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Noctilux vignetting


jschweigl

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I've used the noct for the first time at daylight and have consistent

vignetting on all the frames I shot at f 1. I attached an example

picture. I've read about vignetting here but never saw it actually.

Quite strong. Is this normal or has my noct got a problem?

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I am not sure why one would want to use f1 in a street scene such as this one in broad daylight unless you wanted to remove a nearby subject from the background.

 

However that's neither here nor there. This is Vignetting with a Capital V and I would have been disappointed to see it on a 30 year old Olympus Trip 35 let alone a £1700 lens!

 

I assume no filters or shades were employed.

 

I have been looking again at Tony Rowletts Noctilux page and can see none of this bad behaviour on his pics. It must be your lens.

 

http://www.alaska.net/~rowlett/noctilux.htm

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I believe I've seen vignetting pretty darn similar to yours before, on this photo of a bldg. during the daytime, and the photog noted the vignetting as a characteristic of the lens. I don't have the web address though. May be normal?
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The vignetting is perfectly normal. It is designed that way to eliminate some nasty skew rays when the lens is wide open. If you look at the front element, it is recessed significantly more than other normal/wide lenses. The wide open vignetting is one of the Noct's signatures.
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Day or night, the Noctilux vignettes when shot wide open at f/1.0.

 

Your example is a bit flat in contrast, and I suspect it may visually

be exaggerating the effect slightly.

 

Used during daylight it is great at helping isolate a subject from

the background, especially when shooting something that isn't

really close to you like the "Alert Retailer" shot I posted here. This

picture was slightly cropped in from the left, but the upper and

lower right side shows the vignetting from shooting the Nocti

wide open.<div>004klD-11924984.jpg.179f49547cb9e36b295bafb82e7674cc.jpg</div>

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Johann. I see nothing to indicate anything wrong with your particular lens. The noctilux has approximately three-stop vignetting center to corner at F/1.0 If you look at the light falloff diagram for this lens (it is in the booklet on current Leica lenses by Erwin Puts), at 21 mm from center (which is in the extreme corners), the relative illumination is 12.5% or so, which is three stops. The relative illumination in the corners increases significantly as the lens is stopped down, which is why street scenes like this should not be made at F/1.0, except as a test.
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I'd bet that stopping down to f/1.4 would noticablly decrease vignetting. I've never used the Noct, but wide-open Noct shots on the forum seem to show this amount of vignetting. Leica should include instructions with each Noct that advise owners of this characteristic. One thing I note is the background being out of focus. This shot, even with vignetting, would have looked better if the focus were set at infinity, or close to it.
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<p>Thanks to all, I'm relieved now. I simply haven't seen this phenomenon in all its glory before as I always shot in available darkness. Think I'll keep using the noct at f1 what it is designed for. Stopped down a little, I do like the corner falloff somehow. I posted a picture in the "No words: walking" thread that must have been shot at f1.4 or 2.</p><p>@manu: yep, my Holga does pretty the same and I really love it for that<br><br><center><a href="http://www.photo.net/photo/1212832&size=md"><img border="0" src="http://www.photo.net/photodb/image-display?photo_id=1212832&size=sm"></a></center>
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<i>

The wide open vignetting is one of the Noct's signatures.

</i>

<p>

Interesting. If it were a $50 point and shoot it would be a flaw. In a Leica lens it's a signature! Sort of like how rich people are eccentric, whereas the rest of use are just weird.

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My Swiss Switar 13mm F0.9 has vignetting too; it was helpfull when using slow Kodachrome II/25 type A tungsten movie film; which has an asa of 40. The movie light bars were super hot; this super fast lens could get some indoor shots with all the roome lights on full blast; and no hot movie bar. It too had vignetting too; all super fast lenses do.
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