joe_paulo1 Posted April 10, 2004 Share Posted April 10, 2004 hi, thanks for taking the time to look. this week i while at work (advertising studios), i found a box of 2005 dated fujichrome 64 rtp tungston with 9 sheets in, i also found a box of 10x8 kodak 100iso daylight with 3 sheets in (also well in date). i realise that the fuji will have to be used in a studio. i am going to borrow a 10x8 camera in 2 weeks to shoot the stuff. but i have no idea about is what to shoot, i want to try and be creative with the perspective alterations that LF allow. I also thought it would be good to do an extream close up portrait, apart from that i havnt had any ideas. i have never used LF before (althought i have been shown how to and seen them used alot) i use mainly MF. all sugestions and tips would be great. the other thing i ment to say is that it would be nice to have a shoot that will capture a huge amount of detail/ information. thanks alot in advance .Joe Link to comment Share on other sites More sharing options...
tim_curry Posted April 10, 2004 Share Posted April 10, 2004 Joe, The 8x10 tungsten film would be great to use at night in the city. Find a tall building or parking garage and compose a night shot with something interesting in it. You may want to spend an evening or two with a 35mm camera and a roll of 64t to practice first. Write down exposures and take notes on each one to see what you get with bracketing, then just use the 8x10 in a similar lighting situation to get a good image the first time. As far as perspective alterations with 8x10 go, a little movement is a lot. The sales images you see with a view camera's bellows extended and twisted like a contortionist are not usually correct for taking a picture. A small amount of tilt, swing, shift or rise is usually plenty. Caution: Playing with 8x10 can be addictive. The surgeon general has found it to be a cause for chiropractic therapy, financel counseling and large lab bills. You may decide medium format is too puny once you see the chromes on a light box. Link to comment Share on other sites More sharing options...
deniz_merdan Posted April 10, 2004 Share Posted April 10, 2004 If i were you i would use couple of sheets outside in daylight and cross process it. Now that would be fun!! as in studio shots, i would try some tabletops and maybe couple of models. good luck Link to comment Share on other sites More sharing options...
joe_paulo1 Posted April 10, 2004 Author Share Posted April 10, 2004 cheers Tim, i think that a london city scape and a portrait it is. i can see what you mean about the costs, where i work you see people shooting hundreds of 10x8 sheets in a day so their film costs alone for a week could run into the tens of thousends £££££ and then there is the processing, i am the great postition of getting all my e-6 processing done for free. i am really exited about my first adventure into large format and seeing the results on a light box, i have been wating for months to get the chance to shoot LF, i have wanted to since i first saw one of nick knights 10x8 transarencies coming out of the dryer at work. Joe Link to comment Share on other sites More sharing options...
thirteenthumbs Posted April 11, 2004 Share Posted April 11, 2004 Put it a box and send it to me and I'll put it to good use so you can quit worrying about it. Link to comment Share on other sites More sharing options...
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