michaeljlawson Posted August 12, 2008 Share Posted August 12, 2008 Hello, I was taking some pictures at the local zoo yesterday and one of them was through a fence. There is still a slight haze where the blurred out fence was across the image. Any tips on removing it? The image is here: http://www.photo.net/photo/7663606 Thanks, Michael Link to comment Share on other sites More sharing options...
silverdae Posted August 12, 2008 Share Posted August 12, 2008 Try this: a rough selection of the "hazy" area. Make a new adjustment level and add contrast via levels or curves to the selected hazy part. Blur the mask or touch up the edges of the mask with a big soft brush to blend it into the rest of the image. Good luck! Link to comment Share on other sites More sharing options...
michaeljlawson Posted August 12, 2008 Author Share Posted August 12, 2008 Thanks Jen. I tried that quickly and see that it will take a little more time to get it right, but it should do the trick. Thanks again, Michael. Link to comment Share on other sites More sharing options...
AaronFalkenberg Posted August 12, 2008 Share Posted August 12, 2008 Or, if you want to work "quick and dirty" on the image itself, use the "burn" brush in the tool palette: set it to midtones and an amount of about 10%. Two seconds and you'll never know there was anything between you and the cat. Link to comment Share on other sites More sharing options...
michaeljlawson Posted August 12, 2008 Author Share Posted August 12, 2008 "Quick and Dirty" wins (No offense Jen)....Thanks for the tip Aaron Link to comment Share on other sites More sharing options...
silverdae Posted August 13, 2008 Share Posted August 13, 2008 I see... ask a question and then don't take my advice... thanks... :-) Dodging/burning is a great way too. To add to that tip, try this- hold down alt and click "create new blank layer." When the dialog pops up, choose "soft light" or "overlay" (I prefer soft light) and choose "fill with neutral color 50% gray." Then dodge and burn on this layer. You'll see less of a saturation increase (even less so with soft-light). This is good when you are working on skin tones in the future, or if you just can't keep the saturation down on an image by burning on a normal layer. Link to comment Share on other sites More sharing options...
michaeljlawson Posted August 13, 2008 Author Share Posted August 13, 2008 Thanks again Jen, I will play with that method too. Link to comment Share on other sites More sharing options...
michaeljlawson Posted August 14, 2008 Author Share Posted August 14, 2008 That works nicely too. It's going to take a while to perfect any of these, but it's looking better each time. I appreciate both of your assistance. Link to comment Share on other sites More sharing options...
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