradecido por vuestras sugerencias y comentarios. Apuntadisimos y siempre me muestran una manera nueva de ver las imagenes.Gerardo:Gracias por tomar el tiempo y comentar en mis imagenes siempre aprendo ed ti. Como tu viste ya te comente en esas dos fotos buenisimas.Cherlyn:Welcome back from your vacation I hppe it was an enjoyable one, hope to see some good images from it.Jose Miguel;Juan Ramon:Halagadisimo con vuestros comentarios. Muchisimas gracias. Link to comment
daily_photograph 0 Posted February 28, 2007 In the thumbnail I "saw" him embracing the picture with his arms. You "picture" him doing that with his senses ... Link to comment
fpferreira 0 Posted June 13, 2007 The effect that Art has in each one us... I can see my self repeating the gesture of staring at this piece. Congrats! FF Link to comment
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